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Posts Tagged ‘Fiction’

I’m very pleased to announce that my new story “The NuCorYou Guide for New Corporate Persons” (complete with terrific animated artwork by Gustavo Torres) is now up at Terraform!

We say this all the time, but: ours is a science-fictional world. Those Democratic debates? Staged like the Thunder Dome, sponsored by Facebook, with candidates talking marijuana and the finer points of Democratic Socialism? Couldn’t have made that up. As for Bernie Sanders railing against the catastrophic effects of corporate personhood, well—have we got a story for you. —The Eds.

The story is free and available to all. Enjoy!

NuCorYouTerraform

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I finally got to see The Martian this past weekend, and if you’ve been following the reviews at all my reaction will come as no surprise: it was great. What’s that, you’ve been busy/off the grid/media fasting? Here’s a trailer.

I read Andy Weir’s book last year so the specifics weren’t a surprise, but in this case knowing the story did nothing to detract from the experience. The execution, whether in terms of writing, acting, directing, or visuals, was a delight. The movie compressed the story in exactly the right ways, maintaining dynamism and tension in what could have been a dull one-man alone setting.

Also, no stupid characters were required to move the plot. Yay! You may not agree with every decision, but at no point did the script make some hapless individual look down at a big red button under glass and say, “Gosh, I know they told me not to touch anything but I wonder what this does,” literally or otherwise. Also times two, smart, strong characters, women included. How refreshing is that?

 

A lot has been written about the movie, and about Weir’s journey from self-published indie author to Hollywood hit, and it’s both interesting and well-deserved (see here and here and here and here, for examples).

As an entertainment consumer both versions scored high for me. As a writer, I was impressed by Weir’s concrete attention to detail, his willingness to dig himself into seemingly impossible holes, and his facility at getting out of them in realistic ways. Drew Goddard did an excellent job translating the book into a screenplay (I’d expect nothing less from this Buffy/Angel/Alias+ alum) for Ridley Scott.

I came out of the theatre kicking myself for not studying more math in school. Astronauts are awesome, and while most of us will never make that exalted level, there’s nothing to say we can’t try. (Ok, fine, my eyesight is bad and I’m going to go out on a limb here and assume that astronauts need to be able to do more than 10 pushups, but you get my point.)

Helping kids (and everyone else) see that science is about exploration, discovery, innovation, capability and (in this case) freaking outer space?

That’s exactly the kind of story I can get behind. Recommended.

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If we do find aliens someday, I hope they are carbon-based and heck, while I’m wishing, mammals. Why? Because I want to try their food.

On some days I think that food is as close to a universal language as we’ve got. This is hardly an original thought, but the millions of cookbooks and posts and discussions on food and its importance only serve to make my point.

dinner

Food is good stuff. It supports us, sure, but it also helps define us as individuals and as social animals. What did you have for lunch today? How did you get your ingredients? How did you cook it? Did you share it?

Many folks’ introduction to other cultures happens over a meal. I grew up in a small town that was relatively isolated in terms of culture. Meat by the loin, heaping helpings of potatoes, sweet corn, one overcooked and somewhat suspect green at the edge of the plate. That sort of thing. I still have a soft spot in my tastebuds for pork and sauerkraut, but by and large the food was straightforward, hardly adventurous.

My parents took care of that.

Facing down a future with nothing more radical than chicken and waffles (yes, my poutine-loving Canadian friends, it’s a thing and you’d adore it:), the parental units got their hands on books like The New York Times Large Type Cookbook and Mrs. Chiang’s Szechwan Cookbook (both of which I still have on my shelf) and went to work. My palate and my social perspective are better for it.

An article on NPR talks about a group of Hungarian foodies fighting anti-immigrant prejudice with dinner. What a brilliant idea. Eritrean sourdough pancake bread, Somali fried bananas, or Afghan pie with fresh Syrian cream cheese? Sign me up, and while I’m there introduce me to the people too.

Think about your day, and the role food played in it. Did you go out to the barn to harvest eggs? Or did you open the refrigerator? What would breakfast look like (yours or mine) if the international shipping industry shut down?*

IMGP3041

Food is a big deal, and sharing it is sharing part of who you are. It’s why we invite people over for dinner instead of going out, It’s why Italy, of all places, has made significant progress in gluten-free food awareness as a way to make sure that gluten intolerance doesn’t get in the way of social communion.

