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Archive for the ‘Writing’ Category

Hey, folks, it’s a crappy day here, rain and wind and grey skies. What’s that? It’s crappy inside too? It’s hard to get your work done and you can’t seem to focus? That’s ok, it’s just…

A Crappy Day.

Don’t fret if you can’t stand the thought of another to-do list, if every single thing you should be doing is annoying the crap out of you. Because it’s (say it with me) a crappy day!

So, what to do? I say go with it! Revel in the mediocrity of the day. Remember that today is Monday and it is a scientifically proven fact that 96% of all Mondays have a better-than-average likelihood of being crappy.* And then break out the big guns.

That’s right, take yourself over to KittenTown and remember, tomorrow will probably be better:)

* Not really, but tell me it doesn’t feel true.

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Ooh, fun! I’m happy to announce that I have a new flash fiction story at EGM Shorts*: Magic Life. The story is free and (by definition) short, so if you find yourself with a moment to spare and the urge to slip into a bit of fantasy, check it out:)

* Short for Evil Girlfriend Media, a most excellent name.

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I’ve come across an interesting new project spearheaded by writer/editor Kristine Kathryn Rusch. As a way to spotlight women writers in science fiction, she is building an anthology for Baen Books of classic stories and more contemporary works, all written by women. She proposed this project as a way to preserve excellent but often underexposed work:

I don’t want this volume to look like something you have to read in a college literature class… I want these stories to be by women, yes, but about anything. And I want them to be rip-roaring good reads.

While I agree the anthology’s working title of “Tough Mothers, Great Dames, and Warrior Princesses: Classic Stories by the Women of Science Fiction” is unwieldy at best, this looks to be a great project overall.

Rusch has also started a Women in Science Fiction website linked to the project, as a way to highlight and preserve women’s history in speculative fiction. The site showcases authors by award nominees, female firsts, and genre, among other categories.

The website is brand new and still a work in progress, and she’s open to suggestions. Part of her goal is to supplement the admittedly limited amount of work she’ll be able to include in the anthology. If you’d like to recommend a favorite female author or story for inclusion, feel free to comment on her Suggestions page.

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Between guests and work and the glorious arrival of Spring (finally!), I’ve been swamped. Now that the lemon thyme and rosemary and chives and tarragon and bush tomatoes and Scarlet runner beans and apple mint are planted and the fig trees are basking out in the sun and the lawn mowed (three times in the past week, three!), I may actually have a moment to edit the half dozen stories waiting impatiently on my plate.

Here’s a cover image I made for one of those stories (months ago, when I had time for such things), using the excellent and very fun Pulp-O-Mizer!

The T-4200

And here’s a bit of encouragement in case your life has been as busy as mine:)
I don’t know what you may presume impossible, but I can say that some of it will turn out otherwise.

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I came across a fascinating article by David McRaney on survivorship bias. The overall point, that accounting for failure is critical to success, is well made, and the author uses a series of pointed examples. Not incidentally, the post also lays out a new-to-me part of World War Two history that includes a cabal of geniuses, women mathematicians, and the Department of War Math (ok, that last bit wasn’t its real name, but it should have been).

In World War Two, for example, the U.S. military tracked damage to returning bombers and wanted to beef up the most frequently-hit areas. A statistician named Abraham Wald pointed out that the surviving planes made it back despite that damage. The spots where they were unscathed, the ones no one had thought to record, were in fact the most vulnerable; as McRaney sums up, “that’s where the planes that didn’t make it back were hit.”

I found the history interesting in its own right, and if you have ever been tempted by the (admittedly seductive) trap of thinking, “Well, my grandfather breakfasted on salt pork and hot gin for ninety years, so I can eat whatever I want and still live forever,” I recommend a read.

“You develop a completely inaccurate assessment of reality thanks to a prejudice that grants the tiny number of survivors the privilege of representing the much larger group to which they originally belonged.“

That same logic applies to evaluating advice from diet gurus, celebrity CEOs and millionaire app designers. Skill plays a part, of course, but it turns out that overall, what a lot of successful people have in common could be termed luck. That may be a bit discouraging, but the good news is that such luck can be courted if you’re willing to take a longer-term view.

“The lucky try more things, and fail more often, but when they fail they shrug it off and try something else. Occasionally, things work out.”

Instead of looking for that one big break, think of the world as a series of possibilities; the more options you try, the greater your chance of success. Resist tunnel vision, “wade into the sea of random chance,” and stay open to new ideas and situations. That sounds pretty good, actually.

