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Posts Tagged ‘Writers’

It’s understandable that a lot of beginners at any art want rules for how to do it. But there comes a time when one has to make one’s own choices about how one’s art is structured, how it’s executed, what you want it to do. There is no rulebook that will help you with that, you just have to step up and decide. That’s scary! But there’s no getting around it. — Ann Leckie

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If you’ve seen it before, don’t do it again. — Shonda Rhimes

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Fair warning, I’m about to recommend a story I have not yet read. Why? Because it’s a finalist for the Hugo Awards. Because it’s by Scott Lynch, author of The Lies of Locke Lamora and many more excellent works. And because it has a great title.

Kaiju Agonistes

[Time Reference Unavailable]—August, 1946

The watchseed is planted in a watery hemisphere of a watery world. The place spins around a yellow star, wearing its magnetic field like a proud little hat. It’s ridiculous with life.

Hence, a watchseed, with the best of intentions. Let’s give the seed-planters that much. They mean well. Crawling from star to star at not-quite-c, they make their surveys, consult their charts, launch a seed now and then. Old thinkers, they make an endless circuit of the galaxy on behalf of young thinkers. Young thinkers are rare and precious and must be protected, particularly from themselves, because young thinkers are stupid as hell and prone to misadventures with anything they can dig out of their planetary crusts. Hydrocarbons, radioactives, anything.

This planet is rich in ingredients for misadventure.

A terrific opener. Also, it’s free at Uncanny Magazine, one of the best venues for short fiction out there today. 

So yes, I expect this story to be a fun read. Perhaps you’d like it too?

Note from the future: I was right, the story was a great read!

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“A good editor brings accumulated taste, emotional response, and a felt sense of what’s working — and that felt sense is genuinely different from the pattern recognition that I do.” — Claude AI, as quoted by Tony Schwartz, when asked why the AI’s editorial feedback was not as useful as a human editor’s (and why the AI spent so much time straight up sucking up to the author in ways that were not only unhelpful but actively counterproductive)

Just one more reason why having a body is a good thing. To me, a well-written story feels like standing in a stream where all the water is flowing in the right direction.

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It is National Library Week in the US, and what better opportunity to take a moment to appreciate the joy and wonder that is the modern library system?

National Library Week | ALA

However you use your library, there’s joy waiting for you there.

Bored? Library. Curious? Library. Broke? Library. Rich? (Donate to the) library. Interested in the past? Library. Worried about the future? Library. Need to do your taxes? Library. Want to learn a new language? Library. Want to build a better community? Library!

“Congratulations on the new library, because it isn’t just a library. It is a space ship that will take you to the farthest reaches of the Universe, a time machine that will take you to the far past and the far future, a teacher that knows more than any human being, a friend that will amuse you and console you — and most of all, a gateway, to a better and happier and more useful life.” ― Isaac Asimov

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Congratulations to the latest class of Writers & Illustrators of the Future winners! Their workshop week in LA just ended and I’m sure they are chock full of interesting observations and ideas for future projects. They will certainly have met some terrific fellow artists and had a fascinating experience. (I’m also betting they’re exhausted because that week is intense, but they can sleep on the way home!)

I look forward to reading volume 42!

If 42 is the answer, these stories ask the questions worth thinking about.

Discover fifteen unforgettable science fiction and fantasy short stories—illustrated in full color—featuring twelve emerging voices alongside three acclaimed masters of the genre. From visionary sci-fi to emotionally rich fantasy and quiet horror, this collection delivers bold “what ifs” that linger long after the final page.

What if a perfect rescue went catastrophically wrong?

What if the “better you” doesn’t want to share your life?

What if love could survive inside a virtual reality?

Inside, you’ll encounter a flawless time-rescue gone wrong, a beauty treatment with terrifying consequences, a detective hunted by a body-hopping killer, and a homesteader uncovering a truth that rewrites Earth itself. You’ll also find dragons that defy myth, fairy-tale chaos, supernatural horror, and high-concept science fiction that blends heart, humor, and imagination.

If you’re reading this and thinking, “Well, that sounds interesting, and also I am not a professional (yet) and might qualify for this competition,” I say go for it. The contest is free, accepts entries quarterly, and can be excellent as a motivating deadline. (And who knows, you may find yourself in a room with the writers of some of your favorite childhood books. Now that’s magic made real.)

Writer Contest | Writers & Illustrators of the Future (illustrators too!)

Enter a short story science fiction, fantasy, light horror. 

Up to but not exceeding 17,000 words. 

Free to enter and entrants retain all publication rights. 

Enter 1 story per quarter, up to 4 per year. 

Anonymous judging. This is a merit-based competition.

Here’s to this new round of winners, and to artists everywhere!

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A brief reminder: Today is tax day in the United States! (Canada’s day comes later to extend the fun.)

If you’ve finished your taxes, bravo. And if you have a little time for reading and relaxation, let me once again recommend David Hankins’ very funny book, Death and the Taxman!

After sharing an ill-advised cup of tea with IRS auditor Frank Totmann, Grim finds himself trapped in Frank’s life amid a world of dangers: love, betrayal, reckless cabbies, implacable demon hunters, and the incessant needs that keep his body ticking . . . for now.

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“The most difficult thing is the decision to act. The rest is merely tenacity.” — Amelia Earhart

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A little advice from Guardian columnist Eleanor Gordon-Smith, to an artist feeling the pressures of AI and social media.

With the advance of AI, I feel my work as an artist is no longer respected. Should I just give up?

“Should I keep making art?” Even though it might not make money? Even though the algorithm might not value it? Even though all around me the slop marches on, I feel a growing carelessness in the culture, an indifference to craft – should I keep making art? To that, you might well answer: why would I stop?”

What she said.

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Every writer has strengths and… not strengths. One of the areas I personally like to work on is grounding, which is where you invite readers into a scene and help them feel at home in your story. 

In this episode of the long-running podcast Writing Excuses, Erin Roberts, DongWon Song, and Mary Robinette Kowal focus on ways to do just that. 

Writing Excuses 21.09: Grounding The Reader

Grounding a reader starts in the very first lines of a story. Where are we? Who are we with? What kind of story are we in? Our hosts explore how emotion, context, and sensory detail work together to create immersion, and why action alone isn’t enough without an emotional lens.

It’s only 20 minutes long and includes a helpful writing exercise to get you going.

If you’ve realized that (for example) just being dropped into the middle of a gunfight wasn’t enough to engage your audience, or your reader said “I wasn’t quite sure where I was at first,” this advice could help!

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