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Posts Tagged ‘short stories’

>> note: this is a repost to get around an editing problem; ignore if you’ve seen it or reread at your leisure…

Over at the Clarion Foundation‘s blog, Gregory Frost shares some terrific advice about the importance of establishing place in writing. I agree that authors need to use their details wisely, but too many people forget the importance of place, and I’m not just saying that because I spent time studying Geography.

Quick, what’s the first question you would ask if you woke up in a strange place?

“Where am I?”

Settle that and you can move on to other issues (like “Why am I perched on a tower fifty stories in the air?” or “Who tied me up and how the hell do I get out of here?”). Without it,  all the conflict in the world can’t keep the story from feeling like it’s taking place in front of a green screen.

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Tor.com is celebrating its fifth birthday this week. I’m glad that this bastion of quality speculative fiction has both survived and thrived, and that they are celebrating that fact with a collection of stories. View it online or download to your e-reader, as you prefer:

Download Five Years of Tor.com’s Original Fiction for Free!

Thanks, and Happy Birthday, Tor!

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It’s Monday, and I like to start the week with a healthy dose of motivation. This list is a mashup of writing advice from a number of sources, arranged in no particular order except that I believe the last one to be the most important. Bracketed initials at the end of each entry refer to the author key below. Today’s post is brought to you by the letter F (as in “finish!”).
  • Don’t use generic beginnings. [lb]
  • Don’t use slow beginnings. [lb]
  • Use the time of a total stranger in such a way that he or she will not feel the time was wasted. [kv]
  • Don’t try too hard. [lb]
  • Don’t use clichés. [lb]
  • Give the reader at least one character he or she can root for. [kv]
  • Every character should want something, even if it is only a glass of water. [kv]
  • Every sentence must do one of two things — reveal character or advance the action. [kv]
  • Start as close to the end as possible. [kv]
  • Be a Sadist. No matter how sweet and innocent your leading characters, make awful things happen to them-in order that the reader may see what they are made of. [kv]
  • Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages. [kv]
  • Structure, a.k.a. know where you’re going [jw]
  • Have something to say [jw]
  • Everybody has a reason to live, know who everybody is and why they’re there [jw]
  • Cut what you love [jw]
  • Listen to feedback [jw]…but also…
  • Don’t listen, and do the unexpected [jw]
  • Don’t sell out [jw]
  • Finish it! [jw]
Author Key and Citations:
[jw] Joss Whedon, adapted from Joss Whedon’s Top 10 Writing Tips.

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“Write something, damnit! Send it in. Do it again.”
– Gardner Dozois

Because some days you (ok, I;) need a kick in the pants.

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Exciting news, I have the page proof for my forthcoming Nature story in my Inbox this morning. What, I forgot to mention that I had a story accepted for their Futures column? I’ve been busy so I’m afraid that fell through the cracks, but that doesn’t mean I’m not thrilled by the prospect, because I am. The proof looks great, and the artwork they commissioned for the piece is just terrific, capturing the essence of the story in one beautiful image. I look forward to sharing it with you soon!

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The Devil Reads Prada | Colleen Anderson

I want to send a quick thank you over to fellow SF Canada member Colleen Anderson today. She wrote to Prada to clarify the terms of their writing contest, which happens to have a €5,000 prize. Sounds good, right?

Sadly, not so much.

As Colleen makes clear with her post and the attached response from Prada, they are offering a Very Bad Contract. Not only will the winner have to give up all moral rights to their work (but hey, €5,000, right?) but Prada also reserves the right to make up new contest categories, assign winners, and take all of those writers’ rights as well… while paying them nothing.

Very Bad. As Colleen says, the devil’s in the details.

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Last night I was facing down a story that’s had me stymied for a while, a tedious rewrite I wasn’t sure was going to work. That uncertainty took up so much brain space I didn’t have the energy to actually write. I finally remembered that the best way around that sort of questioning is to turn off my critical brain, or at least keep it busy in another room. So I put on some music, loud, and sang along while editing.

That’s how I finished my dissertation. Something about the singing ties up my internal editor; he’s too busy trying to get the song words right to nitpick over the written words. There’s probably a neurological explanation for this but whatever, it works for me:)

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You can get help from teachers, but you are going to have to learn a lot by yourself, sitting alone in a room.
— Dr. Seuss, in “On Becoming a Writer,” The New York Times, May 21, 1986

In related news, I just got a terrific rejection. Yes, acceptances are great but there is a lot to be said for a rejection that offers praise while pinpointing the one thing that’s problematic. I’ve been asking myself what was missing from this piece for months and now I know. That’s helpful in terms of this particular story but also for future work over the long term.

So thank you, Every Day Fiction submission readers, for doing what so many markets can no longer take the time to do: provide useful feedback.

Onward!

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The New Yorker Rejects Itself: A Quasi-Scientific Analysis of Slush Piles

… I grabbed a New Yorker story off the web (no, it wasn’t by Alice Munro or William Trevor), copied it into a Word document, changed only the title, created a fictitious author identity, and submitted it to a slew of literary journals, all of whom regularly grace the TOC of Best American Short Stories, Pushcart Prize, O’Henry, etcetera and etcetera. My cover letter simply stated that I am an unpublished writer deeply appreciative of their consideration.

That was it. I sowed the seed, and waited.

As for the result, please sit down and place your Starbucks Venti on a secure surface.

Dear reader, every single one of these journals rejected my poor New Yorker story with the same boilerplate “good luck placing your work elsewhere” auto-text that has put the lid on my own sorry submissions.

Oh my.

Obviously I’m not the only one who has ever wondered how overworked slush readers can stay consistent in the face of all of that precipitation. Author David Cameron’s quasi-scientific study (sample size: two) concludes, quite sensibly I think, that “slush sucks.” Now, I can either be depressed that even previously published stories can’t get published in some markets, or, well, not.

Rejections are inevitable, but I have to say that this makes me feel a bit better about my own.

Chin up, folks, and soldier on. The good news is, it’s not just you.

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Like many I was disappointed (if not terribly surprised) to see Duotrope go to a paid subscription model. This market database and submissions tracker is a great service, no mistake, but the subscription barrier felt a little high. There are some potential substitutes and while I was able to put together a system for story research, tracking, and submission, the process took time. Time I’d rather spend working or sleeping.*

What’s that? You know I’ve found a replacement and you just want me to spill the good news? Well then:)

Welcome to The Grinder, from the good folks at Diabolical Plots. It is a market database and submission tracker with Duotrope-style summary data and response time statistics. Those statistics will improve as more users add submission info, but I was surprised that after just a few months their data look similar to what I remember from Duotrope. And if you have an unaltered .csv export file of your Duotrope submission records, The Grinder has the option to import that information. See this summary page for more details on what it can do. And did I mention this service is free?

Drawbacks? It’s in beta so they are still building the market list and some of the features you might expect aren’t yet in place. (For example, I can’t find the Favorites list but as I just started using it that might be me.) It’s currently for fiction only but plans are in place to expand to non-fiction and poetry soon. These issues aside, The Grinder has a lot going for it, and the team seems genuinely interested in user suggestions and making improvements.

If you are in the market for a market list and submission tracker, this looks like a very good option.

* Or enjoying a frosty glass of some adult beverage with friends. Because there’s more to life than working and sleeping, people!

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