Feeds:
Posts
Comments

Posts Tagged ‘writing’

I came across a fascinating article by David McRaney on survivorship bias. The overall point, that accounting for failure is critical to success, is well made, and the author uses a series of pointed examples. Not incidentally, the post also lays out a new-to-me part of World War Two history that includes a cabal of geniuses, women mathematicians, and the Department of War Math (ok, that last bit wasn’t its real name, but it should have been).

In World War Two, for example, the U.S. military tracked damage to returning bombers and wanted to beef up the most frequently-hit areas. A statistician named Abraham Wald pointed out that the surviving planes made it back despite that damage. The spots where they were unscathed, the ones no one had thought to record, were in fact the most vulnerable; as McRaney sums up, “that’s where the planes that didn’t make it back were hit.”

I found the history interesting in its own right, and if you have ever been tempted by the (admittedly seductive) trap of thinking, “Well, my grandfather breakfasted on salt pork and hot gin for ninety years, so I can eat whatever I want and still live forever,” I recommend a read.

“You develop a completely inaccurate assessment of reality thanks to a prejudice that grants the tiny number of survivors the privilege of representing the much larger group to which they originally belonged.“

That same logic applies to evaluating advice from diet gurus, celebrity CEOs and millionaire app designers. Skill plays a part, of course, but it turns out that overall, what a lot of successful people have in common could be termed luck. That may be a bit discouraging, but the good news is that such luck can be courted if you’re willing to take a longer-term view.

“The lucky try more things, and fail more often, but when they fail they shrug it off and try something else. Occasionally, things work out.”

Instead of looking for that one big break, think of the world as a series of possibilities; the more options you try, the greater your chance of success. Resist tunnel vision, “wade into the sea of random chance,” and stay open to new ideas and situations. That sounds pretty good, actually.

If you’re interested in how survivorship bias applies to writers and writing careers, check out this post by Tobias Buckell and the related Writing Excuses podcast in glorious audio or text.

Read Full Post »

BBC Radio 4 is producing a radio drama of Ursula Le Guin’s The Left Hand of Darkness. The BBC is known for its adaptations, including Terry Pratchett and Neil Gaiman’s Good Omens last December. I read a lot of Le Guin as a teen but I haven’t revisited this classic novel in a long time, and I’m looking forward to hearing what they do with it.

Adapted for radio by Judith Adams and released one episode per week, the series has just begun. Find it and supporting material, including a documentary with author interview, at BBC Radio 4.

Each episode will be available for 30 days, so if this interests you, don’t wait!

Read Full Post »

CreativeCup
Despite the title of this post, it’s not about what you may think. Meet my creative cup.

I pulled it out of the cupboard today because I wanted not only tea but a particular mindset. For that I use a cup.

I can tweak my mental orientation on my own, but like a witch with a familiar I find this task easier with the right tools. I have work cups, I have dessert cups (for chocolate pudding, of course), I have everyday cups and I have fun cups. But this is the original, my first cup with a distinct personality. Also, its own special power.

It may not look like much, at first glance. The surface is a fine textured grey that appears dull in poor light, with an image of pussy willow branches in an understated earthy brown and sky blue. There is a small chip on the lip, just above the handle. It could be any cup.

But it also has a larger-than-normal capacity, good for long days and challenging projects. It has tiny dimples where the layered paint is marginally thicker, enough to provide subconscious grip for tired fingers. The handle is both wide and flat for stability without bulk. It has a thin lip that doesn’t drip no matter how distracted the user. And it was given to me by a high school teacher whose name I can’t remember and whom I’ll never forget.

Many people (and, dare I posit, most writers?) were fortunate enough to have a teacher like this. She helped me explore new challenges, let me design a class when the schedule didn’t offer what I wanted, talked about the world outside of school as if it were a treasure box. She ran at lunch and ate interesting food at a desk by an oversized window, trim and fit with shoulder-length brown hair and a joyfully pragmatic outlook on life. She lent books and awarded class credit for wildcrafting my own dyes, medicines and poisons that would have done a 17th-century physicker proud.

