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Posts Tagged ‘Writers’

For today’s dose of free fiction we have a short story by Joe Haldeman. Haldeman is a Science Fiction and Fantasy Hall of Fame inductee (2012), author of The Forever War and many, many other works, and retired MIT writing professor.

None So Blind” won the Locus and Hugo Awards for 1995’s best short story, and first appeared in Asimov’s Science Fiction Magazine.

Enjoy!

 

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Life is not supposed to be neat. And it’s a comfort. It’s a comfort to all of us who have messed up. And then you find your way back…

— JK Rowling

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Don’t fear failure. — Not failure, but low aim, is the crime. In great attempts it is glorious even to fail.

— Bruce Lee

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Today I want to spotlight a collection of writing advice. It comes via OWW, the Online Writing Workshop for Science Fiction, Fantasy and Horror. OWW is a fee-based workshop but this advice is available to all.

These short essays discuss topics on writing in general, how to get your work read (if you’re into workshops like OWW, or the free Critters or Codex, for example), and the publishing business overall. I like Nicola Griffith’s piece about avoiding cliches:*

Don’t write “her heart stopped” unless you mean she died. Don’t talk about saucy serving wenches in an inn where the beef stew is thick and hearty and the ale is fresh, nutty, and strong… Why aren’t “serving wenches” ever tired, middle-aged women? Why is the beer rarely yellow, or thin, or cloudy with sediment?

So true.** There’s a reason the average human lives a much longer and healthier life than their ancestors did just a century ago:

In Japan, 72 has become the new 30, as the likelihood of a 72-year-old modern-day person dying is the same as a 30-year-old hunter-gatherer ancestor who lived 1.3 million years ago.

Modern sanitation, medicine and quality infrastructure (for those handy extras like clean drinking water) for the win!

So, keep a weather eye out for dangerous and terrifying pitfalls you have to escape in the nick of time as you navigate the winding path of language clichés:) But keep writing. Remember, all’s well that ends well! (And that’s just about enough of that;)

While we’re on the subject of advice, I’ll supplement the OWW site and my previous posts on writing advice with a link from Brain Pickings. This collection of wisdom is from a variety of writers, genre and otherwise:

#49: Neil Gaiman’s Advice to Aspiring Writers
“You have to finish things — that’s what you learn from, you learn by finishing things.”

Some of this advice may not apply to you; I tend not to relate to Bukowski, for example. But some of it may, and I hope it’s useful.

Since I’m throwing in everything but the kitchen sink today, let me close with this great post from Elizabeth Bear: “everybody’s scared of things that they don’t understand and all the living they don’t do.

Accept that there will be a lot of failures along the way, and that you can come back from nearly any mistake that doesn’t involve making a left turn in front of an oncoming semi.

Excellent advice.

Write, rewrite, finish. Do it again.

…………
* Some of the examples are also about uncomfortable -isms. Racism and sexism, for instance, are more problematic than simple clichés and should be resolved at a deeper level. Obviously.
** As a side note, if you’re curious about what and how people ate in the Western Middle Ages, SF Canada writer Krista D. Ball has a detailed and useful book on realism in fantasy food: What Kings Ate and Wizards Drank.

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A friend with a shared love for Harry Potter sent me a link the other day. Some creative and determined person decided to make a Weasley clock.*
The magical ‘Harry Potter’ location clock exists in DIY form

For those who may have missed this detail from the HP book and/or movie, the Weasley clock is a magical JK Rowling invention that tracks each Weasley family member’s location and displays it on an antique clock face.

Rowling thought it up, and a Muggle made it real. How cool is that?

So with thanks to my friend, today’s installment of #ThingsILike is the real-world power of fiction.

*

“If you just focus on what you know, you’re blinding yourself to new opportunities.”
— Tyler Jacks, MIT

There are a lot of discussions of this topic out there, both contemporary and historical, but it’s a point I like to touch on periodically. A writer imagines a thing and someone else finds a way to make it real.

That’s magic right there.

This applies to specific items like the clock but also to everything from emotional states to broader goals. Want to generate ideas, stir up communal interest, and apply creativity to complex problems like living in space long-term? Tap the power of fiction:
The White House Wants To Use Science Fiction To Settle The Solar System

How to get into space? Excite the minds of young (and not so young) people with stirring tales of adventures in space. This applies to stories from Asimov, Clarke and other Golden Age of Science Fiction authors, but also to more recent blockbusters like Andy Weir’s The Martian.

The latter was particularly good at building future versions of current technologies, and NASA was happy to help Weir build his fictional (for now) world from the Popular Science article on the support NASA gave Ridley Scott as he turned the book into a blockbuster movie:

If you want to understand why it is that NASA loves The Martian and is so gung ho for this movie, you have to realize that this movie more or less presents exactly their future vision, minus all the drama.

