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Posts Tagged ‘books’

Today’s #ThingILike* is West with the Night, a fabulous piece of non-fiction first published in 1942 by bush pilot, adventurer and racehorse trainer Beryl Markham. I picked it up in a second-hand store on the strength of the title and the back cover blurb. I’d never heard of the author, but when Ernest Hemingway says he wishes he could write so well, I pay attention. Glad I did.

“Did you read Beryl Markham’s book, West with the Night? I knew her fairly well in Africa and never would have suspected that she could and would put pen to paper except to write in her flyer’s log book. As it is, she has written so well, and marvelously well, that I was completely ashamed of myself as a writer. I felt that I was simply a carpenter with words, picking up whatever was furnished on the job and nailing them together and sometimes making an okay pig pen. But [she] can write rings around all of us who consider ourselves writers. The only parts of it that I know about personally, on account of having been there at the time and heard the other people’s stories, are absolutely true . . . I wish you would get it and read it because it is really a bloody wonderful book.”
— Ernest Hemingway

Recommended.
* Again, items in this series of Things I Like are linked for your information; no sponsors, no kickbacks, just a sampling of things that I find useful or fun or funny or sweet.

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Am I doing NaNoWriMo this year? Yes. Am I doing it the way I have for the past several seasons? I am not. Here’s why I think that we should all feel ok about making NaNo into whatever works for us.

Reason One: Because why not? This whole endeavor is borderline batty anyway (in a good way!), so if you aren’t doing it for yourself, why do it at all?

Reason Two: NaNoWrMo is a tremendous opportunity to start something, and to finish something. That does not mean that we all do those things the same way or that we are all at the same stage in our particular journey.

For example, I have managed to hit my word count target every year. Yay. So I know I don’t have a problem with word production at the most basic level. Given that, it strikes me as sensible to ask how I can use this time to address some of the other issues popping up along the way.

So that’s what I’m doing this year. I’m using the month of November to focus on what is giving me trouble. Word count just doesn’t happen to be one of those issues, so I’m not focused on it right now.

I’ve made a deal with my creative side: write a decent amount a decent number of days, get back into the habit of constant production, and let me know what you need to keep the awesome ideas coming. Seriously, chocolate cake, sunset-colored drinks with umbrellas, giant cups of tea lattes from the cafe around the corner, a detailed schematic of the Death Star, you name it.

And if I need to take a day to brainstorm and that day only happens to net me a thousand words? I’m ok with that. Heck, I’m more than ok, I’m pleased as punch, because it means I’m working on the solution, not just throwing more words at the problem.

Now, I’m hardly the first person to say these things. Check out the NaNo author pep talks or any of the multitude of related discussions and you’re likely to find bits on writing in ways that work for you.

Got news for you: You don’t have to do it that way. Anything that gets words on the page is the Right Thing to Do. — Diana Gabaldon

This is the first year I’ve given myself full-on permission to do it the way that works for me. I’ve got to tell you, it feels great.

However you decide to work this month, happy noveling!

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I finally got to see The Martian this past weekend, and if you’ve been following the reviews at all my reaction will come as no surprise: it was great. What’s that, you’ve been busy/off the grid/media fasting? Here’s a trailer.

I read Andy Weir’s book last year so the specifics weren’t a surprise, but in this case knowing the story did nothing to detract from the experience. The execution, whether in terms of writing, acting, directing, or visuals, was a delight. The movie compressed the story in exactly the right ways, maintaining dynamism and tension in what could have been a dull one-man alone setting.

Also, no stupid characters were required to move the plot. Yay! You may not agree with every decision, but at no point did the script make some hapless individual look down at a big red button under glass and say, “Gosh, I know they told me not to touch anything but I wonder what this does,” literally or otherwise. Also times two, smart, strong characters, women included. How refreshing is that?

 

A lot has been written about the movie, and about Weir’s journey from self-published indie author to Hollywood hit, and it’s both interesting and well-deserved (see here and here and here and here, for examples).

As an entertainment consumer both versions scored high for me. As a writer, I was impressed by Weir’s concrete attention to detail, his willingness to dig himself into seemingly impossible holes, and his facility at getting out of them in realistic ways. Drew Goddard did an excellent job translating the book into a screenplay (I’d expect nothing less from this Buffy/Angel/Alias+ alum) for Ridley Scott.

I came out of the theatre kicking myself for not studying more math in school. Astronauts are awesome, and while most of us will never make that exalted level, there’s nothing to say we can’t try. (Ok, fine, my eyesight is bad and I’m going to go out on a limb here and assume that astronauts need to be able to do more than 10 pushups, but you get my point.)

Helping kids (and everyone else) see that science is about exploration, discovery, innovation, capability and (in this case) freaking outer space?

That’s exactly the kind of story I can get behind. Recommended.

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Apropos of my recent comments about Miss Fisher I feel it only appropriate to link to new fan fiction by the esteemed Mary Robinette Kowal. Her short story is a delightful combination of Marie Brennan’s Lady Trent and Miss Fisher’s Murder Mysteries:
A Study in Serpents

“I’m dreadfully sorry to intrude like this, but we are in need of some particular expertise.” She turned, silk flowing around her and gestured to the Detective Inspector. “Would you mind terribly looking at a specimen, Lady Trent?”

While you’re exploring fanfic, you may also want to enjoy Marie Brennan’s take on Mary’s Glamourist Histories, in which she explores the uses of glamour for representing classical mythology and, well, what else? Genteel (very, nothing explicit to see here) porn, commissioned by none other than Lord Byron:
A Classical Education

“The delicacy is really quite remarkable. Just the faintest hint of a blush across her face and her — ah –” She faltered, then forged ahead, knowing there was more than a faint hint of redness in her own skin. “A student of lesser skill would have left her looking like a tomato.”

