Feeds:
Posts
Comments

Posts Tagged ‘Writers’

Hey, I hit 50,194 words for NaNoWriMo today! The novel still needs work, of course, but I’ve reached my November target. Now I can concentrate on shaping the story… after a little break to celebrate:)

For those of you still at it, keep going!

Read Full Post »

What draws a reader into a book? What breaks their connection with the material world and plugs the brain into an alternative dimension? Sure, cover design, a known author and positive publicity blurbs all have something to do with it, but as speculative fictioneer William Gibson argues in The Atlantic, the first sentence is what invites you in.

The First Sentence Is a Handshake – The Atlantic

For William Gibson, author of The Peripheral, a kind of invitation is extended—and readers will or won’t feel what he calls “the click.” But it’s not just about connecting with an audience. In a conversation for this series, Gibson explained how first sentences invite the writer, too: they contain a blueprint for the book that will be written.

I don’t write the way Gibson does, laboring over the first line until it is worthy of the effort the rest of the book will take, but I do go back to it and rewrite. Ahem. A lot.

The article is full of interesting thoughts from the man who coined the term “cyberspace.” For more on Gibson’s method, his views on the proper balance between mystery and clarity, and a discussion of his newest book, The Peripheral, check out the full article at The Atlantic.

Read Full Post »

At the National Book Awards yesterday, our Lady Le Guin accepted an award for distinguished contribution to American letters. In her acceptance speech she went to bat for speculative fiction writers in particular. See this link from Parker Higgins for the full text of the speech.

As NPR reports:

“I rejoice in accepting [this prize] for, and sharing it with, all the writers who were excluded from literature for so long: my fellow authors of fantasy and science fiction,” Le Guin said.

She also had some choice words on the recent Amazon-Hachette battle over pricing:

“We just saw a profiteer try to punish a publisher for disobedience, and writers threatened by corporate fatwa,” she said. “And I see a lot of us, the producers, accepting this — letting commodity profiteers sell us like deodorant!”

It just goes to show that writers tend to be anything but boring. Especially writers of science fiction and fantasy.

 

[Edited to add speech text and video links.]

Read Full Post »

Mary Robinette Kowal, that font of wisdom and Regency fashion tips, has a nice column on bad writing advice.

There’s a bunch of aphorisms about writing that started as good, pithy advice in part of someone’s lecture. Then they got pulled out of context and then misapplied.

Mary breaks down the standards that every beginning writer hears and talks about what they really mean, and when they are useful (spoiler: not always!). Write what you know, show don’t tell, raise the stakes, and kill your darlings, all so often repeated as gospel.

If you’ve ever tried to merge the advice to “write what you know” with the burning desire to write about Martian ballerinas and the prospectors who love them, well, fellow speculators, this is for you.

/totally going off to write a story about Martian ballet… right after I finish my novel!

Read Full Post »

I’ve got inches of thick wet snow on my porch and the last of the red maple leaves have finally fallen. It is officially winter.

What good is the warmth of summer, without the cold of winter to give it sweetness.
― John Steinbeck

And really, what better weather for novel writing? Time to get back to it!

Read Full Post »

 

Like many of you I’m doing NaNoWriMo and as such I am more than usually interested in questions of creativity and how to help it along. The following is from an essay in MIT’s Technology Review by Isaac Asimov, in which he asks that most fundamental of questions, “How Do People Get New Ideas?”

… what is needed is not only people with a good background in a particular field, but also people capable of making a connection between item 1 and item 2 which might not ordinarily seem connected… Making the cross-connection requires a certain daring.

And so to you I say (with a nod to Theodore Roosevelt), dare greatly!

Read Full Post »

I haven’t posted anything about National Novel Writing Month this year because I hadn’t quite decided whether or not to do it. I’m busy, I said. I’ve already proven I can churn out 50,000 words in thirty days, I said. I can do it when I’m happy. I can do it when I’m busy. I can do it when I’m sick. (I am, in fact, something of a freaking Dr. Seuss when it comes to NaNoWriMo.) Do I really need to prove that I can do it again? Would my time be better spent finding a new way to expand my writing experience?

Well, no. That’s what I decided. And when I committed to finding a new way to make the most of my 50,000 words this November, I had a mini breakthrough. Work on one thing, I told myself. Well, ok, work on 50,000 words and one other thing. That’s it. Practice high levels of word production while learning how to do better at *X* and see how that goes.

Turns out it’s going pretty well.

I’m traveling, and finding time to get my word count in has been a challenge. That’s ok. In fact, that’s a great part of this lesson. It is in fact possible to cram in that last 350 words in the ten minutes before dinner. Doing it while also remembering to focus on maximizing the conflict between your characters?

Priceless:)

Happy National Novel Writing Month, all!

 

Until one is committed, there is hesitancy, the chance to draw back, always ineffectiveness. Concerning all acts of initiative (and creation), there is one elementary truth that ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then Providence moves too… Whatever you can do, or dream you can do, begin it. Boldness has genius, power, and magic in it. Begin it now.

― William Hutchison Murray

Read Full Post »

via io9, a call for creative new ways to get the heck off this rock:
The White House Office of Science and Technology Policy is planning ahead — way ahead. The agency wants you to email ideas for how “the Administration, the private sector, philanthropists, the research community and storytellers” can develop “massless” space exploration and a robust civilization beyond Earth.
Tell me that this challenge isn’t exactly in our wheelhouse, people. Hard sci-fi writers, mechanical and other engineers, and practical dreamers of all stripes, your skills are needed!

Read Full Post »

via Slate.com:
Using Science Fiction to Create a Better Tomorrow: A Future Tense Event Recap

Oh, this looks fun. A recent event hosted by Slate’s Future Tense and Issues in Science and Technology in D.C. focused on ways that imagination in general, and science fiction in particular, can help inspire a better future. Sure, dystopias are all the rage and who doesn’t love a good apocalypse, but people have always enjoyed teasing themselves with frightening things. The key word is “teasing”… that doesn’t mean we actually want to live there.

(Srsly, do you really want a horde of raving zombies standing between you and your pumpkin spice latte every morning? Neither do I. I want to live in a future where disease is manageable, hunger is obsolete, and creativity and innovation rule the day in the best ways. I also want a flying car. Because where are all the flying cars?!)

Check out the October 2nd event, complete with video of speakers like Neal Stephenson, Ted Chiang, Elizabeth Bear, representatives from NASA, DARPA, SyFy and many others, here: Can We Imagine Our Way to a Better Future?

From the tales we tell about robots and drones, to the narratives on the cutting edge of neuroscience, to society’s view of its most intractable problems, we need to begin telling a new set of stories about ourselves and the future.

Related links:
— Neal Stephenson’s article at the World Policy Institute, on the importance of renewing our society’s ability to “get big things done”: Innovation Starvation.
— The anthology Hieroglyph: Stories and Visions for a Better Future.
— For more links to short stories (including pieces from Hieroglyph) and related discussions on this topic, see the final section of the Slate article.

Read Full Post »

If you’ve ever wondered how master writer James Ellroy puts together a dark, twisting crime novel, or plots stories as deliciously complex as L.A. Confidential, wonder no more.

“I’m a romantic, I love the big challenge and I’m gonna give it to you.”

This Fast Company article by Joe Berkowitz discusses Ellroy’s style (right now), his process (research, let it simmer, then go big, really big), and finally, bring it all together in a tight-packed ending. Enjoy!

Read Full Post »

« Newer Posts - Older Posts »