*

I’ve cited this quote before but it’s so fitting I’ll use it again:

If you want to build a ship, don’t drum up people to collect wood and don’t assign them tasks and work, but rather teach them to long for the endless immensity of the sea.

— Antoine de Saint-Exupéry

That’s the power of fiction.

———

* There may be other such clocks out there (in fact, I hope there are) but this is the version that caught my attention. Feel free to build more!

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Today’s entry for #ThingsILike is Impostor Syndrome. Let me be clear, I don’t enjoy feeling like a fraud. What I do like is that I’m not alone when I do. My advisor introduced me to the term in grad school and gave me a gift: he told me that practically everyone at our prestigious and accomplished institution had it. It just wasn’t something people talked about.

Ok, maybe what I really like is the fact that the today’s connectivity means I don’t feel like the only one, be it re: impostor syndrome or sci-fi fandom, POC or what have you. Still, today is as good a time for a pep talk as any. Let’s get to it:)

A lot of people feel like frauds at some point in their lives. The topic came up for me this week because Mary Robinette Kowal has a good piece about it on her site. (If her gaming analogy doesn’t work for you feel free to come up with your own.)

Have you ever felt like a fake, attributed your accomplishments to luck or some external reason, or downplayed your success even though on paper you might look pretty darn impressive? If you’re asking yourself “Who hasn’t?” well, you know about impostor syndrome.

(Quick, here’s a pretty picture to keep your spirits up. That’s you, taking in the view on your way to the top. It only looks like someone else’s behind:)

Impostor syndrome is so common that CalTech has a page on it for its students, and everyone from Forbes to Geek Feminism Wiki to the American Psychological Association wants to help people work through it. (And that’s just from the first Google search page:)

I like Mary’s take on impostor syndrome as a way to tell that you are making progress, working hard, and facing down problems that feel too big to handle. (The key here is “feel.” Feels are fine and all but emotion is interpretation, and not necessarily fact.)

Impostor Syndrome means that you are winning.

I think that’s great.

Speaking of progress and how to make more of it, there’s a great TED talk with relevance here. Rather than seeing challenges as a binary yes or no, can I or can’t I? Carol Dweck argues that it helps to think about targets as yes or not yet. That “yet” is the crucial modifier. The brain is built to learn, you just have to chill out, keep going and give yourself a chance.

Do that, and not yet can become yesterday’s accomplishment. Now I’m off to take my own advice:)

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Today’s free fiction is a Best of 2015 collection from Tor.com. Available in PDF, EPUB & MOBI formats, the book download requires free login. Note that these and all other Tor.com stories are available free online but it’s great to get a prepackaged anthology as a jumping off point.

Some of the Best from Tor.com 2015

The stories were acquired by editors Ellen Datlow, Claire Eddy, Carl Engle-Laird, Liz Gorinsky, David G. Hartwell, Patrick Nielsen Hayden, Beth Meacham, Marco Palmieri, and Ann VanderMeer.

Enjoy!

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Today’s #ThingILike* is West with the Night, a fabulous piece of non-fiction first published in 1942 by bush pilot, adventurer and racehorse trainer Beryl Markham. I picked it up in a second-hand store on the strength of the title and the back cover blurb. I’d never heard of the author, but when Ernest Hemingway says he wishes he could write so well, I pay attention. Glad I did.

“Did you read Beryl Markham’s book, West with the Night? I knew her fairly well in Africa and never would have suspected that she could and would put pen to paper except to write in her flyer’s log book. As it is, she has written so well, and marvelously well, that I was completely ashamed of myself as a writer. I felt that I was simply a carpenter with words, picking up whatever was furnished on the job and nailing them together and sometimes making an okay pig pen. But [she] can write rings around all of us who consider ourselves writers. The only parts of it that I know about personally, on account of having been there at the time and heard the other people’s stories, are absolutely true . . . I wish you would get it and read it because it is really a bloody wonderful book.”
— Ernest Hemingway

Recommended.
* Again, items in this series of Things I Like are linked for your information; no sponsors, no kickbacks, just a sampling of things that I find useful or fun or funny or sweet.

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The 2015 Locus Recommended Reading List

It’s the beginning of a new year and that, among other things, means year-end wrap-ups and award seasons. Locus Magazine, which has covered the science fiction and fantasy field since 1968, released its list of recommended reading for 2015. It is extensive. It covers material from novels to shorts, fantasy to non-fiction, and there seems to be something for everyone. The full list includes links or references for all entries so check it out if you want the full shebang.

If you’re short on available funds or want to sample an author before you dig deeper into their repertoire, then check out my abbreviated version below. It links to all of the list’s freely available stories (I think, although it’s a big collection and I may have missed one or two).

There’s a lot of excellent material here. I’ve read some of these pieces already but not all, and I look forward to catching up. Do check out the novels and other purchasable items too, if you have the wherewithal (and if you don’t, I highly recommend a library card!).

