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Posts Tagged ‘writing’

Hey, I hit 50,194 words for NaNoWriMo today! The novel still needs work, of course, but I’ve reached my November target. Now I can concentrate on shaping the story… after a little break to celebrate:)

For those of you still at it, keep going!

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What draws a reader into a book? What breaks their connection with the material world and plugs the brain into an alternative dimension? Sure, cover design, a known author and positive publicity blurbs all have something to do with it, but as speculative fictioneer William Gibson argues in The Atlantic, the first sentence is what invites you in.

The First Sentence Is a Handshake – The Atlantic

For William Gibson, author of The Peripheral, a kind of invitation is extended—and readers will or won’t feel what he calls “the click.” But it’s not just about connecting with an audience. In a conversation for this series, Gibson explained how first sentences invite the writer, too: they contain a blueprint for the book that will be written.

I don’t write the way Gibson does, laboring over the first line until it is worthy of the effort the rest of the book will take, but I do go back to it and rewrite. Ahem. A lot.

The article is full of interesting thoughts from the man who coined the term “cyberspace.” For more on Gibson’s method, his views on the proper balance between mystery and clarity, and a discussion of his newest book, The Peripheral, check out the full article at The Atlantic.

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After my post last week about Isaac Asimov’s ideas on, well, ideas, a friend sent me a great link on creativity. It’s over at Kim Manley Ort’s blog and is a nice introduction to Twyla Tharp’s 2006 book, The Creative Habit: Learn It and Use It for Life.

As one of America’s preeminent choreographers with more than half a century of creative experience, Tharp has a handle on how to channel the muse. The post introduces Tharp’s thoughts on creativity, how to call it, how to harness it and where to ride it when you do. Not all of her lessons may apply to you but most of it can be translated from person to person, and discipline to discipline. The fact that her chosen form of communication is dance does not mean that her advice is necessarily less relevant for those of us who write.

I found her thoughts insightful; I hope you do too.

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At the National Book Awards yesterday, our Lady Le Guin accepted an award for distinguished contribution to American letters. In her acceptance speech she went to bat for speculative fiction writers in particular. See this link from Parker Higgins for the full text of the speech.

As NPR reports:

“I rejoice in accepting [this prize] for, and sharing it with, all the writers who were excluded from literature for so long: my fellow authors of fantasy and science fiction,” Le Guin said.

She also had some choice words on the recent Amazon-Hachette battle over pricing:

“We just saw a profiteer try to punish a publisher for disobedience, and writers threatened by corporate fatwa,” she said. “And I see a lot of us, the producers, accepting this — letting commodity profiteers sell us like deodorant!”

It just goes to show that writers tend to be anything but boring. Especially writers of science fiction and fantasy.

 

[Edited to add speech text and video links.]

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Mary Robinette Kowal, that font of wisdom and Regency fashion tips, has a nice column on bad writing advice.

There’s a bunch of aphorisms about writing that started as good, pithy advice in part of someone’s lecture. Then they got pulled out of context and then misapplied.

Mary breaks down the standards that every beginning writer hears and talks about what they really mean, and when they are useful (spoiler: not always!). Write what you know, show don’t tell, raise the stakes, and kill your darlings, all so often repeated as gospel.

If you’ve ever tried to merge the advice to “write what you know” with the burning desire to write about Martian ballerinas and the prospectors who love them, well, fellow speculators, this is for you.

/totally going off to write a story about Martian ballet… right after I finish my novel!

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I’ve got inches of thick wet snow on my porch and the last of the red maple leaves have finally fallen. It is officially winter.

What good is the warmth of summer, without the cold of winter to give it sweetness.
― John Steinbeck

And really, what better weather for novel writing? Time to get back to it!

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Like many of you I’m doing NaNoWriMo and as such I am more than usually interested in questions of creativity and how to help it along. The following is from an essay in MIT’s Technology Review by Isaac Asimov, in which he asks that most fundamental of questions, “How Do People Get New Ideas?

… what is needed is not only people with a good background in a particular field, but also people capable of making a connection between item 1 and item 2 which might not ordinarily seem connected… Making the cross-connection requires a certain daring.

And so to you I say (with a nod to Theodore Roosevelt), dare greatly!

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I haven’t posted anything about National Novel Writing Month this year because I hadn’t quite decided whether or not to do it. I’m busy, I said. I’ve already proven I can churn out 50,000 words in thirty days, I said. I can do it when I’m happy. I can do it when I’m busy. I can do it when I’m sick. (I am, in fact, something of a freaking Dr. Seuss when it comes to NaNoWriMo.) Do I really need to prove that I can do it again? Would my time be better spent finding a new way to expand my writing experience?

Well, no. That’s what I decided. And when I committed to finding a new way to make the most of my 50,000 words this November, I had a mini breakthrough. Work on one thing, I told myself. Well, ok, work on 50,000 words and one other thing. That’s it. Practice high levels of word production while learning how to do better at *X* and see how that goes.

Turns out it’s going pretty well.

I’m traveling, and finding time to get my word count in has been a challenge. That’s ok. In fact, that’s a great part of this lesson. It is in fact possible to cram in that last 350 words in the ten minutes before dinner. Doing it while also remembering to focus on maximizing the conflict between your characters?

Priceless:)

Happy National Novel Writing Month, all!

 

Until one is committed, there is hesitancy, the chance to draw back, always ineffectiveness. Concerning all acts of initiative (and creation), there is one elementary truth that ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then Providence moves too… Whatever you can do, or dream you can do, begin it. Boldness has genius, power, and magic in it. Begin it now.

― William Hutchison Murray

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When we try to pick out anything by itself, we find it hitched to everything else in the Universe.
— John Muir
This video from Sustainable Human is a fascinating look at the impact of an apex predator species on not just an area’s wildlife, but its ecology and even geography. As this article at Nature.com discusses, such trophic cascades can have far-reaching impacts:
When the impact of a predator on its prey’s ecology trickles down one more feeding level to affect the density and/or behavior of the prey’s prey, ecologists term this interaction a feeding, or trophic cascade…
Interesting information, both for denizens of Planet Earth and creators of other worlds as well.

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When I meet someone new, especially if they are from another culture or country, I like to ask what they eat at home. It’s a simple yet often intriguing question, with the potential to upend basic assumptions while also opening a door onto the experience of another life.

In that spirit, I was fascinated to come across this New York Times Magazine article on what kids eat for breakfast. Sounds dull? Nay, say I. The article and accompanying photos provide an engaging glimpse into one of the most basic facets of our lives: breakfast.

Children begin to acquire a taste for pickled egg or fermented lentils early — in the womb, even.

How do we start the day? What do parents consider appropriate fuel for their children? How do those choices reflect their economic realities, historical trends, and geographic locations? Their societies?

The child in Japan eats much different food than the child in Holland or Turkey. Which looks best to you, and why? There is such variety in the food described, and of course this only scratches the surface. It’s the sort of thing I try to keep in mind when I’m writing. My breakfast is not necessarily your breakfast, especially if “you” grew up on Mars.

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