Storytelling is a fundamentally human pursuit. (Not to say that we’re the only ones who do it, because it’s possible that ant and bee pheromones communicate the route to food in the form of a tale that resonates with those particular species, but…) In fundamental ways that touch on history to parenting to neuroscience and everything in between, we are our stories. The origins of some classic fairytales, for instance, go back thousands of years.
How our essential stories came to be, what they say to us, and about us, and how they continue to resonate, are all fundamental questions for writers. One way to think about the path of a story, where it goes and what it is meant to do, is through the Hero’s Journey. The TED Radio Hour on NPR did a nice series on this:
…why are we drawn to stories about heroes? And what do they tell us about ourselves?
There are other ways to tell a story, of course, but as the fundamental underpinnings of tales from The Odyssey to Star Wars, this framework provides a fascinating and concrete way to communicate through fiction.
I spend a lot of time online for work and play, and it struck me just how much free fiction I see in a typical day. Lots, is the short answer.
I’ve decided to use some of my posts to highlight (a mere fraction of) the excellent material out there. I’m drawn to good writing, intriguing characters and ideas, and speculative prognostication. I hope these stories will appeal to you too.
Today’s selection is “Zero Hours” by Tim Maughan (Medium, Sep 19, 2013) ~7 min read. It introduces us to the life and work of a 19-year old “zero hours retail contractor” in London 2023.
0714, Wanstead
Nicki is awake even before her mum calls her from the other side of the door. She’s sat up in bed, crackly FM radio ebbing from tiny supermarket grade speakers, her fingers flicking across her charity shop grade tablet’s touchscreen. She’s close to shutting down two auctions when a third pushes itself across her screen with its familiar white and green branded arrogance. Starbucks. Oxford Circus. 4 hour shift from 1415.
Star Wars: The Force Awakens has premiered and the hype it is a-ramping! I’m excited. Really excited, like Fanboys excited, but I can’t see the movie just yet. Why not? Why am I not suited up in a Han Solo outfit (complete with super cool hip holster) and posting this from the ticket line at my local theatre? Because Star Wars isn’t just my thing, it’s a family thing.
See, I grew up without a television. My father had a minor (read major) TV problem and realized that having one meant watching one. All the time. So no TV. What we did have was a black and white lab monitor and a tape of Star Wars. On Betamax:)
We watched that tape a lot. Until the video track died, actually, and for a while after that. Most nights after dinner, Dad would make giant bowls of popcorn spackled together with butter and salt and we’d settle on the couch for the movie.
The. Movie.
Yeah, I was that kid, the geeky one who could quote the whole thing. (Droid dialog included, of course.I can’t tell you what it means to have your mostly secret childhood obsession become the new cultural darling, but I may not have to. Maybe you were that geeky kid too. Awesome, right?)
The original Star Wars was a great movie but it was also an anchor in turbulent times. My parents split up around then, my mother had health issues, I moved to a new school. The usual kinds of transitions children go through, and need a foundation to weather well.
Star Wars, and the bond that formed with my brother and father around science fiction and fantasy, was a big part of that anchor. It’s also a big part of why I write speculative fiction. In the way only fiction can, the movie proved that the good guys can win, that wrongs can be righted, and that a scrappy band of rag-tag rebels can change the course of history. (Also that parsecs are a measure of time, support garments aren’t necessary in space, and that no matter what Obi-Wan says, stormtroopers can’t shoot worth a damn. Hey, nothing’s perfect;)
My father also read us Tolkien, and when the The Hobbit and The Lord of the Rings movies came out we all went together. Now those movies are done but we have a new hope (see what I did there?;). This year I’m going home for Christmas, and for Star Wars: The Force Awakens.
But, that means I won’t be able to see the movie for ten days. In the meantime? There’s time for a bit of fun:
We’ve had guests in town and that’s always fun. We went to The Tallis Scholars at the Notre-Dame Cathedral Basilica last night (check out that vaulted ceiling in the photo below:) and it was a lovely experience. There’s nothing like soaring choral music to elevate the spirits, and the level of talent was extraordinary. A UK vocal ensemble formed by Peter Phillips in 1973, the group holds a well-deserved international reputation and have more than sixty albums out. If you have the chance to see them in person, I recommend it. The fact that this is the holiday season just made it that much more fun.
Me being me, the event also inspired some deliciously wicked ideas for a story I’m writing. Win win!
Today is Back to the Future Day! In honor of Marty McFly’s time travel to the future in the second installment of that classic movie series, I shall microwave all beverages for exactly 1 minute and 21 seconds, wonder when I’ll finally be able to buy a real hoverboard, and think fondly of mad scientists.
