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Posts Tagged ‘Writers’

The award-winning SFF magazine Clarkesworld recently released their Best Of 2023 list based on reader votes. While I don’t always love every Best Of story out there, I do like using those lists as starting points to explore new and interesting writers. 

If you do too, check out the top 3 short stories and longer-form works.

Editor’s Desk: The Best from 2023

Best Novelette/Novella
3rd Place: “Imagine: Purple-Haired Girl Shooting Down the Moon” by Angela Liu (novelette)
2nd Place: “Light Speed Is Not a Speed” by Andy Dudak (novelette)
2023 Winner: “To Sail Beyond the Botnet” by Suzanne Palmer (novella)

Best Short Story
3rd Place: “Window Boy” by Thomas Ha
2nd Place: “Day Ten Thousand” by Isabel J. Kim
2023 Winner: “Better Living Through Algorithms” by Naomi Kritzer

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It’s the weekend and I feel I should be using my time for creative work, but instead I have a long and growing list taking up space in the back of my mind (and on Post-its fluttering from desk to pocket to pile). This list includes both the ignorable (“clean basement, for real this time”) and the not so much (“Taxes!”). 

So I’ll just go take care of that, shall I?

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“Thankfully, persistence is a great substitute for talent.”

― Steve Martin

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Today’s Now I Know (a fun free newsletter, recommended) talks about some of the fundamental elements of being a successful spy. Essentially, the key is to play a character as truthfully as possible. 

When I moved to Canada I was suddenly surrounded by people and places that were just subtly different from what I was used to. The way people dress, talk, eat, smile, and yes, stand, are all signifiers of culture and place. It made me more conscious of what was the same and what was different, or what made me look at an actor in a commercial and immediately say, “Sooo Canadian!” when Mr Man didn’t register a difference.

Here’s the video referenced in the article, with Jonna Mendez, former CIA agent and Chief of Disguise:

What makes a character look “right” or not, or act as if they are rooted in a particular time and place? Understanding those fundamental cues is a great way to think about adding depth to stories and the characters who drive them.

While we’re here, Mendez also has a fun video critiquing scenes in spy movies, useful to anyone writing a story with espionage:

Alias for the win!

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In a recent chat with my mother, I mentioned that I thought she would enjoy the movie version of The Martian. I don’t know if she was convinced by my sales pitch: “An astronaut is stranded alone on Mars and has to find a way home before he dies a horrible death. It’s hilarious!” but I hope she’ll watch it.

Andy Weir’s book is also a lot of fun. It was published ten years ago this month, and to celebrate he wrote a new chapter and shared it with us all.

Enjoy!

The Martian: Lost Sols

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I just finished the third book in N.K. Jemisin’s The Broken Earth trilogy and have to agree with this article:

Dear Hollywood, Where Are the SFF Book-to-Movie-TV Adaptations From Black Writers?

Since 2014, approximately 500 books of all genres have been adapted to film or television. In total, just over four dozen of those books adapted were written by Black authors. Only four of those 50+ Black adaptations were speculative works. 

Just saying.

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I just posted this to a writer’s group and then thought, what the heck, maybe other people would appreciate this too. And here we are.

I saw a writer on Twitter feeling not great about his work, of the “everything’s terrible, no one wants this stupid book, what’s the point, why am I even bothering?” variety. Been there, of course, who hasn’t, and I had some thoughts. Sharing in case someone else needs to hear it too:

Think of the last book you read that brought you joy, or showed you that there is light at the end of darkness.

Your book is you, repaying the favor.

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You can become blind by seeing each day as a similar one. Each day is a different one, each day brings a miracle of its own. It’s just a matter of paying attention to this miracle.

— Paulo Coelho

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“First forget inspiration. Habit is more dependable. Habit will sustain you whether you’re inspired or not. Habit will help you finish and polish your stories. Inspiration won’t. Habit is persistence in practice. You don’t start out writing good stuff. You start out writing crap and thinking it’s good stuff, and then gradually you get better at it. That’s why I say one of the most valuable traits is persistence.”

― Octavia E. Butler

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Today, an excerpt from David Foster Wallace‘s 2005 commencement speech at Kenyon College. It was made in to a book titled This is Water, but is also available online as text and audio. 

It’s the sort of essay that can help if you start tripping over yourself, which everyone does at some point. 

It’s also an interesting way for an author to approach their characters. What do they know? What do they take for granted? What do they love? What do they hope for? What do they fear, bone deep? 

What is water to them?

If you worship money and things, if they are where you tap real meaning in life, then you will never have enough, never feel you have enough. It’s the truth. Worship your body and beauty and sexual allure and you will always feel ugly. And when time and age start showing, you will die a million deaths before they finally grieve you. On one level, we all know this stuff already. It’s been codified as myths, proverbs, clichés, epigrams, parables; the skeleton of every great story. The whole trick is keeping the truth up front in daily consciousness.

Worship power, you will end up feeling weak and afraid, and you will need ever more power over others to numb you to your own fear. Worship your intellect, being seen as smart, you will end up feeling stupid, a fraud, always on the verge of being found out. But the insidious thing about these forms of worship is not that they’re evil or sinful, it’s that they’re unconscious. They are default settings.

They’re the kind of worship you just gradually slip into, day after day, getting more and more selective about what you see and how you measure value without ever being fully aware that that’s what you’re doing.

And the so-called real world will not discourage you from operating on your default settings, because the so-called real world of men and money and power hums merrily along in a pool of fear and anger and frustration and craving and worship of self. Our own present culture has harnessed these forces in ways that have yielded extraordinary wealth and comfort and personal freedom. The freedom all to be lords of our tiny skull-sized kingdoms, alone at the centre of all creation. This kind of freedom has much to recommend it. But of course there are all different kinds of freedom, and the kind that is most precious you will not hear much talk about much in the great outside world of wanting and achieving…. The really important kind of freedom involves attention and awareness and discipline, and being able truly to care about other people and to sacrifice for them over and over in myriad petty, unsexy ways every day.

That is real freedom.

— David Foster Wallace, 2005 commencement speech at Kenyon College

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