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Posts Tagged ‘Writers’

I’m busy working on a hard deadline so today I invite you to enjoy this great, self-reflective piece on diversity in historical fiction (and by extension, all fictional worlds) by Mary Robinette Kowal. She’s talking specifically about race but the same points apply to gender, sexuality, etc. as well.

Don’t blame the homogeneity of your novel on historical accuracy. That’s your choice, as an author.

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Like a lot of you I have a pretty (read very;) active inner editor. Most of the time we have a good relationship. He’s helpful when I need to find typos or structure a plot line but can be a pain in the ass when I just need to get words on the page. When writing, my strategy has been to find a balance between my instinctive urge to edit as I go and the not-as-helpful urge to redo absolutely everything all the time.

For me, that’s where speed writing comes in.

I was an archer in a former life and found that the best thing to do when I was missing my shots was to loosen up. The best way for me to do that was speed shooting. Forget the rules, forget “nine steps to the ten ring,” forget breathing and pacing and everything else. Just shoot, as many arrows as fast as you can. By the time my quiver was empty I’d regained my sense of balance and perhaps most importantly, my sense of fun. When I became an instructor I found this technique was one of my best for helping students over humps.

That’s why NaNoWriMo appeals to me. I do NaNo because it gives me a structured opportunity to focus on something that the inner editor doesn’t have a part in, word count. If nothing else, it gives me the opportunity to loosen up my writing muscles to the point where I can restore the balance I may have lost editing the rest of the year. It also gets me back in the practice of writing, rather than editing, on a daily basis. And it reminds me how much fun writing can be.

I also found that being mean to my inner editor didn’t work, I had to silence him with kindness. I mentally send him on vacation for the month of November. I thank him for being so diligent, so dedicated, and as a reward I send him somewhere warm, a sunny place with bright blue water and umbrella drinks. (Not surprisingly, he’s a lot less uptight come December.) And then I write.

I should also say that the strategic use of deadlines, both in and out of November, has been critical as well. Having a cutoff date does wonders for my sense of focus.

So, finding a way to get out of my own way, that’s what works for me.

Good luck finding a strategy that works for you:)
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* Thanks to Ceallaigh MacCath-Moran of SF Canada for the discussion that inspired this post.

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As you can see from the widget in the sidebar (just there, to the right:) I am indeed doing NaNoWriMo this year and I’m making decent progress. I am not worrying about writing a work of unimpeachable genius. I am not sweating typos. I am not questioning my character’s motivation or whether he really would want to eat the fried pigeon at that corner street cart (he does, he told me so). I’m just showing up and getting it done.

Show up and get it done. That is a decent summary (ok, paraphrase, she’s a little more forceful:) of Cat Valente’s NaNo Pep Talk for today, and I was happy to see it. I was also happy to see her push for the possibility of writing that is done fast and also well. It’s not all going to be good, but there’s no reason why it should be bad. And no matter what happens, it certainly won’t be a waste of your time.

Check out the Pep Talk, enjoy the wisdom of a voice of experience. Then whatever your project may be, show up and get it done. Good luck!

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“Writing and reading decrease our sense of isolation. They deepen and widen and expand our sense of life: they feed the soul. When writers make us shake our heads with the exactness of their prose and their truths, and even make us laugh about ourselves or life, our buoyancy is restored. We are given a shot at dancing with, or at least clapping along with, the absurdity of life, instead of being squashed by it over and over again. It’s like singing on a boat during a terrible storm at sea. You can’t stop the raging storm, but singing can change the hearts and spirits of the people who are together on that ship.”
― Anne Lamott, Bird by Bird: Some Instructions on Writing and Life

By this definition, I spent the morning singing. Hope you did too.

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I’m working on a draft of something today, and it helps to remind myself that the important thing, the first thing, is to get it down. I can fix it later, and even if I don’t to quite my satisfaction, I’ve still done something.

“Anyone who’s ever made America’s favorite round and flat breakfast food is familiar with the phenomenon of The First Pancake. No matter how good a cook you are, and no matter how hard you try, the first pancake of the batch always sucks. It comes out burnt or undercooked or weirdly shaped or just oddly inedible and aesthetically displeasing. Just ask your kids. At least compared to your normal pancake–and definitely compared to the far superior second and subsequent pancakes that make the cut and get promoted to the pile destined for the breakfast table–the first one’s always a disaster. I’ll leave it to the physicists and foodies in the gallery to develop a unified field theory on exactly why our pancake problem crops up with such unerring dependability. But I will share an orthogonal theory: you will be a way happier and more successful cook if you just accept that your first pancake is and always will be a universally flukey mess. But, that shouldn’t mean you never make another pancake.”
— Merlin Mann

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In which Felicia Day goes to the Wharton School of Business, talks with B-school types, and tells them how she succeeded even when everyone told her she was doing it wrong.

