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Posts Tagged ‘inspiration’

I’m banging my head against a data problem so I’ll have to set aside the in-depth and incisive essay on the mating habits of Salarian scientists I had planned (so sad, but maybe next week;).

Instead, today’s thing I like is this image and the sheer effort the landscape represents. It’s also a shout-out to my Irish relatives (currently recovering from St. Patrick’s Day) and to the fact that people have been solving problems for millennia. Look at those walls, that can’t have been easy:)

The best way out is always through.
― Robert Frost

So, persistence for the win. With that in mind, back to work!

 

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For my mother and anyone else facing a challenge today:

It does not matter how slowly you go as long as you do not stop.
― Confucius

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A friend with a shared love for Harry Potter sent me a link the other day. Some creative and determined person decided to make a Weasley clock.*
The magical ‘Harry Potter’ location clock exists in DIY form

For those who may have missed this detail from the HP book and/or movie, the Weasley clock is a magical JK Rowling invention that tracks each Weasley family member’s location and displays it on an antique clock face.

Rowling thought it up, and a Muggle made it real. How cool is that?

So with thanks to my friend, today’s installment of #ThingsILike is the real-world power of fiction.

*

“If you just focus on what you know, you’re blinding yourself to new opportunities.”
— Tyler Jacks, MIT

There are a lot of discussions of this topic out there, both contemporary and historical, but it’s a point I like to touch on periodically. A writer imagines a thing and someone else finds a way to make it real.

That’s magic right there.

This applies to specific items like the clock but also to everything from emotional states to broader goals. Want to generate ideas, stir up communal interest, and apply creativity to complex problems like living in space long-term? Tap the power of fiction:
The White House Wants To Use Science Fiction To Settle The Solar System

How to get into space? Excite the minds of young (and not so young) people with stirring tales of adventures in space. This applies to stories from Asimov, Clarke and other Golden Age of Science Fiction authors, but also to more recent blockbusters like Andy Weir’s The Martian.

The latter was particularly good at building future versions of current technologies, and NASA was happy to help Weir build his fictional (for now) world from the Popular Science article on the support NASA gave Ridley Scott as he turned the book into a blockbuster movie:

If you want to understand why it is that NASA loves The Martian and is so gung ho for this movie, you have to realize that this movie more or less presents exactly their future vision, minus all the drama.

*

I’ve cited this quote before but it’s so fitting I’ll use it again:

If you want to build a ship, don’t drum up people to collect wood and don’t assign them tasks and work, but rather teach them to long for the endless immensity of the sea.

— Antoine de Saint-Exupéry

That’s the power of fiction.

———

* There may be other such clocks out there (in fact, I hope there are) but this is the version that caught my attention. Feel free to build more!

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I have two #ThingsILike today, because I couldn’t choose between them. All I can say is wow!

‘When People Can See Time’: Photographer Captures Day, Night In One Image

 

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It’s snowing! It’s pretty! All is right with the world.

The past few weeks of above-freezing temperatures and no snow have been, for lack of a better word, weird. It reminds me of the time I spent in Arizona, and my first warm Christmas. Seventy degrees on Christmas? In the Northern Hemisphere? Weird. I thought I’d be happy to get away from the cold and snow but I guess childhood imprinting isn’t so easy to escape.

I’ve also been thinking about the desert for a story I’m working on. Remembering the dry expanse stretching to the horizon, tenacious scrub clinging to the sides of dry riverbeds and the clarity of the air at dawn. Thinking about the challenges of crossing such a place in an era before the things Americans tend to take for granted, like functional highways, a network of gas stations and cars that didn’t blow a tire every 50 miles. And I stumbled across this fascinating article in the Smithsonian’s Air & Space magazine, about a network of alien markings giant concrete arrows crisscrossing the continent.

giant arrow

 

Before satellites, real-time GPS or other modern navigation systems, pilots had to be able to see where they were going. They couldn’t fly at night or in bad weather, and figuring out where they were was a complicated affair involving tools like a compass, maps (on paper!) and a bit of guesswork.

Some towns painted their names in oversized block letters on rooftops to help pilots get their bearings. And sometimes—like when navigational delays slowed down transcontinental air mail delivery* after 1920**—the government saw the need for a more comprehensive solution to the problem and stepped in. In this case they built a system of 70-foot-long concrete arrows pointing the way:

The government built a path of 70-foot-long concrete arrows every few miles from coast to coast, each painted yellow and topped with a 51-foot steel tower that had a rotating beacon. Using the path, an airmail pilot needed only half the time to deliver a letter from New York to San Francisco.

Eventually technology caught up with our demands and the markers were abandoned. Where are these markers now? An intrepid couple named Brian and Charlotte Smith wanted to know the answer and embarked on A Quest (because let’s face it, it’s hard to get anything significant done without A Quest).

They go on road trips to investigate these remnants of a bygone era, and now you can too. With the help of drone lessons from their nine-year old grandson, they’ve assembled photos and a database of marker locations.

