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Posts Tagged ‘Fiction’

CreativeCup
Despite the title of this post, it’s not about what you may think. Meet my creative cup.

I pulled it out of the cupboard today because I wanted not only tea but a particular mindset. For that I use a cup.

I can tweak my mental orientation on my own, but like a witch with a familiar I find this task easier with the right tools. I have work cups, I have dessert cups (for chocolate pudding, of course), I have everyday cups and I have fun cups. But this is the original, my first cup with a distinct personality. Also, its own special power.

It may not look like much, at first glance. The surface is a fine textured grey that appears dull in poor light, with an image of pussy willow branches in an understated earthy brown and sky blue. There is a small chip on the lip, just above the handle. It could be any cup.

But it also has a larger-than-normal capacity, good for long days and challenging projects. It has tiny dimples where the layered paint is marginally thicker, enough to provide subconscious grip for tired fingers. The handle is both wide and flat for stability without bulk. It has a thin lip that doesn’t drip no matter how distracted the user. And it was given to me by a high school teacher whose name I can’t remember and whom I’ll never forget.

Many people (and, dare I posit, most writers?) were fortunate enough to have a teacher like this. She helped me explore new challenges, let me design a class when the schedule didn’t offer what I wanted, talked about the world outside of school as if it were a treasure box. She ran at lunch and ate interesting food at a desk by an oversized window, trim and fit with shoulder-length brown hair and a joyfully pragmatic outlook on life. She lent books and awarded class credit for wildcrafting my own dyes, medicines and poisons that would have done a 17th-century physicker proud.

She stayed with our school little more than a year, I think, but that was enough. The night before they left she and her husband arrived at our doorstep, a small wrapped package in hand. A gift, she said, that she hoped would suit. Something to take with me on my path.

I untied the ribbon. I tore the paper. Those are long gone. I still have the cup. When I want invention, when I want off-the-beaten-path imagination, when I need the encouragement to create and the belief that the world is still a wondrous treasure, this is my companion.

I thanked her. I am still thanking her, every time I use this cup.

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Today seems like a fine day for another visual writing prompt. The weather here in Ontario is starting to improve but there’s still a great deal of snow outside, and most of what I see is some shade of white. Perhaps that’s why these colorful images appeal to me. Or maybe it is the sense that their surface beauty is a veneer over danger, and a deeper mystery.

Enjoy!

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Terry Pratchett, author of the Discworld series, dies aged 66

The Guardian reports that Sir Terry Pratchett, author of the Discworld series and many other books, has died at home “with his cat sleeping on his bed” and surrounded by family. His intellect, creative abilities and incisive sense of humor will be sorely missed.

I think I’ll read Good Omens next, to remind myself of Pratchett’s genius, the power of writing (and humor in the face of the apocalypse), and the pearls we can leave behind if we’re willing to keep pushing ahead.

Addendum: A lot of nice tributes are going up online but I thought I’d direct you to one in particular, Jo Walton’s “Reminiscence” at the Tor.com blog. She says it well: “The writing will live on. Death sucks.”

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Back in the fall, The Geek’s Guide to the Galaxy interviewed Patrick Rothfuss about his new book, The Slow Regard of Silent Things. In it, he touches on the details of his writing process, the likelihood that he revises “more than anyone else in the genre,” why his prose sounds like “dark chocolate,” role-playing games and many other topics.

… because we have the ability to have fantastic plots and armies clashing and magic and dragons, it’s easy to leave out other things and one of the hardest ones to do is language.

If you’re interested in the process of fiction, in Pat’s writing, or in why he thinks you might not want to buy his new book, check out the full transcript now posted by the good folks over at Lightspeed.

* As an added bonus, the interviewer describes fantasy and science fiction as “the imagination Olympics.” So true!

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Gerardus Mercator was born today in 1512. Yes, that Mercator, as in maps, as in one of cartographic history’s groundbreaking creations, the Mercator Atlas. The Mercator projection* displayed latitude and longitude as a grid, which (while causing all sorts of difficulties with pole-proximate object scales that persist to this day**) allowed sailors to plot their courses in straight lines. Sounds like a simple thing? Try calculating where you are, and where you need to go, while tossing up and down on the deck of a ship in the middle of the Atlantic Ocean, using hand-held scientific instruments and a flattened, rum-stained ellipse with sea monsters at the edges, then see how you feel;)

In honor of Mercator’s 503rd birthday, I want to point my fellow writers to an article on the right ways (and wrong ways) to build a cartographic history for your fantasy land:
10 Rules For Making Better Fantasy Maps

I particularly like suggestion #3 for urban fantasists; when it comes to understanding city form, it’s hard to go wrong with Kevin Lynch at your side.

Map: a useful distortion of reality.

* For more on Mercator’s process and the social context in which he produced his maps, see this excerpt from Mark Monmonier’s Rhumb Lines and Map Wars, via the University of Chicago Press.

** Check out this interactive puzzle map for a fun demonstration of size distortions.

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Ursula Le Guin has an interesting piece up at the Book View Cafe blog about Kazuo Ishiguro’s new novel The Buried Giant. She has issues with specific elements of the book but the part that caught my attention was the reason she felt compelled to write the piece in the first place.

In an interview, Mr. Ishiguro wondered whether his readers would label the book as fantasy. And, as Ms Le Guin says, “It appears that the author takes the word for an insult.” Regardless of Ishiguro’s intentions, this provides Le Guin with a jumping off point for discussion. Her defense of fantasy is concise and compelling.

Fantasy is probably the oldest literary device for talking about reality.

As she lays out the case for fantasy as more than “childish whims,” I am again reminded that the value of imagination lies not in its escape from reality, but in its distillation of significant questions of life and death, purpose and perils, loss and joy. In short, the human experience writ across the universe.

That’s big. I’d better get back to work.

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I am happy to announce that I will have a story coming out in the Summer quarterly of Mad Scientist Journal. “Just Like [Illegible] Used to Make” originally appeared in Perihelion Science Fiction, and I’m quite pleased that this story has found another venue.

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I have the urge to post a visual writing prompt. If you’re reaching for creative writing ideas, check out this series of three potentially connected images (is it just me, or is there a lot of post-Apocalyptic quest story coming off of these pictures? :):

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Interesting news, and a big change for the Science Fiction and Fantasy Writers of America:

SFWA Welcomes Self-Published and Small Press Authors!
…the basic standards are $3,000 for novel, or a total of 10,000 words of short fiction paid at 6 cents a word for Active membership.

More information is included in the linked article, and full details will be posted at the SFWA site in March. Given the shifting landscape of publishing and the multitude of ways authors now have to reach an audience, this is great news. If you write and are paid at a professional level, you will be eligible for SFWA membership regardless of venue. All the more reason to keep at it:)

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