Honestly, I’ve always felt that one major flaw in much speculative fiction revolves around food. Let’s see, fantasy = stew plus berries and mead, science fiction = rations that sound a lot like the worst protein bar you’ve every had or meals in a pill.** That’s not entirely fair but it’s not all that far off, either. It’s also not, from my food-oriented point of view, all that realistic.*** Sure, humans can put up with a lot when we must. Conflict, migration, that first year away from home, all times of upheaval, culinary and otherwise. But people still remember their traditions.

What we really want is that moment when life returns to normal, and among other things “normal” means real food. Whether your definition of “real” means Thanksgiving dinner or a Ramadan feast or congee, we use food as a touchstone. Lose that, and we lose an important piece of ourselves. (That doesn’t mean we can’t change, as my childhood diet attests, but it’s not like I’m eating hydrolyzed protein three meals a day either. Things got better. And hey, I feel the urge to add yet another footnote!****)

I’ve always been a bit shy but I learned early that one surefire way to start a conversation is to ask someone what they eat.

So if aliens arrive and invite us to the table, I’ll bring a fork.

* Note to everyone suffering from imagined caffeine withdrawal right now: yaupon is a caffeine-containing tea plant native to the United States. Because aliens, zombies, or no, mornings need a boost, amiright?

** For future reference, fellow SF Canada writer Krista D. Ball has a highly detailed and useful book on realism in fantasy food (just how long does it take to make stew and how in blazes do I carry leftovers?): What Kings Ate and Wizards Drank.

*** For a fascinating look at the intersection of food and space exploration, check out NASA’s Food for Spaceflight or read the section on food (titled “Discomfort Food, When Veterinarians Make Dinner, and Other Tales of Woe from Aerospace Test Kitchens”) in Mary Roach’s excellent Packing for Mars.

**** A good example of this is our family’s holiday smorgasbord: a few years ago we made the shift from Grandma Johnson’s handwritten recipes (so homey!) for dishes like Swedish meatballs and limpa and roast pork to the spectacular versions of same in Marcus Samuelsson’s Aquavit. Yes, an Ethiopian-born immigrant throws down on traditional Swedish food and wins big. See what I mean? The food still says home, only better:)

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Phew! I finished up a big project today and sent it off, hooray, and now I’d really like to get back to writing. Fun writing, instinctive writing, stories that make me laugh (and sometimes cry) as I write. Time to push those annoying shoulds into the background for a bit and do what feels right.

Like beautiful fall days and star-struck nights, new challenges and, of course, cake:)

* I planned to embed a photo from Yellowstone here but Instagram links aren’t working for me right now, and my brain is too pre-lunch post-project squishy to fix it. I’ll work on it later, probably just a bad motivator, but in the meantime… Want to see something amazing? Click here🙂
… insert muzak …
** Oh goodie, broken Instagram is all better now. Enjoy!

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Apropos of my recent comments about Miss Fisher I feel it only appropriate to link to new fan fiction by the esteemed Mary Robinette Kowal. Her short story is a delightful combination of Marie Brennan’s Lady Trent and Miss Fisher’s Murder Mysteries:
A Study in Serpents

“I’m dreadfully sorry to intrude like this, but we are in need of some particular expertise.” She turned, silk flowing around her and gestured to the Detective Inspector. “Would you mind terribly looking at a specimen, Lady Trent?”

While you’re exploring fanfic, you may also want to enjoy Marie Brennan’s take on Mary’s Glamourist Histories, in which she explores the uses of glamour for representing classical mythology and, well, what else? Genteel (very, nothing explicit to see here) porn, commissioned by none other than Lord Byron:
A Classical Education

“The delicacy is really quite remarkable. Just the faintest hint of a blush across her face and her — ah –” She faltered, then forged ahead, knowing there was more than a faint hint of redness in her own skin. “A student of lesser skill would have left her looking like a tomato.”

Both of these pieces were born with off-hand comments and laughter, followed by quick and gleeful explorations of another world. Delightful, and a good lesson for writers of all stripes.

