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Posts Tagged ‘sff’

Today is Back to the Future Day! In honor of Marty McFly’s time travel to the future in the second installment of that classic movie series, I shall microwave all beverages for exactly 1 minute and 21 seconds, wonder when I’ll finally be able to buy a real hoverboard, and think fondly of mad scientists.

You know, pretty much a normal day here at Chez J 🙂

FYI: I really did go back to work, but only after reading Neil deGrasse Tyson’s tweets on living in the future (us, now!), and Charlie Jane Anders’ 11 Incredible Secrets About The Making Of Back To The Future (because she is awesome and so is the movie), and then, heck, a couple of Star Wars articles, because Star Wars! Ahem.

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I’m very pleased to announce that my new story “The NuCorYou Guide for New Corporate Persons” (complete with terrific animated artwork by Gustavo Torres) is now up at Terraform!

We say this all the time, but: ours is a science-fictional world. Those Democratic debates? Staged like the Thunder Dome, sponsored by Facebook, with candidates talking marijuana and the finer points of Democratic Socialism? Couldn’t have made that up. As for Bernie Sanders railing against the catastrophic effects of corporate personhood, well—have we got a story for you. —The Eds.

The story is free and available to all. Enjoy!

NuCorYouTerraform

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I finally got to see The Martian this past weekend, and if you’ve been following the reviews at all my reaction will come as no surprise: it was great. What’s that, you’ve been busy/off the grid/media fasting? Here’s a trailer.

I read Andy Weir’s book last year so the specifics weren’t a surprise, but in this case knowing the story did nothing to detract from the experience. The execution, whether in terms of writing, acting, directing, or visuals, was a delight. The movie compressed the story in exactly the right ways, maintaining dynamism and tension in what could have been a dull one-man alone setting.

Also, no stupid characters were required to move the plot. Yay! You may not agree with every decision, but at no point did the script make some hapless individual look down at a big red button under glass and say, “Gosh, I know they told me not to touch anything but I wonder what this does,” literally or otherwise. Also times two, smart, strong characters, women included. How refreshing is that?

 

A lot has been written about the movie, and about Weir’s journey from self-published indie author to Hollywood hit, and it’s both interesting and well-deserved (see here and here and here and here, for examples).

As an entertainment consumer both versions scored high for me. As a writer, I was impressed by Weir’s concrete attention to detail, his willingness to dig himself into seemingly impossible holes, and his facility at getting out of them in realistic ways. Drew Goddard did an excellent job translating the book into a screenplay (I’d expect nothing less from this Buffy/Angel/Alias+ alum) for Ridley Scott.

I came out of the theatre kicking myself for not studying more math in school. Astronauts are awesome, and while most of us will never make that exalted level, there’s nothing to say we can’t try. (Ok, fine, my eyesight is bad and I’m going to go out on a limb here and assume that astronauts need to be able to do more than 10 pushups, but you get my point.)

Helping kids (and everyone else) see that science is about exploration, discovery, innovation, capability and (in this case) freaking outer space?

That’s exactly the kind of story I can get behind. Recommended.

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If we do find aliens someday, I hope they are carbon-based and heck, while I’m wishing, mammals. Why? Because I want to try their food.

On some days I think that food is as close to a universal language as we’ve got. This is hardly an original thought, but the millions of cookbooks and posts and discussions on food and its importance only serve to make my point.

dinner

Food is good stuff. It supports us, sure, but it also helps define us as individuals and as social animals. What did you have for lunch today? How did you get your ingredients? How did you cook it? Did you share it?

Many folks’ introduction to other cultures happens over a meal. I grew up in a small town that was relatively isolated in terms of culture. Meat by the loin, heaping helpings of potatoes, sweet corn, one overcooked and somewhat suspect green at the edge of the plate. That sort of thing. I still have a soft spot in my tastebuds for pork and sauerkraut, but by and large the food was straightforward, hardly adventurous.

My parents took care of that.

Facing down a future with nothing more radical than chicken and waffles (yes, my poutine-loving Canadian friends, it’s a thing and you’d adore it:), the parental units got their hands on books like The New York Times Large Type Cookbook and Mrs. Chiang’s Szechwan Cookbook (both of which I still have on my shelf) and went to work. My palate and my social perspective are better for it.

An article on NPR talks about a group of Hungarian foodies fighting anti-immigrant prejudice with dinner. What a brilliant idea. Eritrean sourdough pancake bread, Somali fried bananas, or Afghan pie with fresh Syrian cream cheese? Sign me up, and while I’m there introduce me to the people too.

Think about your day, and the role food played in it. Did you go out to the barn to harvest eggs? Or did you open the refrigerator? What would breakfast look like (yours or mine) if the international shipping industry shut down?*

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Food is a big deal, and sharing it is sharing part of who you are. It’s why we invite people over for dinner instead of going out, It’s why Italy, of all places, has made significant progress in gluten-free food awareness as a way to make sure that gluten intolerance doesn’t get in the way of social communion.

Honestly, I’ve always felt that one major flaw in much speculative fiction revolves around food. Let’s see, fantasy = stew plus berries and mead, science fiction = rations that sound a lot like the worst protein bar you’ve every had or meals in a pill.** That’s not entirely fair but it’s not all that far off, either. It’s also not, from my food-oriented point of view, all that realistic.*** Sure, humans can put up with a lot when we must. Conflict, migration, that first year away from home, all times of upheaval, culinary and otherwise. But people still remember their traditions.