She stayed with our school little more than a year, I think, but that was enough. The night before they left she and her husband arrived at our doorstep, a small wrapped package in hand. A gift, she said, that she hoped would suit. Something to take with me on my path.

I untied the ribbon. I tore the paper. Those are long gone. I still have the cup. When I want invention, when I want off-the-beaten-path imagination, when I need the encouragement to create and the belief that the world is still a wondrous treasure, this is my companion.

I thanked her. I am still thanking her, every time I use this cup.

Read Full Post »

Today seems like a fine day for another visual writing prompt. The weather here in Ontario is starting to improve but there’s still a great deal of snow outside, and most of what I see is some shade of white. Perhaps that’s why these colorful images appeal to me. Or maybe it is the sense that their surface beauty is a veneer over danger, and a deeper mystery.

Enjoy!

Read Full Post »

Terry Pratchett, author of the Discworld series, dies aged 66

The Guardian reports that Sir Terry Pratchett, author of the Discworld series and many other books, has died at home “with his cat sleeping on his bed” and surrounded by family. His intellect, creative abilities and incisive sense of humor will be sorely missed.

I think I’ll read Good Omens next, to remind myself of Pratchett’s genius, the power of writing (and humor in the face of the apocalypse), and the pearls we can leave behind if we’re willing to keep pushing ahead.

Addendum: A lot of nice tributes are going up online but I thought I’d direct you to one in particular, Jo Walton’s “Reminiscence” at the Tor.com blog. She says it well: “The writing will live on. Death sucks.”

Read Full Post »

Back in the fall, The Geek’s Guide to the Galaxy interviewed Patrick Rothfuss about his new book, The Slow Regard of Silent Things. In it, he touches on the details of his writing process, the likelihood that he revises “more than anyone else in the genre,” why his prose sounds like “dark chocolate,” role-playing games and many other topics.

… because we have the ability to have fantastic plots and armies clashing and magic and dragons, it’s easy to leave out other things and one of the hardest ones to do is language.

If you’re interested in the process of fiction, in Pat’s writing, or in why he thinks you might not want to buy his new book, check out the full transcript now posted by the good folks over at Lightspeed.

* As an added bonus, the interviewer describes fantasy and science fiction as “the imagination Olympics.” So true!

Read Full Post »

Ursula Le Guin has an interesting piece up at the Book View Cafe blog about Kazuo Ishiguro’s new novel The Buried Giant. She has issues with specific elements of the book but the part that caught my attention was the reason she felt compelled to write the piece in the first place.

In an interview, Mr. Ishiguro wondered whether his readers would label the book as fantasy. And, as Ms Le Guin says, “It appears that the author takes the word for an insult.” Regardless of Ishiguro’s intentions, this provides Le Guin with a jumping off point for discussion. Her defense of fantasy is concise and compelling.

Fantasy is probably the oldest literary device for talking about reality.

As she lays out the case for fantasy as more than “childish whims,” I am again reminded that the value of imagination lies not in its escape from reality, but in its distillation of significant questions of life and death, purpose and perils, loss and joy. In short, the human experience writ across the universe.

That’s big. I’d better get back to work.

Read Full Post »

I am happy to announce that I will have a story coming out in the Summer quarterly of Mad Scientist Journal. “Just Like [Illegible] Used to Make” originally appeared in Perihelion Science Fiction, and I’m quite pleased that this story has found another venue.

Read Full Post »

I have the urge to post a visual writing prompt. If you’re reaching for creative writing ideas, check out this series of three potentially connected images (is it just me, or is there a lot of post-Apocalyptic quest story coming off of these pictures? :):

Read Full Post »

Interesting news, and a big change for the Science Fiction and Fantasy Writers of America:

SFWA Welcomes Self-Published and Small Press Authors!
…the basic standards are $3,000 for novel, or a total of 10,000 words of short fiction paid at 6 cents a word for Active membership.

More information is included in the linked article, and full details will be posted at the SFWA site in March. Given the shifting landscape of publishing and the multitude of ways authors now have to reach an audience, this is great news. If you write and are paid at a professional level, you will be eligible for SFWA membership regardless of venue. All the more reason to keep at it:)

Read Full Post »

« Newer Posts - Older Posts »