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Archive for the ‘Writing’ Category

Tor.com is celebrating its fifth birthday this week. I’m glad that this bastion of quality speculative fiction has both survived and thrived, and that they are celebrating that fact with a collection of stories. View it online or download to your e-reader, as you prefer:

Download Five Years of Tor.com’s Original Fiction for Free!

Thanks, and Happy Birthday, Tor!

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Today’s useful writing link: David Mamet’s Master Class Memo to the Writers of The Unit. Originally written in 2005, it remains as concise a discussion of dramatic writing as I’ve seen. Funny too. For those of you interested in writing, I highly recommend that you read the whole thing (it’s not long); here are a few excerpts to whet your appetite.
 
QUESTION:WHAT IS DRAMA? DRAMA, AGAIN, IS THE QUEST OF THE HERO TO OVERCOME THOSE THINGS WHICH PREVENT HIM FROM ACHIEVING A SPECIFIC, ACUTE GOAL.
SO: WE, THE WRITERS, MUST ASK OURSELVES OF EVERY SCENE THESE THREE QUESTIONS.
1) WHO WANTS WHAT?
2) WHAT HAPPENS IF HER DON’T GET IT?
3) WHY NOW?

Ignore the typos and the all caps to focus on the substance. This memo is terrific advice for any writer, television or otherwise. 
  
START, EVERY TIME, WITH THIS INVIOLABLE RULE: THE SCENE MUST BE DRAMATIC. it must start because the hero HAS A PROBLEM, AND IT MUST CULMINATE WITH THE HERO FINDING HIM OR HERSELF EITHER THWARTED OR EDUCATED THAT ANOTHER WAY EXISTS.
 
 
LOOK AT THE SCENE AND ASK YOURSELF “IS IT DRAMATIC? IS IT ESSENTIAL? DOES IT ADVANCE THE PLOT?
ANSWER TRUTHFULLY.
 
On that note, it’s time to get back to writing:)

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It’s Monday, and I like to start the week with a healthy dose of motivation. This list is a mashup of writing advice from a number of sources, arranged in no particular order except that I believe the last one to be the most important. Bracketed initials at the end of each entry refer to the author key below. Today’s post is brought to you by the letter F (as in “finish!”).
  • Don’t use generic beginnings. [lb]
  • Don’t use slow beginnings. [lb]
  • Use the time of a total stranger in such a way that he or she will not feel the time was wasted. [kv]
  • Don’t try too hard. [lb]
  • Don’t use clichés. [lb]
  • Give the reader at least one character he or she can root for. [kv]
  • Every character should want something, even if it is only a glass of water. [kv]
  • Every sentence must do one of two things — reveal character or advance the action. [kv]
  • Start as close to the end as possible. [kv]
  • Be a Sadist. No matter how sweet and innocent your leading characters, make awful things happen to them-in order that the reader may see what they are made of. [kv]
  • Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages. [kv]
  • Structure, a.k.a. know where you’re going [jw]
  • Have something to say [jw]
  • Everybody has a reason to live, know who everybody is and why they’re there [jw]
  • Cut what you love [jw]
  • Listen to feedback [jw]…but also…
  • Don’t listen, and do the unexpected [jw]
  • Don’t sell out [jw]
  • Finish it! [jw]
Author Key and Citations:
[jw] Joss Whedon, adapted from Joss Whedon’s Top 10 Writing Tips.

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“Write something, damnit! Send it in. Do it again.”
– Gardner Dozois

Because some days you (ok, I;) need a kick in the pants.

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Joe Hill's Thrills.

I was feeling a little blue and I was looking for something on the internet to cheer me up and Warren Ellis has a post on his tumblr pointing to a website, I Write Like, so I thought, oh, hey, why not? Warren got David Foster Wallace; I was thinking, huh, maybe it’ll tell me I write like John Steinbeck! Hell, maybe David Mitchell!!!

Thanks to the above post by Joe Hill I’ve discovered an entertaining website called “I Write Like.” Unlike him, however, my stylistic tendencies seem to be more varied. Depending on the story, I apparently write like Cory Doctorow, J.K. Rowling, Ray Bradbury, and David Foster Wallace. I think the minds behind the site put this fun tool together to raise writers’ confidence levels; who wouldn’t want to be told they write like any one of the people on that list?

I don’t write like Stephen King, though. Joe Hill’s got that all wrapped up.

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Exciting news, I have the page proof for my forthcoming Nature story in my Inbox this morning. What, I forgot to mention that I had a story accepted for their Futures column? I’ve been busy so I’m afraid that fell through the cracks, but that doesn’t mean I’m not thrilled by the prospect, because I am. The proof looks great, and the artwork they commissioned for the piece is just terrific, capturing the essence of the story in one beautiful image. I look forward to sharing it with you soon!

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Iain Banks, 1954-2013 | Tor.com

This piece by Tor editor Patrick Nielsen Hayden gives a kind remembrance of author Iain Banks, who died yesterday from cancer. I particularly liked this description of Banks’s personality:

In the social world of British SF, Banks will be remembered as a larger-than-life figure—irrepressible, fearlessly outspoken, a boisterous lover of life’s many pleasures, and given to unsung acts of kindness and generosity.

We might all wish to be remembered so. And as Neil Gaiman says in his own reaction to the news:

If you’ve never read any of his books, read one of his books. Then read another. Even the bad ones were good, and the good ones were astonishing.

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In a broader sense, all science fiction prepares young people to live and survive in a world of ever-continuing change by teaching them early that the world does change.… In a more specific sense, science fiction preaches the need for freedom of the mind and the desirability of knowledge; it teaches that prizes go to those who study, who learn, who soak up the difficult fields of knowledge such as mathematics and engineering and biology. And so they do! The prizes of this universe go only to those able and equipped to reach out for them. In short, science fiction is preparing our youngsters to be mature citizens of the galaxy… as indeed they will have to be.

— Robert A. Heinlein (in “Turning Points: Essays on the Art of Science Fiction” by Damon Knight, ed., pp. 26-27)

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The Devil Reads Prada | Colleen Anderson

I want to send a quick thank you over to fellow SF Canada member Colleen Anderson today. She wrote to Prada to clarify the terms of their writing contest, which happens to have a €5,000 prize. Sounds good, right?

Sadly, not so much.

As Colleen makes clear with her post and the attached response from Prada, they are offering a Very Bad Contract. Not only will the winner have to give up all moral rights to their work (but hey, €5,000, right?) but Prada also reserves the right to make up new contest categories, assign winners, and take all of those writers’ rights as well… while paying them nothing.

Very Bad. As Colleen says, the devil’s in the details.

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Check out io9’s entertaining new list of classic speculative fiction novels originally rejected by publishers. It’s like a mashup of English reading lists from school and some of my favorite books.

Just goes to show, eh? Keep writing!

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