The core idea of this story resonates with me. It’s the same childhood fascination I had for the Pony Express or the challenges of nineteenth-century explorers. For me, it’s hard to read a piece like this and not conjure up a daring young Lady Adventurer winging her way across an untamed landscape on a new world, with nothing but a few isolated markers to keep her on track.***

Marvelous!

—–

* FYI, I love the USPS and public libraries and Eisenhower’s Interstate Highway System. These and other basic infrastructure**** projects help make us a better connected, better educated country and have impacted everything from social mobility to what we eat for dinner.

** Before 1920, if you wanted to send a letter to your cool aunt in San Francisco, for example, it went via methods like stagecoach or boat or train. Slooooooow. Or you could send a telegram and tell the whole world your business… like Twitter, actually.

*** A lot like Beryl Markham, actually.

**** (A footnote within a footnote. Does that make it a toenote?) I just want to include the definition of infrastructure and ask lawmakers responsible for assigning project funds, how is this optional?

Infrastructure: The basic physical and organizational structures and facilities (e.g., buildings, roads, and power supplies) needed for the operation of a society or enterprise.

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Storytelling is a fundamentally human pursuit. (Not to say that we’re the only ones who do it, because it’s possible that ant and bee pheromones communicate the route to food in the form of a tale that resonates with those particular species, but…) In fundamental ways that touch on history to parenting to neuroscience and everything in between, we are our stories. The origins of some classic fairytales, for instance, go back thousands of years.

How our essential stories came to be, what they say to us, and about us, and how they continue to resonate, are all fundamental questions for writers. One way to think about the path of a story, where it goes and what it is meant to do, is through the Hero’s Journey. The TED Radio Hour on NPR did a nice series on this:

…why are we drawn to stories about heroes? And what do they tell us about ourselves?

There are other ways to tell a story, of course, but as the fundamental underpinnings of tales from The Odyssey to Star Wars, this framework provides a fascinating and concrete way to communicate through fiction.

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David Bowie 1947–2016

Bowie was a great artist and an inspiration to so many, including those of us in the science and science fiction communities. A lot will be written about him in the next while so I’ll just leave you with one small sign of his influence, on and off the planet.

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We’ve had guests in town and that’s always fun. We went to The Tallis Scholars at the Notre-Dame Cathedral Basilica last night (check out that vaulted ceiling in the photo below:) and it was a lovely experience. There’s nothing like soaring choral music to elevate the spirits, and the level of talent was extraordinary. A UK vocal ensemble formed by Peter Phillips in 1973, the group holds a well-deserved international reputation and have more than sixty albums out. If you have the chance to see them in person, I recommend it. The fact that this is the holiday season just made it that much more fun.

Me being me, the event also inspired some deliciously wicked ideas for a story I’m writing. Win win!

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Today I ran across a collection of tips from master writers. The Gotham Writers Workshop includes tips for aspiring writers from Elmore Leonard, George Orwell, Neil Gaiman, Margaret Atwood, P.D. James and more.

RULE SEVEN: The only rule is work. If you work it will lead to something. It’s the people who do all of the work all of the time who eventually catch on to things.
— John Cage

Every – every – story is a story about people, or it sucks.
— Joss Whedon

I’ve seen a number of these suggestions before but many not. And when it’s Tuesday morning and the tea has yet to kick in, I find that every little bit helps. Happy writing!

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Am I doing NaNoWriMo this year? Yes. Am I doing it the way I have for the past several seasons? I am not. Here’s why I think that we should all feel ok about making NaNo into whatever works for us.

Reason One: Because why not? This whole endeavor is borderline batty anyway (in a good way!), so if you aren’t doing it for yourself, why do it at all?

Reason Two: NaNoWrMo is a tremendous opportunity to start something, and to finish something. That does not mean that we all do those things the same way or that we are all at the same stage in our particular journey.

For example, I have managed to hit my word count target every year. Yay. So I know I don’t have a problem with word production at the most basic level. Given that, it strikes me as sensible to ask how I can use this time to address some of the other issues popping up along the way.

So that’s what I’m doing this year. I’m using the month of November to focus on what is giving me trouble. Word count just doesn’t happen to be one of those issues, so I’m not focused on it right now.

I’ve made a deal with my creative side: write a decent amount a decent number of days, get back into the habit of constant production, and let me know what you need to keep the awesome ideas coming. Seriously, chocolate cake, sunset-colored drinks with umbrellas, giant cups of tea lattes from the cafe around the corner, a detailed schematic of the Death Star, you name it.

And if I need to take a day to brainstorm and that day only happens to net me a thousand words? I’m ok with that. Heck, I’m more than ok, I’m pleased as punch, because it means I’m working on the solution, not just throwing more words at the problem.

Now, I’m hardly the first person to say these things. Check out the NaNo author pep talks or any of the multitude of related discussions and you’re likely to find bits on writing in ways that work for you.

Got news for you: You don’t have to do it that way. Anything that gets words on the page is the Right Thing to Do. — Diana Gabaldon

This is the first year I’ve given myself full-on permission to do it the way that works for me. I’ve got to tell you, it feels great.

However you decide to work this month, happy noveling!

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