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Posts Tagged ‘Writers’

I ran across a bit of writing advice from C.S. Lewis, from letters he wrote in the 1950s:

Advice to a Young Writer – The C.S. Lewis Official Substack

1. Always try to use the language so as to make quite clear what you mean and make sure your sentence couldn’t mean anything else.

2. Always prefer the plain direct word to the long, vague one. Don’t implement promises, but keep them.

3. Never use abstract nouns when concrete ones will do. If you mean “more people died,” don’t say “mortality rose.” …

Click through to the full list to see what resonates. Some of these work for me, some don’t (some days background music is very helpful!), but I find them all interesting as ways to think about how to do better as a writer.

I came to this site for the writing link, but also stumbled across an interesting discussion between Stephen Colbert and Greta Gerwig, who talks about her new adaptation of The Magician’s Nephew. This was never my favorite Narnia book, but maybe that will change? Her take on Barbie was an unexpected pleasure, and I look forward to seeing how she reinvents this Lewis story.

Greta Gerwig on The Magician’s Nephew

She talks about when she first encountered the books, how she tapped into C.S. Lewis’s creative instincts, and how she brought his rich imagery to life on the big screen.

Enjoy!

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On writing in genres that some may not appreciate, from a writer (and archaeologist!) whose work spans urban fantasy, steampunk, mystery, history, humor, and romance:

“It doesn’t really matter what people think (loudly, in public), because as the huge number of romance readers can attest, it will not impact your audience reach. We will survive despite mockery at cocktail parties.

If you leave readers with a sense of community and feeling happy? They will love you forever regardless of label.” — Gail Carriger, The Heroine’s Journey

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It’s October, so of course it’s time for the scary and the thrilling. And what have we here? A piece by John Scalzi, sci-fi author extraordinaire, on some of his favorite tales.

Best Sci-Fi Books With Monsters and Other Creature Features

Monsters are in the DNA of science fiction. Right from the beginning, they have shambled forth to represent the folly of scientists, the terror of the outsider and the sneaking suspicion that the actual monsters might not be who you thought they were. Without these creatures, science fiction would be much less interesting — and a hell of a lot less metaphorical. These are some of the best monster books, from the birth of the genre to one of its newest entries.

If you’re the sort of person who likes the scary stuff, enjoy!

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“If you feel safe in the area that you’re working in, you’re not working in the right area. Always go a little further into the water than you feel you’re capable of being in. Go a little bit out of your depth, and when you don’t feel that your feet are quite touching the bottom, you’re just about in the right place to do something exciting.” — David Bowie

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In some ways, this quote expresses a very Monday sort of sentiment, but I like that you can flip it from “must do” to “get to.”

“No one can build you the bridge on which you, and only you, must cross the river of life.” — Friedrich Nietzsche

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Oh look, I’m way behind today. Did I plan to get lots done? I did. Oh well!

“l often come back to a story I love about a wave panicking as it neared the shore, afraid it was about to disappear. Then, a smaller wave reminds it: You’re not a wave—you’re water. Plans will change. Your path will shift. And that shouldn’t be something to fear.” — Melinda French Gates

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As election season in the US ramps up, chaos continues around the world, and opening news and social media sites exposes you to a negatively incentivized firehose of information, what’s a creative to do?

These writers have Ideas.

21.37: Barrier Breaking: The World Is on Fire | Writing Excuses

“How do you continue to work? How do you survive? How do you be a person when everything around you is on fire without turning into the dog that says everything is fine?”

My day job involves a lot of news, so this is relevant for me. My usual approach is to try to write first thing in the morning, before I log on. It doesn’t always work but it helps.

(Let me say that elections and current events are important, obviously! I’m very much not recommending that you tune out completely, but I am saying that finding ways to give yourself some space for both creativity and news-related sanity is a good thing. Also, vote!)

While we’re at it, how can you translate your feelings onto the page in ways that help develop your characters and story?

21.39: Write What You Feel | Writing Excuses

The next time you’re actually experiencing a big emotion, this is how you can tell you’re a writer, is that you’re gonna sit there and go, can I use this? But think about like, what are your muscles doing?

What is your heart rate doing?

When you think back to that emotion, how does the temperature, that moment when the room is suddenly, you’re blazing hot or you’re suddenly cold, those people record those because that’s a thing you experience. How sensitive do you become to sound or touch or lights? What is your breath doing?

And then like your thoughts, what are you paying attention to? Do your thoughts feel smooth or are they skipping around? How is your memory attached to this?

I think all those somatic things are really, really wonderful.

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“Don’t ask what the world needs. Ask what makes you come alive, and go do it. Because what the world needs is people who have come alive.” — Howard Thurman

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For dinner-related reasons, Mr Man and I were recently discussing the humble fish finger. What were they like in childhood, which were the best now, and how does a “fish finger” get made, anyway? Imagine my surprise when I ran across this article on that exact topic. It’s interesting and full of supply-chain related surprises (that “30,000 mile” bit isn’t a typo!).

The 30,000-mile fish finger – by Ed Conway – Material World

This journey, a journey about which most people tucking into their fish fingers today are almost completely oblivious, tells you rather a lot about the way the modern world – what I like to call the Trade World – really works.

I find stories like this fascinating, and they’re also an interesting window into ideas for fictional worlds. If your fantasy kingdom has been around for a couple of centuries, it’s probably part of an international trading network. And that network would be rife with all kinds of history and conflict, complications and opportunities, legal and otherwise.

Just a thought!

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Some writing advice from agents, via Chuck Sambuchino:

What NOT to Do When Beginning Your Novel: Advice from Literary Agents

Just as important as knowing how to begin your novel is knowing what not to do.

In case you’re interested in some professional perspectives!

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