Both of these pieces were born with off-hand comments and laughter, followed by quick and gleeful explorations of another world. Delightful, and a good lesson for writers of all stripes.

Have fun if you possibly can:)

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My new crush: Miss Fisher’s Murder Mysteries

What: Australian TV series set in the 1920s, featuring a murder-solving “Lady Detective”… which doesn’t really capture it at all:)

Where: Seasons 1 and 2 are available on Netflix (and elsewhere, including my public library, but Netflix works for me). Season 3 recently aired on Australia’s ABC TV.

Why? Because Reasons!

  • The series is based on the books by Kerry Greenwood, and because each episode (at least those I’ve seen to date) is based on its own book, the plot and character arcs tend to be layered and complex.
  • It features a woman (played by the fabulous Essie Davis, interviewed about the series on NPR) who is not afraid of action, bucking authority, family planning, sex, crossing racial or class boundaries, believes whole-heartedly in nonjudgmental good works, tolerance, and enjoying the hell out of life.
  • Great mix of characters and story lines, plus incisive social commentary incorporated in an interesting way.
  • I’ve seen the series described as “competence porn” and while I think the lead character could benefit from a few lessons on how to hang on to one’s pistol and the downsides of scaling buildings in heels, I’d have to agree. She always solves the case, rescues herself and everyone else, and gets the gun back. Also, her skills with a grappling hook are impressive.
  • The clothing gets talked up a lot in reviews of the show and while I’m not a fashion devotee, it’s true, the outfits provide a beautiful and fascinating glimpse into Jazz-age apparel. In this article at The Australian, designer Marion Boyce discusses the process of outfitting the series. Fun fact: Instead of using vintage items, most of the costumes were made for the show, in part because modern humans are differently proportioned than they were even a hundred years ago.
  • Insanely catchy theme song🙂

 

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I’ve come across an interesting new project spearheaded by writer/editor Kristine Kathryn Rusch. As a way to spotlight women writers in science fiction, she is building an anthology for Baen Books of classic stories and more contemporary works, all written by women. She proposed this project as a way to preserve excellent but often underexposed work:

I don’t want this volume to look like something you have to read in a college literature class… I want these stories to be by women, yes, but about anything. And I want them to be rip-roaring good reads.

While I agree the anthology’s working title of “Tough Mothers, Great Dames, and Warrior Princesses: Classic Stories by the Women of Science Fiction” is unwieldy at best, this looks to be a great project overall.

Rusch has also started a Women in Science Fiction website linked to the project, as a way to highlight and preserve women’s history in speculative fiction. The site showcases authors by award nominees, female firsts, and genre, among other categories.

The website is brand new and still a work in progress, and she’s open to suggestions. Part of her goal is to supplement the admittedly limited amount of work she’ll be able to include in the anthology. If you’d like to recommend a favorite female author or story for inclusion, feel free to comment on her Suggestions page.

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BBC Radio 4 is producing a radio drama of Ursula Le Guin’s The Left Hand of Darkness. The BBC is known for its adaptations, including Terry Pratchett and Neil Gaiman’s Good Omens last December. I read a lot of Le Guin as a teen but I haven’t revisited this classic novel in a long time, and I’m looking forward to hearing what they do with it.

Adapted for radio by Judith Adams and released one episode per week, the series has just begun. Find it and supporting material, including a documentary with author interview, at BBC Radio 4.

Each episode will be available for 30 days, so if this interests you, don’t wait!

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Back in the fall, The Geek’s Guide to the Galaxy interviewed Patrick Rothfuss about his new book, The Slow Regard of Silent Things. In it, he touches on the details of his writing process, the likelihood that he revises “more than anyone else in the genre,” why his prose sounds like “dark chocolate,” role-playing games and many other topics.

… because we have the ability to have fantastic plots and armies clashing and magic and dragons, it’s easy to leave out other things and one of the hardest ones to do is language.

If you’re interested in the process of fiction, in Pat’s writing, or in why he thinks you might not want to buy his new book, check out the full transcript now posted by the good folks over at Lightspeed.

* As an added bonus, the interviewer describes fantasy and science fiction as “the imagination Olympics.” So true!

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Ursula Le Guin has an interesting piece up at the Book View Cafe blog about Kazuo Ishiguro’s new novel The Buried Giant. She has issues with specific elements of the book but the part that caught my attention was the reason she felt compelled to write the piece in the first place.

In an interview, Mr. Ishiguro wondered whether his readers would label the book as fantasy. And, as Ms Le Guin says, “It appears that the author takes the word for an insult.” Regardless of Ishiguro’s intentions, this provides Le Guin with a jumping off point for discussion. Her defense of fantasy is concise and compelling.

Fantasy is probably the oldest literary device for talking about reality.

As she lays out the case for fantasy as more than “childish whims,” I am again reminded that the value of imagination lies not in its escape from reality, but in its distillation of significant questions of life and death, purpose and perils, loss and joy. In short, the human experience writ across the universe.

That’s big. I’d better get back to work.

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Interesting news, and a big change for the Science Fiction and Fantasy Writers of America:

SFWA Welcomes Self-Published and Small Press Authors!
…the basic standards are $3,000 for novel, or a total of 10,000 words of short fiction paid at 6 cents a word for Active membership.

More information is included in the linked article, and full details will be posted at the SFWA site in March. Given the shifting landscape of publishing and the multitude of ways authors now have to reach an audience, this is great news. If you write and are paid at a professional level, you will be eligible for SFWA membership regardless of venue. All the more reason to keep at it:)

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