You know, pretty much a normal day here at Chez J 🙂
I finally got to see The Martian this past weekend, and if you’ve been following the reviews at all my reaction will come as no surprise: it was great. What’s that, you’ve been busy/off the grid/media fasting? Here’s a trailer.
I read Andy Weir’s book last year so the specifics weren’t a surprise, but in this case knowing the story did nothing to detract from the experience. The execution, whether in terms of writing, acting, directing, or visuals, was a delight. The movie compressed the story in exactly the right ways, maintaining dynamism and tension in what could have been a dull one-man alone setting.
Also, no stupid characters were required to move the plot. Yay! You may not agree with every decision, but at no point did the script make some hapless individual look down at a big red button under glass and say, “Gosh, I know they told me not to touch anything but I wonder what this does,” literally or otherwise. Also times two, smart, strong characters, women included. How refreshing is that?
A lot has been written about the movie, and about Weir’s journey from self-published indie author to Hollywood hit, and it’s both interesting and well-deserved (see here and here and here and here, for examples).
As an entertainment consumer both versions scored high for me. As a writer, I was impressed by Weir’s concrete attention to detail, his willingness to dig himself into seemingly impossible holes, and his facility at getting out of them in realistic ways. Drew Goddard did an excellent job translating the book into a screenplay (I’d expect nothing less from this Buffy/Angel/Alias+ alum) for Ridley Scott.
I came out of the theatre kicking myself for not studying more math in school. Astronauts are awesome, and while most of us will never make that exalted level, there’s nothing to say we can’t try. (Ok, fine, my eyesight is bad and I’m going to go out on a limb here and assume that astronauts need to be able to do more than 10 pushups, but you get my point.)
Helping kids (and everyone else) see that science is about exploration, discovery, innovation, capability and (in this case) freaking outer space?
That’s exactly the kind of story I can get behind. Recommended.
What: Australian TV series set in the 1920s, featuring a murder-solving “Lady Detective”… which doesn’t really capture it at all:)
Where: Seasons 1 and 2 are available on Netflix (and elsewhere, including my public library, but Netflix works for me). Season 3 recently aired on Australia’s ABC TV.
Why? Because Reasons!
The series is based on the books by Kerry Greenwood, and because each episode (at least those I’ve seen to date) is based on its own book, the plot and character arcs tend to be layered and complex.
It features a woman (played by the fabulous Essie Davis, interviewed about the series on NPR) who is not afraid of action, bucking authority, family planning, sex, crossing racial or class boundaries, believes whole-heartedly in nonjudgmental good works, tolerance, and enjoying the hell out of life.
Great mix of characters and story lines, plus incisive social commentary incorporated in an interesting way.
I’ve seen the series described as “competence porn” and while I think the lead character could benefit from a few lessons on how to hang on to one’s pistol and the downsides of scaling buildings in heels, I’d have to agree. She always solves the case, rescues herself and everyone else, and gets the gun back. Also, her skills with a grappling hook are impressive.
The clothing gets talked up a lot in reviews of the show and while I’m not a fashion devotee, it’s true, the outfits provide a beautiful and fascinating glimpse into Jazz-age apparel. In this article at The Australian, designer Marion Boyce discusses the process of outfitting the series. Fun fact: Instead of using vintage items, most of the costumes were made for the show, in part because modern humans are differently proportioned than they were even a hundred years ago.
A new anthology is out for free from Tor.com, and it includes twenty-six of their favorite short stories, novelettes, and novellas from 2014. Tor.com does publish its fiction online, of course, but if you prefer a transportable and handy-to-read format for Kindle, Nook or similar device, you can download the full anthology now for the low, low price of nothing, nada, zip, rien, tipota.
Erik Wernquist’s lovely short film “Wanderers” is making the rounds online, and deservedly so. The piece uses dramatic visualizations of our solar system and is narrated with audio excerpts from Carl Sagan’s book Pale Blue Dot. If you have four minutes and a yen for optimistic futurism, let this film help you imagine humanity’s future on the open road, “out there.” And it’s always good to hear Carl Sagan.
A Wonder Woman movie is finally really actually happening. This article at Tor.com lays out what we know (not much) and how this movie fits with the WB film slate.
Few details are available other than a 2017 release date, so let me leave you with Jill Lepore’s New Yorker piece on everyone’s favorite lasso-toting amazon and this fascinating Smithsonian article on The Surprising Origins of Wonder Woman.
J.R. Johnson 
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