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Posts Tagged ‘Writers’

I’m work, work, working this week, getting lots done and I hope you are too. Today I bring you Kurt Vonnegut’s ideas on the shapes of stories, posted by Aerogramme Writers’ Studio with a terrific infographic designed by Maya Eilam. If you are a visual person, like to shore up your understanding of concepts with images, or just enjoy seeing how a great storyteller conceptualizes his work, you may find this useful.

The Shapes of Stories by Kurt Vonnegut

Those who believe in telekinetics, raise my hand.
― Kurt Vonnegut

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Best writing advice I’ve read all week:

How to avoid abstractitis: “Write physically. Write with physical objects… No matter how abstract your topic, how intangible, your first step is to find things you can drop on your foot.”

“What is a concrete noun?” a student might ask.

“It’s something you can drop on your foot,” I always answer. “It’s that simple.”

“So if I am writing about markets, productivity and wealth, I am going to….”

“Yes indeed — you are going to write about things you can drop on your foot, and people, too. Green peppers, ears of corn, windshield wipers, or a grimy mechanic changing your car’s oil. No matter how abstract your topic, how intangible, your first step is to find things you can drop on your foot.”

From John Maguire’s 2012 essay in The Atlantic, “The Secret to Good Writing: It’s About Objects, Not Ideas.”

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Writer and editor Eileen Gunn has a new piece out on science fiction writers and the art of possibility. For Smithsonian, no less.

How America’s Leading Science Fiction Authors Are Shaping Your Future

The literary genre isn’t meant to predict the future, but implausible ideas that fire inventors’ imaginations often, amazingly, come true

An instructor at MIT’s Media Lab “laments that researchers whose work deals with emerging technologies are often unfamiliar with science fiction. ‘With the development of new biotech and genetic engineering, you see authors like Margaret Atwood writing about dystopian worlds centered on those technologies,’ she says. ‘Authors have explored these exact topics in incredible depth for decades…'”

Check out the full article for more on the role of science fiction in imagining, and creating, potential futures.

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What’s that? You’d like to read an interview with George R.R. Martin with lunch? Well, I happen to have just the thing for you, via the good people at Longreads:

George R.R. Martin: The Rolling Stone Interview

 

In which GRRM discusses his history as a writer, the evolution of his epic (and as yet incomplete!) The Song of Ice and Fire cycle and how, despite the great swaths of death that characterize those books, his “worldview is anything but nihilistic.”

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I just pledged to support Year 3 of the excellent Fireside Magazine on Kickstarter. They’re close to the end of their funding cycle, so if quality fiction and terrific rates for authors are your cup of tea, check it out!

We act as though comfort and luxury were the chief requirements of life, when all that we need to make us happy is something to be enthusiastic about. ― Charles Kingsley

Update 04.01.14: In happy news, the Kickstarter was successful!

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In writing, brevity works not only as a function of space on a page, but the time that an audience is willing to spend with you.

A friend sent me an excellent article this morning, with some of the most useful advice I can think of for writers. It can also be one of the least welcome suggestions:
Keep It Short.

Danny Heitman’s essay uses this pithy guidance to sum up a lot of bits writers hear when trying to improve their craft: be concise, be concrete, be on point, write for your audience, etc. This does not mean blindly banging away on the Delete button, mind you:

I frequently hear champions of brevity advising writers to cut their word counts by scratching all the adjectives or adverbs… The point of brevity isn’t to chop a certain kind of word, but to make sure that each word is essential.

Short version, keep it short. (Although I can’t help myself, here’s one more quote from the article, this time citing John Kenneth Galbraith):

The gains from brevity are obvious; in most efforts to achieve it, the worst and the dullest go. And it is the worst and the dullest that spoil the rest.

Draft your short story, essay, poem, novel or recipe, then if you have a little time, put it aside. When you come back to it fresh, make friends with that Delete button.

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Here’s a deal for anyone interested in the (excellent) writing program Scrivener: for the next five-ish days, the deal site AppSumo is offering the program for $20. Scrivener usually sells for $45, and even the NaNoWriMo winner price is 50% off. (That’s how I got my copy and it was 20-odd bucks very well spent.) It’s also a wonderful way to write, in my experience. I used to write in Word. I’m much happier now.

No ties to either AppSumo or Literature & Latte, just a satisfied user of the latter. Still not sure if Scrivener is right for you? Check out the free trial versions for Mac and Windows, and bask in the joys of a program written by writers, for writers.

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Yes, after much social media back and forth, The Amtrak Residency for Writers Is Now Accepting Applications. Like the idea of riding the rails with nothing to do but be inspired by the scenery and write write write? I know I do:) Check out all the details at Amtrak’s site:

#AmtrakResidency was designed to allow creative professionals who are passionate about train travel and writing to work on their craft in an inspiring environment. Round-trip train travel will be provided on an Amtrak long-distance route. Each resident will be given a private sleeper car, equipped with a desk, a bed and a window to watch the American countryside roll by for inspiration. Routes will be determined based on availability.

A desk too? Heaven!

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Image

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I planned to avoid the kerfuffle around Lynn Shepard’s call for JK Rowling to stop writing, because the idea that Rowling should quit for the good of other writers is flat-out ridiculous. The sensible approach to scarcity isn’t to fight over the last tiny slice; instead, make the pie bigger. Rowling has certainly done that.

Mark Pryor’s article says most of what I was thinking about Lynn Shepard’s essay, and I was glad to see it come out. Here he is on Rowling: “…authors like you actually bring more readers to our books. More books from you means more readers for us, not fewer.”

I do disagree with a point at the end of Pryor’s article, however. The part where the author says that writers don’t write to make money is an old excuse to explain away economic marginalization: “…writers don’t sit down and write books to make money… We write because we love to share our stories.”

It has been said before but bears repeating: Doctors don’t examine you out of the love of anatomy, plumbers don’t fix your pipes for free. Professional writers are, or should be, the same. Yes, most people can “write” in the broad sense of the word, but very few can do it at professional levels. It’s like dismissing an Olympic sprinter because “anyone can run.”

“…this is the sort of thinking, intentional or otherwise, that gives bad people cover to screw writers with regard to money, and gives uncertain writers a reason to shrug off being screwed.”
— John Scalzi

Writers have a lot of motivations, and the pleasure of being read is certainly one. But we also write because (we hope) it pays the bills, because it’s less physically demanding than ditch digging, or because we have something to say. We write to entertain, to connect with other human beings, to understand the world and to communicate what we see. We write to make sense of a problem or an emotion and to pass that knowledge along. We write to provide adventure or mystery or humor or a place of refuge. If we do it well (and that’s what we’re all striving for, is it not?), we give to the reader, not the other way around.

And Ms Rowling does it well.

 

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