If you’re interested in how survivorship bias applies to writers and writing careers, check out this post by Tobias Buckell and the related Writing Excuses podcast in glorious audio or text.

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BBC Radio 4 is producing a radio drama of Ursula Le Guin’s The Left Hand of Darkness. The BBC is known for its adaptations, including Terry Pratchett and Neil Gaiman’s Good Omens last December. I read a lot of Le Guin as a teen but I haven’t revisited this classic novel in a long time, and I’m looking forward to hearing what they do with it.

Adapted for radio by Judith Adams and released one episode per week, the series has just begun. Find it and supporting material, including a documentary with author interview, at BBC Radio 4.

Each episode will be available for 30 days, so if this interests you, don’t wait!

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Author Anne Lamott is turning 61 and took the opportunity to write down “every single thing I know, as of today.”

It’s a lovely list, full of the poignant and practical advice for which she’s known. It can be moving and a little sad, as when she touches on the challenges of family and death, but she also brings out useful truths on such topics as the necessity of exercise and writing shitty first drafts, the beauty of life and persistence and the fact that any of us are even here at all.

I especially like #2:
“Almost everything will work again if you unplug it for a few minutes, including you.”

The original post was on Facebook, which I don’t use, but you can find the rest of her list and more on her thoughts in this Salon article.

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CreativeCup
Despite the title of this post, it’s not about what you may think. Meet my creative cup.

I pulled it out of the cupboard today because I wanted not only tea but a particular mindset. For that I use a cup.

I can tweak my mental orientation on my own, but like a witch with a familiar I find this task easier with the right tools. I have work cups, I have dessert cups (for chocolate pudding, of course), I have everyday cups and I have fun cups. But this is the original, my first cup with a distinct personality. Also, its own special power.

It may not look like much, at first glance. The surface is a fine textured grey that appears dull in poor light, with an image of pussy willow branches in an understated earthy brown and sky blue. There is a small chip on the lip, just above the handle. It could be any cup.

But it also has a larger-than-normal capacity, good for long days and challenging projects. It has tiny dimples where the layered paint is marginally thicker, enough to provide subconscious grip for tired fingers. The handle is both wide and flat for stability without bulk. It has a thin lip that doesn’t drip no matter how distracted the user. And it was given to me by a high school teacher whose name I can’t remember and whom I’ll never forget.

Many people (and, dare I posit, most writers?) were fortunate enough to have a teacher like this. She helped me explore new challenges, let me design a class when the schedule didn’t offer what I wanted, talked about the world outside of school as if it were a treasure box. She ran at lunch and ate interesting food at a desk by an oversized window, trim and fit with shoulder-length brown hair and a joyfully pragmatic outlook on life. She lent books and awarded class credit for wildcrafting my own dyes, medicines and poisons that would have done a 17th-century physicker proud.

She stayed with our school little more than a year, I think, but that was enough. The night before they left she and her husband arrived at our doorstep, a small wrapped package in hand. A gift, she said, that she hoped would suit. Something to take with me on my path.

I untied the ribbon. I tore the paper. Those are long gone. I still have the cup. When I want invention, when I want off-the-beaten-path imagination, when I need the encouragement to create and the belief that the world is still a wondrous treasure, this is my companion.

I thanked her. I am still thanking her, every time I use this cup.

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Today seems like a fine day for another visual writing prompt. The weather here in Ontario is starting to improve but there’s still a great deal of snow outside, and most of what I see is some shade of white. Perhaps that’s why these colorful images appeal to me. Or maybe it is the sense that their surface beauty is a veneer over danger, and a deeper mystery.

Enjoy!

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Terry Pratchett, author of the Discworld series, dies aged 66

The Guardian reports that Sir Terry Pratchett, author of the Discworld series and many other books, has died at home “with his cat sleeping on his bed” and surrounded by family. His intellect, creative abilities and incisive sense of humor will be sorely missed.

I think I’ll read Good Omens next, to remind myself of Pratchett’s genius, the power of writing (and humor in the face of the apocalypse), and the pearls we can leave behind if we’re willing to keep pushing ahead.

Addendum: A lot of nice tributes are going up online but I thought I’d direct you to one in particular, Jo Walton’s “Reminiscence” at the Tor.com blog. She says it well: “The writing will live on. Death sucks.”

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