What we really want is that moment when life returns to normal, and among other things “normal” means real food. Whether your definition of “real” means Thanksgiving dinner or a Ramadan feast or congee, we use food as a touchstone. Lose that, and we lose an important piece of ourselves. (That doesn’t mean we can’t change, as my childhood diet attests, but it’s not like I’m eating hydrolyzed protein three meals a day either. Things got better. And hey, I feel the urge to add yet another footnote!****)

I’ve always been a bit shy but I learned early that one surefire way to start a conversation is to ask someone what they eat.

So if aliens arrive and invite us to the table, I’ll bring a fork.

* Note to everyone suffering from imagined caffeine withdrawal right now: yaupon is a caffeine-containing tea plant native to the United States. Because aliens, zombies, or no, mornings need a boost, amiright?

** For future reference, fellow SF Canada writer Krista D. Ball has a highly detailed and useful book on realism in fantasy food (just how long does it take to make stew and how in blazes do I carry leftovers?): What Kings Ate and Wizards Drank.

*** For a fascinating look at the intersection of food and space exploration, check out NASA’s Food for Spaceflight or read the section on food (titled “Discomfort Food, When Veterinarians Make Dinner, and Other Tales of Woe from Aerospace Test Kitchens”) in Mary Roach’s excellent Packing for Mars.

**** A good example of this is our family’s holiday smorgasbord: a few years ago we made the shift from Grandma Johnson’s handwritten recipes (so homey!) for dishes like Swedish meatballs and limpa and roast pork to the spectacular versions of same in Marcus Samuelsson’s Aquavit. Yes, an Ethiopian-born immigrant throws down on traditional Swedish food and wins big. See what I mean? The food still says home, only better:)

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Sci-fi writer Charles Stross has two of his works available as free ebooks, including the Hugo-nominated-novellete-series-turned-book Accelerando:

It’s the definitive Singularity novel, covering three generations of a highly dysfunctional posthuman family as humanity itself is rendered obsolescent by the blistering pace of technological change.

Granted, I’d rather not be rendered obsolete just yet but it’s good to be prepared, right?

If you’re looking for more Stross to sample, a free ebook of Stross’s collaboration 2012 with Cory Doctorow The Rapture of the Nerds is also available. Thank you, Creative Commons!

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Ooh, fun! I’m happy to announce that I have a new flash fiction story at EGM Shorts*: Magic Life. The story is free and (by definition) short, so if you find yourself with a moment to spare and the urge to slip into a bit of fantasy, check it out:)

* Short for Evil Girlfriend Media, a most excellent name.

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I’ve come across an interesting new project spearheaded by writer/editor Kristine Kathryn Rusch. As a way to spotlight women writers in science fiction, she is building an anthology for Baen Books of classic stories and more contemporary works, all written by women. She proposed this project as a way to preserve excellent but often underexposed work:

I don’t want this volume to look like something you have to read in a college literature class… I want these stories to be by women, yes, but about anything. And I want them to be rip-roaring good reads.

While I agree the anthology’s working title of “Tough Mothers, Great Dames, and Warrior Princesses: Classic Stories by the Women of Science Fiction” is unwieldy at best, this looks to be a great project overall.

Rusch has also started a Women in Science Fiction website linked to the project, as a way to highlight and preserve women’s history in speculative fiction. The site showcases authors by award nominees, female firsts, and genre, among other categories.

The website is brand new and still a work in progress, and she’s open to suggestions. Part of her goal is to supplement the admittedly limited amount of work she’ll be able to include in the anthology. If you’d like to recommend a favorite female author or story for inclusion, feel free to comment on her Suggestions page.

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Today seems like a fine day for another visual writing prompt. The weather here in Ontario is starting to improve but there’s still a great deal of snow outside, and most of what I see is some shade of white. Perhaps that’s why these colorful images appeal to me. Or maybe it is the sense that their surface beauty is a veneer over danger, and a deeper mystery.

Enjoy!

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Back in the fall, The Geek’s Guide to the Galaxy interviewed Patrick Rothfuss about his new book, The Slow Regard of Silent Things. In it, he touches on the details of his writing process, the likelihood that he revises “more than anyone else in the genre,” why his prose sounds like “dark chocolate,” role-playing games and many other topics.

… because we have the ability to have fantastic plots and armies clashing and magic and dragons, it’s easy to leave out other things and one of the hardest ones to do is language.

If you’re interested in the process of fiction, in Pat’s writing, or in why he thinks you might not want to buy his new book, check out the full transcript now posted by the good folks over at Lightspeed.

* As an added bonus, the interviewer describes fantasy and science fiction as “the imagination Olympics.” So true!

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Gerardus Mercator was born today in 1512. Yes, that Mercator, as in maps, as in one of cartographic history’s groundbreaking creations, the Mercator Atlas. The Mercator projection* displayed latitude and longitude as a grid, which (while causing all sorts of difficulties with pole-proximate object scales that persist to this day**) allowed sailors to plot their courses in straight lines. Sounds like a simple thing? Try calculating where you are, and where you need to go, while tossing up and down on the deck of a ship in the middle of the Atlantic Ocean, using hand-held scientific instruments and a flattened, rum-stained ellipse with sea monsters at the edges, then see how you feel;)

In honor of Mercator’s 503rd birthday, I want to point my fellow writers to an article on the right ways (and wrong ways) to build a cartographic history for your fantasy land:
10 Rules For Making Better Fantasy Maps

I particularly like suggestion #3 for urban fantasists; when it comes to understanding city form, it’s hard to go wrong with Kevin Lynch at your side.

Map: a useful distortion of reality.

* For more on Mercator’s process and the social context in which he produced his maps, see this excerpt from Mark Monmonier’s Rhumb Lines and Map Wars, via the University of Chicago Press.

** Check out this interactive puzzle map for a fun demonstration of size distortions.

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