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Posts Tagged ‘writing advice’

The excellent Elizabeth Bear has a good post on how to get past “rave rejections.” You know the ones, where they tell you how great the story is but sorry, can’t use it.

Her advice? Focus on Voice and Narrative. While these suggestions are hardly new she does frame them in concise, useful language that cuts through the extensive “how to” checklists so often found in writing advice. Here she is on how to grow a voice:

Write a lot. Work at identifying and expunging cliches and lazy word choice from your prose. Find sharp verbs and strong, observed details. Read things out loud and if you don’t like how they sound, change them. Embrace whimsy and quirkiness, but only inasmuch as it is natural to you: otherwise you run the risk of becoming twee. Play with pastiche. If you have a natural wit, let it shine through. Be playful.

On narrative drive and creating characters readers care about:

A character who loves something, or who holds fast to an ideal, is humanized and becomes approachable. A character who takes action lures us unto caring about what she cares about.

We love people who fight.

It’s a great post, short, approachable, with a “manageable bite-sized helpful chunk” of useful information. Also, bonus points for using a funny video of David Bowie to make her case.

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In writing, brevity works not only as a function of space on a page, but the time that an audience is willing to spend with you.

A friend sent me an excellent article this morning, with some of the most useful advice I can think of for writers. It can also be one of the least welcome suggestions:
Keep It Short.

Danny Heitman’s essay uses this pithy guidance to sum up a lot of bits writers hear when trying to improve their craft: be concise, be concrete, be on point, write for your audience, etc. This does not mean blindly banging away on the Delete button, mind you:

I frequently hear champions of brevity advising writers to cut their word counts by scratching all the adjectives or adverbs… The point of brevity isn’t to chop a certain kind of word, but to make sure that each word is essential.

Short version, keep it short. (Although I can’t help myself, here’s one more quote from the article, this time citing John Kenneth Galbraith):

The gains from brevity are obvious; in most efforts to achieve it, the worst and the dullest go. And it is the worst and the dullest that spoil the rest.

Draft your short story, essay, poem, novel or recipe, then if you have a little time, put it aside. When you come back to it fresh, make friends with that Delete button.

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