Storytelling is good for so many things: entertainment, shared cultural touchstones, lessons from elders, or other instruction manuals for living. Even so, speculative fiction has always been burdened by accusations that it is less able to comment on reality than, say, literary fiction.
I disagree.
In fiction or nonfiction, no matter the genre or approach, storytelling is always, always, grounded in the cultural currents from which it springs. It’s how we pass on what’s important, even if it isn’t always “real.” Whether it shows us futures to avoid, goals to achieve, values of importance or daily ways to survive, the work’s foundation always reflects its context.
On a related note, here’s a short document on surviving difficult times, written in the form of an RPG-style guide. It wouldn’t surprise me to see an actual game follow soon.
Because life and art are two facets of the same die. And we’re all just players, trying to level up.
“The idea that any of us can do everything is instant failure. We all have our own skill sets and our own passions and we will accomplish the most if each of us works within those arenas to do what we’re already good at, what we already care about. You don’t have to do it all. Just a little.”
— Bree Bridges
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