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Posts Tagged ‘The Atlantic’

Merry Christmas and happy holidays to all. If you have time between the presents and the eggnog and family celebrations, consider spending a few moments with The Atlantic’s series on writers, writing and the creative process, “By Heart.” I spotlighted the By Heart interview with William Gibson a few weeks ago, but there are dozens of other perspectives on creativity here as well.

…we live so many lives, contain so much experience, that even the people who know us best don’t know.

Claire Messud

Featured artists start with a favorite line from literature and go from there, discussing how that line shaped them, sharing practical advice on getting started, revision, productivity, genre fiction and more. Joe Fassler has a nice summary column called “How to Write: A Year in Advice from David Mitchell, Yiyun Li, and More” with highlights from the past year; the full series lives here.

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What draws a reader into a book? What breaks their connection with the material world and plugs the brain into an alternative dimension? Sure, cover design, a known author and positive publicity blurbs all have something to do with it, but as speculative fictioneer William Gibson argues in The Atlantic, the first sentence is what invites you in.

The First Sentence Is a Handshake – The Atlantic

For William Gibson, author of The Peripheral, a kind of invitation is extended—and readers will or won’t feel what he calls “the click.” But it’s not just about connecting with an audience. In a conversation for this series, Gibson explained how first sentences invite the writer, too: they contain a blueprint for the book that will be written.

I don’t write the way Gibson does, laboring over the first line until it is worthy of the effort the rest of the book will take, but I do go back to it and rewrite. Ahem. A lot.

The article is full of interesting thoughts from the man who coined the term “cyberspace.” For more on Gibson’s method, his views on the proper balance between mystery and clarity, and a discussion of his newest book, The Peripheral, check out the full article at The Atlantic.

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This!
The Gender Politics of Pockets by Tanya Basu.

Conditions are ripe for a revolution in pockets for women…

Go ahead and laugh if you like, but if you do I will argue that (imho) you are probably male. In my experience men often don’t realize that women’s pockets can be a total sham. This is why I liberated my father’s 1960s suit from the back of his closet in my teenage years (well, that and my flings with Vespas and British ska). This is why I adore the idea of Saint Harridan‘s suits for women (inside pockets ftw, people!). This is why I spent a not-insignificant amount at my local tailor to have the front pockets in my new jeans boosted to adult size. Yes, I do want to carry more than a tube of lip gloss in there. Crazy talk, I know!

I don’t use a purse.* You wouldn’t either if you spent as much time as I do thinking about disasters and alien invasions and the zombie apocalypse. When that sort of thing happens you just have to run, you know? Can’t be stopping to find your designer bag. And then what? You’re out in the forest with no phone or money or credit cards or keys or hair band (don’t even get me started on women and hair in action movies**). If I must carry larger items I go for the backpack. (And yes, I two-strap it:)

Addendum: For those of you who want more on the long history (and sad demise) of women’s pockets, check out this useful Marketplace article on the subject: Why women’s pockets are useless: A history. Thanks to my mother, who remembers having similar thoughts 40 years ago, for the link.

* I find them a hassle, easy to forget in inconvenient places, tough on the shoulders, and prone to removal by passing ne’er-do-wells. Although I do like saying “ne’er-do-wells.”
** I’ll just mention that when Sarah Connor tied back her hair in Terminator 2, I cheered. Honestly, have these people never tried to fire a rifle on a windy day with long hair? Not recommended.

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