Enjoy!

 

NOVELLAS
‘‘Waters of Versailles’’, Kelly Robson (Tor.com 6/10/15)

NOVELETTES
‘And You Shall Know Her by the Trail of Dead’’, Brooke Bolander (Lightspeed 2/15)
‘‘Islands off the Coast of Capitola, 1978’’, David Herter (Tor.com 7/8/15)
‘‘Machine Learning’’, Nancy Kress (Future Visions)
‘‘Another Word for World’’, Ann Leckie (Future Visions)
‘‘Coming of the Light’’, Chen Qiufan (Clarkesworld 3/15)
‘‘Fabulous Beasts’’, Priya Sharma (Tor.com 7/27/15)
‘‘The Long Goodnight of Violet Wild’’, Catherynne M. Valente (Clarkesworld 1/15, 3/15)

SHORT STORIES
‘‘The Great Silence’’, Allora & Calzadilla & Ted Chiang (e-flux journal 56th Venice Biennale 5/8/2015)
‘‘Soteriology and Stephen Greenwood’’, Julia August (Unlikely Stories 10/15)
‘‘City of Ash’’, Paolo Bacigalupi (Matter 7/27/15)
‘‘Snow’’, Dale Bailey (Nightmare 6/15)
‘‘Unearthly Landscape by a Lady’’, Rebecca Campbell (Beneath Ceaseless Skies 10/15/15)
‘‘Hold-Time Violations’’, John Chu (Tor.com 10/7/15)
‘‘Three Cups of Grief, by Starlight’’, Aliette de Bodard (Clarkesworld 1/15)
‘‘Please Undo This Hurt’’, Seth Dickinson (Tor.com 9/16/15)
‘‘Madeleine’’, Amal El-Mohtar (Lightspeed 6/15)
‘‘A Shot of Salt Water’’, Lisa L. Hannett (The Dark 5/15)
‘‘Let Baser Things Devise’’, Berrien C. Henderson (Clarkesworld 4/15)
‘‘The Apartment Dweller’s Bestiary’’, Kij Johnson (Clarkesworld 1/15)
‘‘Cat Pictures Please’’, Naomi Kritzer (Clarkesworld 1/15)
‘‘Variations on an Apple’’, Yoon Ha Lee (Tor.com 10/14/15)
‘archival testimony fragments / minersong’’, Rose Lemberg (Uncanny 1-2/15)
‘‘The Game of Smash and Recovery’’, Kelly Link (Strange Horizons 10/17/15)
‘‘Descent’’, Carmen Maria Machado (Nightmare 2/15)
‘‘Hello, Hello’’, Seanan McGuire (Future Visions)
‘‘When Your Child Strays From God’’, Sam J. Miller (Clarkesworld 7/15)
‘‘The Smog Society’’, Chen Qiufan (Lightspeed 8/15)
‘‘The Empress in Her Glory’’, Robert Reed (Clarkesworld 4/15)
‘‘The Three Resurrections of Jessica Churchill’’, Kelly Robson (Clarkesworld 2/15)
‘‘Today I Am Paul’’, Martin L. Shoemaker (Clarkesworld 8/15)
‘‘The Karen Joy Fowler Book Club’’, Nike Sulway (Lightspeed 10/15)
‘‘The Pyramid of Krakow’’, Michael Swanwick (Tor.com 9/30/15)
‘‘The Lily and the Horn’’, Catherynne M. Valente (Fantasy 12/15)
‘‘Pocosin’’, Ursula Vernon (Apex 1/15)
‘‘Kaiju maximus®: ‘So Various, So Beautiful, So New’’’, Kai Ashante Wilson (Fantasy 12/15)
‘‘Hungry Daughters of Starving Mothers’’, Alyssa Wong (Nightmare 10/15)
‘‘Seven Wonders of a Once and Future World’’, Caroline M. Yoachim (Lightspeed 9/15)

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Storytelling is a fundamentally human pursuit. (Not to say that we’re the only ones who do it, because it’s possible that ant and bee pheromones communicate the route to food in the form of a tale that resonates with those particular species, but…) In fundamental ways that touch on history to parenting to neuroscience and everything in between, we are our stories. The origins of some classic fairytales, for instance, go back thousands of years.

How our essential stories came to be, what they say to us, and about us, and how they continue to resonate, are all fundamental questions for writers. One way to think about the path of a story, where it goes and what it is meant to do, is through the Hero’s Journey. The TED Radio Hour on NPR did a nice series on this:

…why are we drawn to stories about heroes? And what do they tell us about ourselves?

There are other ways to tell a story, of course, but as the fundamental underpinnings of tales from The Odyssey to Star Wars, this framework provides a fascinating and concrete way to communicate through fiction.

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