“I gave myself permission to care, because there are a lot of people in this world who are afraid of caring, who are afraid of showing they care because it’s uncool. It’s uncool to have passion. It’s so much easier to lose when you’ve shown everyone how much you don’t care if you win or lose. It’s much harder to lose when you show that you care, but you’ll never win unless you also stand to lose. I’ve said it before. Don’t be afraid of your passion, give it free reign, and be honest and work hard and it will all turn out just fine.” ― Tom Hiddleston
It’s Monday, which seems like a perfect time for a bit of wisdom on the intersection of art and commerce. This quote comes from sci-fi author John Scalzi, who has famously taken a stand on the importance of being paid for creative work, and knows a thing or two about building a viable living around art.
As a writer, and as a creator, nothing one ever does, professionally or personally, needs to be wasted. It’s all fuel for the creative engine…
Anyway: If you’re a writer or creator, never be ashamed of what else you do. It’s 2026 and this special flavor of gilded age we live in at the moment means that what qualifies as “selling out” has an extremely high bar. Making a living was very rarely “selling out” in any era. I think these days the phrase should be mostly reserved for writing things you absolutely don’t believe, for the sort of people you would in fact despise, with the result of your work is you making the world worse for everyone. Avoid doing that, please.
Short of that, get paid, have those experiences and develop new tools. All of it will be useful for the art you do care about. That’s not selling out. That’s learning, with compensation. — There Is No Selling Out Anymore
Roger didn’t like his drawings. He didn’t feel that he had any drawing talent. But then a girl named Zoe moved next door and handed him a magic black pen.
The lesson? Sometimes it helps to take things literally.
One of the best ways to understand art and think about developing your own abilities is to study those who came before. That applies to writers, musicians, painters and more. I’m going to go out on a pretty short limb and say that every master crafter out there had a “see Spot run” or “macaroni and string” phase.
The problem is that we don’t see that, we see their masterpieces. And that can be inspiring but also discouraging. How did they make the leap from macaroni to the Mona Lisa*?
That’s an excellent if somewhat off-base question. Because for most artists, that transition isn’t a leap at all. It’s more of a journey, and anyone can go on one of those. (Consider how often you hear someone being called an overnight success, and they laugh and say, “Yeah, but it took years.”)
Here’s an example from the art world.
Raphael is now considered one of the three great masters from the High Renaissance. (Leonardo da Vinci and Michelangelo being the other two, so he had a high bar to reach. My point is that he didn’t start out at the top.)
Where did he begin, how did he improve, and what lessons does his progress give to aspiring artists out there?
This video provides an in-depth look at the what, when and how of it all. Hopefully it can also provide some encouragement to anyone working to improve, regardless of their art form.
And while it’s true that talent helps and that there are child prodigies out there (looking at you, Mozart!), most who achieve excellence do it exactly the way you are doing it: setting goals, studying what works, and practice, practice, practice.
* A note on the title: I know that the Mona Lisa was Leonardo da Vinci’s masterpiece, and Raphael painted a lot of Madonnas, but given that titling this piece “From Macaroni to Madonna” seemed more likely to evoke ’80s pop music rather than classical art, I went with this instead. (Although to be honest, I’m feeling a little bad about this decision and may change it later!)
Sitting in my office in NYC, I sent a CNC machine in a guy’s workshop in Wisconsin a 40 by 25 pixel drawing and watched it flip hand painted wooden blocks across a grid, one by one, until the glorious smiling 404 Media logo appeared—then watched it slowly erase, like a giant Etch A Sketch, moving on to the next drawing.
“You shall, I question not, find a way to the top if you diligently seek for it; for nature hath placed nothing so high that it is out of the reach of industry and valor.”
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