I’m a better person now and, I think, a happier person having come out of some of the darkest times in my life, having gone through this process. So, I can’t regret one step of it. In retrospect, there are so many things I learned. And I guess in this life, if you’re not learning, you’re dying.

Lessons? Set deadlines. Sell the rights to your content with caution. You can’t do everything, but low budgets don’t have to mean low aspirations. Also, never underestimate the power of awesome. (Ok, that’s me paraphrasing, but I dare you to check out the geeky fun that is Geek and Sundry and tell me it’s not true;)

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Crime Novelist Elmore Leonard Dies

Elmore Leonard died today, after a recent stroke and related complications. That’s sad in all sorts of ways, most importantly for his family but also for his fans.

That said, I have had it up to here with death.

Yes, it’s inevitable. Yes, you only have one life and then poof, gone. But what if you have an impact on the people around you that will last beyond your lifetime? What if you are thoughtful and kind and concerned about bringing the best to our shared world? And what if you are a writer with the sort of innate feel for dialog, story and character that Elmore Leonard had, dedicate your efforts to the constructive pursuit of creativity, and work hard enough and well on work like Get Shorty and Maximum Bob?

Then you earn a devoted following of fans who will not only remember your efforts but will see the world in a slightly different way, thanks to your work. I am such a fan. Mr. Leonard will be missed.

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>> note: this is a repost to get around an editing problem; ignore if you’ve seen it or reread at your leisure…

Over at the Clarion Foundation‘s blog, Gregory Frost shares some terrific advice about the importance of establishing place in writing. I agree that authors need to use their details wisely, but too many people forget the importance of place, and I’m not just saying that because I spent time studying Geography.

Quick, what’s the first question you would ask if you woke up in a strange place?

“Where am I?”

Settle that and you can move on to other issues (like “Why am I perched on a tower fifty stories in the air?” or “Who tied me up and how the hell do I get out of here?”). Without it,  all the conflict in the world can’t keep the story from feeling like it’s taking place in front of a green screen.

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Tor.com is celebrating its fifth birthday this week. I’m glad that this bastion of quality speculative fiction has both survived and thrived, and that they are celebrating that fact with a collection of stories. View it online or download to your e-reader, as you prefer:

Download Five Years of Tor.com’s Original Fiction for Free!

Thanks, and Happy Birthday, Tor!

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Today’s useful writing link: David Mamet’s Master Class Memo to the Writers of The Unit. Originally written in 2005, it remains as concise a discussion of dramatic writing as I’ve seen. Funny too. For those of you interested in writing, I highly recommend that you read the whole thing (it’s not long); here are a few excerpts to whet your appetite.
 
QUESTION:WHAT IS DRAMA? DRAMA, AGAIN, IS THE QUEST OF THE HERO TO OVERCOME THOSE THINGS WHICH PREVENT HIM FROM ACHIEVING A SPECIFIC, ACUTE GOAL.
SO: WE, THE WRITERS, MUST ASK OURSELVES OF EVERY SCENE THESE THREE QUESTIONS.
1) WHO WANTS WHAT?
2) WHAT HAPPENS IF HER DON’T GET IT?
3) WHY NOW?

Ignore the typos and the all caps to focus on the substance. This memo is terrific advice for any writer, television or otherwise. 
  
START, EVERY TIME, WITH THIS INVIOLABLE RULE: THE SCENE MUST BE DRAMATIC. it must start because the hero HAS A PROBLEM, AND IT MUST CULMINATE WITH THE HERO FINDING HIM OR HERSELF EITHER THWARTED OR EDUCATED THAT ANOTHER WAY EXISTS.
 
 
LOOK AT THE SCENE AND ASK YOURSELF “IS IT DRAMATIC? IS IT ESSENTIAL? DOES IT ADVANCE THE PLOT?
ANSWER TRUTHFULLY.
 
On that note, it’s time to get back to writing:)

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