Have fun if you possibly can:)

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My new crush: Miss Fisher’s Murder Mysteries

What: Australian TV series set in the 1920s, featuring a murder-solving “Lady Detective”… which doesn’t really capture it at all:)

Where: Seasons 1 and 2 are available on Netflix (and elsewhere, including my public library, but Netflix works for me). Season 3 recently aired on Australia’s ABC TV.

Why? Because Reasons!

  • The series is based on the books by Kerry Greenwood, and because each episode (at least those I’ve seen to date) is based on its own book, the plot and character arcs tend to be layered and complex.
  • It features a woman (played by the fabulous Essie Davis, interviewed about the series on NPR) who is not afraid of action, bucking authority, family planning, sex, crossing racial or class boundaries, believes whole-heartedly in nonjudgmental good works, tolerance, and enjoying the hell out of life.
  • Great mix of characters and story lines, plus incisive social commentary incorporated in an interesting way.
  • I’ve seen the series described as “competence porn” and while I think the lead character could benefit from a few lessons on how to hang on to one’s pistol and the downsides of scaling buildings in heels, I’d have to agree. She always solves the case, rescues herself and everyone else, and gets the gun back. Also, her skills with a grappling hook are impressive.
  • The clothing gets talked up a lot in reviews of the show and while I’m not a fashion devotee, it’s true, the outfits provide a beautiful and fascinating glimpse into Jazz-age apparel. In this article at The Australian, designer Marion Boyce discusses the process of outfitting the series. Fun fact: Instead of using vintage items, most of the costumes were made for the show, in part because modern humans are differently proportioned than they were even a hundred years ago.
  • Insanely catchy theme song🙂

 

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Sci-fi writer Charles Stross has two of his works available as free ebooks, including the Hugo-nominated-novellete-series-turned-book Accelerando:

It’s the definitive Singularity novel, covering three generations of a highly dysfunctional posthuman family as humanity itself is rendered obsolescent by the blistering pace of technological change.

Granted, I’d rather not be rendered obsolete just yet but it’s good to be prepared, right?

If you’re looking for more Stross to sample, a free ebook of Stross’s collaboration 2012 with Cory Doctorow The Rapture of the Nerds is also available. Thank you, Creative Commons!

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Ooh, fun! I’m happy to announce that I have a new flash fiction story at EGM Shorts*: Magic Life. The story is free and (by definition) short, so if you find yourself with a moment to spare and the urge to slip into a bit of fantasy, check it out:)

* Short for Evil Girlfriend Media, a most excellent name.

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I’ve come across an interesting new project spearheaded by writer/editor Kristine Kathryn Rusch. As a way to spotlight women writers in science fiction, she is building an anthology for Baen Books of classic stories and more contemporary works, all written by women. She proposed this project as a way to preserve excellent but often underexposed work:

I don’t want this volume to look like something you have to read in a college literature class… I want these stories to be by women, yes, but about anything. And I want them to be rip-roaring good reads.

While I agree the anthology’s working title of “Tough Mothers, Great Dames, and Warrior Princesses: Classic Stories by the Women of Science Fiction” is unwieldy at best, this looks to be a great project overall.

Rusch has also started a Women in Science Fiction website linked to the project, as a way to highlight and preserve women’s history in speculative fiction. The site showcases authors by award nominees, female firsts, and genre, among other categories.

The website is brand new and still a work in progress, and she’s open to suggestions. Part of her goal is to supplement the admittedly limited amount of work she’ll be able to include in the anthology. If you’d like to recommend a favorite female author or story for inclusion, feel free to comment on her Suggestions page.

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BBC Radio 4 is producing a radio drama of Ursula Le Guin’s The Left Hand of Darkness. The BBC is known for its adaptations, including Terry Pratchett and Neil Gaiman’s Good Omens last December. I read a lot of Le Guin as a teen but I haven’t revisited this classic novel in a long time, and I’m looking forward to hearing what they do with it.

Adapted for radio by Judith Adams and released one episode per week, the series has just begun. Find it and supporting material, including a documentary with author interview, at BBC Radio 4.

Each episode will be available for 30 days, so if this interests you, don’t wait!

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