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Posts Tagged ‘genre fiction’

I’m very pleased to announce that “The Scent of Things to Come” is now available online in Nature‘s September 5th issue. The artwork is gorgeous, too.

I have to say this absolutely makes my day:)

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I Hate Strong Female Characters

Over at the New Statesman, Sophia McDougall has written a thoughtful piece on female characters in television, movies, and text. Provocatively titled, it is much more complex than one might think at first glance. This isn’t a tear-down or a diatribe, and it’s well worth a read.

I like “sexy kickassery” as much as the next person, but when it comes to characters…

What do I want instead of a Strong Female Character? I want a male:female character ratio of 1:1 instead of 3:1 on our screens. I want a wealth of complex female protagonists who can be either strong or weak or both or neither, because they are more than strength or weakness. Badass gunslingers and martial artists sure, but also interesting women who are shy and quiet and do, sometimes, put up with others’ shit because in real life there’s often no practical alternative. And besides heroines, I want to see women in as many and varied secondary and character roles as men: female sidekicks, mentors, comic relief, rivals, villains. I want not to be asked, when I try to sell a book about two girls, two boys and a genderless robot, if we couldn’t change one of those girls to a boy.

I want her to be free to express herself

I want her to have meaningful, emotional relationships with other women

I want her to be weak sometimes

I want her to be strong in a way that isn’t about physical dominance or power

I want her to cry if she feels like crying

I want her to ask for help

I want her to be who she is

…this list of things is better.

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>> note: this is a repost to get around an editing problem; ignore if you’ve seen it or reread at your leisure…

Over at the Clarion Foundation‘s blog, Gregory Frost shares some terrific advice about the importance of establishing place in writing. I agree that authors need to use their details wisely, but too many people forget the importance of place, and I’m not just saying that because I spent time studying Geography.

Quick, what’s the first question you would ask if you woke up in a strange place?

“Where am I?”

Settle that and you can move on to other issues (like “Why am I perched on a tower fifty stories in the air?” or “Who tied me up and how the hell do I get out of here?”). Without it,  all the conflict in the world can’t keep the story from feeling like it’s taking place in front of a green screen.

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Tor.com is celebrating its fifth birthday this week. I’m glad that this bastion of quality speculative fiction has both survived and thrived, and that they are celebrating that fact with a collection of stories. View it online or download to your e-reader, as you prefer:

Download Five Years of Tor.com’s Original Fiction for Free!

Thanks, and Happy Birthday, Tor!

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It’s Monday, and I like to start the week with a healthy dose of motivation. This list is a mashup of writing advice from a number of sources, arranged in no particular order except that I believe the last one to be the most important. Bracketed initials at the end of each entry refer to the author key below. Today’s post is brought to you by the letter F (as in “finish!”).
  • Don’t use generic beginnings. [lb]
  • Don’t use slow beginnings. [lb]
  • Use the time of a total stranger in such a way that he or she will not feel the time was wasted. [kv]
  • Don’t try too hard. [lb]
  • Don’t use clichés. [lb]
  • Give the reader at least one character he or she can root for. [kv]
  • Every character should want something, even if it is only a glass of water. [kv]
  • Every sentence must do one of two things — reveal character or advance the action. [kv]
  • Start as close to the end as possible. [kv]
  • Be a Sadist. No matter how sweet and innocent your leading characters, make awful things happen to them-in order that the reader may see what they are made of. [kv]
  • Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages. [kv]
  • Structure, a.k.a. know where you’re going [jw]
  • Have something to say [jw]
  • Everybody has a reason to live, know who everybody is and why they’re there [jw]
  • Cut what you love [jw]
  • Listen to feedback [jw]…but also…
  • Don’t listen, and do the unexpected [jw]
  • Don’t sell out [jw]
  • Finish it! [jw]
Author Key and Citations:
[jw] Joss Whedon, adapted from Joss Whedon’s Top 10 Writing Tips.

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Reblogging this because Elise Matthesen has been brave enough to turn a bad experience into something useful, and it may help someone in the future… although I hope you don’t need it.

Automattic Special Projects's avatarWhatever

My friend Elise Matthesen was creeped upon at a recent convention by someone of some influence in the genre; she decided that she was going to do something about it and reported the person for sexual harassment, both to the convention and to the person’s employer. And now she’s telling you how she did it and what the process is like. Here’s her story.

—-

We’re geeks. We learn things and share, right? Well, this year at WisCon I learned firsthand how to report sexual harassment. In case you ever need or want to know, here’s what I learned and how it went.

Two editors I knew were throwing a book release party on Friday night at the convention. I was there, standing around with a drink talking about Babylon 5, the work of China Mieville, and Marxist theories of labor (like you do) when an editor from a different…

View original post 1,930 more words

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Ben Aaronovitch’s Peter Grant Series Optioned for UK TV Adaptation | Tor.com

Author Ben Aaronovitch’s hugely successful series of urban fantasy/police procedural novels featuring a copper who becomes a trainee wizard with the Met is to become a TV series in the UK.

As someone who likes well-written books and entertaining, thoughtful television, this is good news. We’ll have to see how the final product comes together but in the meantime, if the above description sounds intriguing and you haven’t already found Aaronovitch’s series, I suggest you start with the first book, Rivers of London.

This Tor.com-enabled lunch break is now over; I now return to my regularly scheduled work program!

 

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“Write something, damnit! Send it in. Do it again.”
– Gardner Dozois

Because some days you (ok, I;) need a kick in the pants.

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Joe Hill's Thrills.

I was feeling a little blue and I was looking for something on the internet to cheer me up and Warren Ellis has a post on his tumblr pointing to a website, I Write Like, so I thought, oh, hey, why not? Warren got David Foster Wallace; I was thinking, huh, maybe it’ll tell me I write like John Steinbeck! Hell, maybe David Mitchell!!!

Thanks to the above post by Joe Hill I’ve discovered an entertaining website called “I Write Like.” Unlike him, however, my stylistic tendencies seem to be more varied. Depending on the story, I apparently write like Cory Doctorow, J.K. Rowling, Ray Bradbury, and David Foster Wallace. I think the minds behind the site put this fun tool together to raise writers’ confidence levels; who wouldn’t want to be told they write like any one of the people on that list?

I don’t write like Stephen King, though. Joe Hill’s got that all wrapped up.

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Exciting news, I have the page proof for my forthcoming Nature story in my Inbox this morning. What, I forgot to mention that I had a story accepted for their Futures column? I’ve been busy so I’m afraid that fell through the cracks, but that doesn’t mean I’m not thrilled by the prospect, because I am. The proof looks great, and the artwork they commissioned for the piece is just terrific, capturing the essence of the story in one beautiful image. I look forward to sharing it with you soon!

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