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Posts Tagged ‘inspiration’

If you want to increase your success rate, double your failure rate.
— Thomas J. Watson

Today I finish two new stories and submit them. At least, that’s my plan. It’s a good plan. Even if I lose, I win:)

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From Flash Fiction Online’s Facebook page. I can’t even say how much I love this…

Like many other committed readers and writers, I spent a significant part of my time from childhood on in public libraries. People often take them for granted now, but imagine a time (or place) where you couldn’t pop down to the corner for a book, or a consultation with a librarian, or a safe quiet place to read and work, where knowledge wasn’t freely available to all. What a wonderful invention.

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Crime Novelist Elmore Leonard Dies

Elmore Leonard died today, after a recent stroke and related complications. That’s sad in all sorts of ways, most importantly for his family but also for his fans.

That said, I have had it up to here with death.

Yes, it’s inevitable. Yes, you only have one life and then poof, gone. But what if you have an impact on the people around you that will last beyond your lifetime? What if you are thoughtful and kind and concerned about bringing the best to our shared world? And what if you are a writer with the sort of innate feel for dialog, story and character that Elmore Leonard had, dedicate your efforts to the constructive pursuit of creativity, and work hard enough and well on work like Get Shorty and Maximum Bob?

Then you earn a devoted following of fans who will not only remember your efforts but will see the world in a slightly different way, thanks to your work. I am such a fan. Mr. Leonard will be missed.

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Good morning!

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Just in time for Comic-Con, Linda Holmes over at NPR’s Monkey See pop-culture column has written a lovely piece today. It’s framed as a letter to “young creative weirdos,” those who may be socially awkward now but who will constitute our next wave of creators, of thinkers, of innovators. Here are a few excerpts, but if you are interested in encouraging young people to do more, do better, do different, I suggest you read the whole thing.

On change, and the making of same:
Don’t confuse what people are getting with what people want…. If you had told people [100 years ago], “I am a young person, and I intend to create Superman,” they would have told you, “That’s nice, dear, eat your dinner.” Things change.
On feedback:
Only listen to it if it’s supposed to make you better, not if it’s supposed to make you stop.
On work:
Write a lot, paint a lot, shoot a lot of film, take a lot of pictures, dance a lot, sing a lot, whatever the thing you do is, do it a lot.
Keep going.

This is exactly the sort of letter I would have appreciated as a kid. Pass it on.

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Today’s useful writing link: David Mamet’s Master Class Memo to the Writers of The Unit. Originally written in 2005, it remains as concise a discussion of dramatic writing as I’ve seen. Funny too. For those of you interested in writing, I highly recommend that you read the whole thing (it’s not long); here are a few excerpts to whet your appetite.
 
QUESTION:WHAT IS DRAMA? DRAMA, AGAIN, IS THE QUEST OF THE HERO TO OVERCOME THOSE THINGS WHICH PREVENT HIM FROM ACHIEVING A SPECIFIC, ACUTE GOAL.
SO: WE, THE WRITERS, MUST ASK OURSELVES OF EVERY SCENE THESE THREE QUESTIONS.
1) WHO WANTS WHAT?
2) WHAT HAPPENS IF HER DON’T GET IT?
3) WHY NOW?

Ignore the typos and the all caps to focus on the substance. This memo is terrific advice for any writer, television or otherwise. 
  
START, EVERY TIME, WITH THIS INVIOLABLE RULE: THE SCENE MUST BE DRAMATIC. it must start because the hero HAS A PROBLEM, AND IT MUST CULMINATE WITH THE HERO FINDING HIM OR HERSELF EITHER THWARTED OR EDUCATED THAT ANOTHER WAY EXISTS.
 
 
LOOK AT THE SCENE AND ASK YOURSELF “IS IT DRAMATIC? IS IT ESSENTIAL? DOES IT ADVANCE THE PLOT?
ANSWER TRUTHFULLY.
 
On that note, it’s time to get back to writing:)

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It’s Monday, and I like to start the week with a healthy dose of motivation. This list is a mashup of writing advice from a number of sources, arranged in no particular order except that I believe the last one to be the most important. Bracketed initials at the end of each entry refer to the author key below. Today’s post is brought to you by the letter F (as in “finish!”).
  • Don’t use generic beginnings. [lb]
  • Don’t use slow beginnings. [lb]
  • Use the time of a total stranger in such a way that he or she will not feel the time was wasted. [kv]
  • Don’t try too hard. [lb]
  • Don’t use clichés. [lb]
  • Give the reader at least one character he or she can root for. [kv]
  • Every character should want something, even if it is only a glass of water. [kv]
  • Every sentence must do one of two things — reveal character or advance the action. [kv]
  • Start as close to the end as possible. [kv]
  • Be a Sadist. No matter how sweet and innocent your leading characters, make awful things happen to them-in order that the reader may see what they are made of. [kv]
  • Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages. [kv]
  • Structure, a.k.a. know where you’re going [jw]
  • Have something to say [jw]
  • Everybody has a reason to live, know who everybody is and why they’re there [jw]
  • Cut what you love [jw]
  • Listen to feedback [jw]…but also…
  • Don’t listen, and do the unexpected [jw]
  • Don’t sell out [jw]
  • Finish it! [jw]
Author Key and Citations:
[jw] Joss Whedon, adapted from Joss Whedon’s Top 10 Writing Tips.

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From an NPR article on a global “self-portrait” scheduled for July 19th. Thank you, Carl, for putting us all in perspective.

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Reblogging this because Elise Matthesen has been brave enough to turn a bad experience into something useful, and it may help someone in the future… although I hope you don’t need it.

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My friend Elise Matthesen was creeped upon at a recent convention by someone of some influence in the genre; she decided that she was going to do something about it and reported the person for sexual harassment, both to the convention and to the person’s employer. And now she’s telling you how she did it and what the process is like. Here’s her story.

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We’re geeks. We learn things and share, right? Well, this year at WisCon I learned firsthand how to report sexual harassment. In case you ever need or want to know, here’s what I learned and how it went.

Two editors I knew were throwing a book release party on Friday night at the convention. I was there, standing around with a drink talking about Babylon 5, the work of China Mieville, and Marxist theories of labor (like you do) when an editor from a different…

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“Write something, damnit! Send it in. Do it again.”
– Gardner Dozois

Because some days you (ok, I;) need a kick in the pants.

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