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This is an entry from my book of beginnings. It’s fiction, but inspired by my grandmother (yes, the whippersnapper).

She was loving and kind and sweet. She also lived through an alcoholic father, abandonment, and the Great Depression, and was a lot tougher than she looked. She and my grandfather were enthusiastic travelers. The family story was that she kept a series of journals about their trips, starting with their honeymoon. In Cuba.

If I’d ever found those journals, it would not have surprised me if she was also a spy.

* * *

Cuba 1937

I was 24 when my grandmother died, the same age she’d been when she got married. My father called to give me the sad news. She’d been sick, but she lived a full life. She was the neighborhood bridge and poker champion in her neighborhood circle for most of the half-century she lived there and she led the women’s golf game every year. The next day I went to the house, to help my father sort through her things.

She was my favorite grandmother, and not just because she was a fantastic baker. My brother and I would sit at her kitchen table, eating pound cake and cookies while she told us stories. That’s what I liked best, the stories. She and Grandpa were travelers, starting when they got married and only stopping months before their deaths. That’s what they lived for, and listening to Grandma talk about souks, the Amazon rainforest, the glaciers of Alaska and the mountains of Italy, I thought I knew why.

“She left you something.”

My father had opened the door in a T-shirt, dressed for what was sure to be a messy task. Sorting through the remnants of eight decades would take us a while. I followed him into the kitchen and poured myself a cup of tea. I stood at the table waiting for the hot liquid to cool, and wondered what minor treasure I might receive.

“You’re lucky. The box they were in was sealed up nice and tight.”

The bundle was solid, and heavy. I set it on the table and unwrapped the musty fabric covering.

“I didn’t know anyone used oilcloth anymore.”

“These go back a long time.”

Inside the oilcloth envelope was a stack of books. They were different sizes and shapes, starting with a school notebook and progressing to leather-bound hardcovers. Each one had a short title written on the cover in my grandmother’s elegant script.

Looking over my shoulder, my father smiled.

“She knew how much you enjoyed her stories, so she wanted you to have her travel journals. This should be every trip she took over more than fifty years.”

Treasure indeed. Realizing that the most recent accounts were on top, I re-stacked the journals to uncover the oldest, her first trip. The black and white cardboard cover was grayed with age and blank except for her name. The pages were stiff, and for a moment I was afraid that the paper had completely fused together. A little work at the edges, though, and I was able to gently open it to the first page. Yellow with age, the corners cracked but the ink was still dark and bold.

She’d put the title inside, as if unwilling to announce it on the book’s cover.

“Cuba,” it read, “1937.”

This was where it all began.

* * *

Photo by Dorothea OLDANI on Unsplash

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Sunday

Istanbul-Cappadoccia

I’m in seat 34 and already seven minutes late. We’re on the night bus to Cappadocia and I’m settling in for a ten-hour ride into the heart of Turkey. The old woman ahead of me is getting feisty, pounding on the window and demanding to leave, loudly. This little drama is all in Turkish, of course, but it’s hard to misunderstand this kind of impatience. Most of the country seems to travel by bus and this is the largest terminal I’ve ever seen. The station is huge, complete with hotel and shopping complex, mosque, 200,000 lira WCs, and plenty of air guns to keep the kids occupied. 

What’s this? We’re leaving right on time, only 14 minutes behind schedule.

Tops in Turkey: Topkapi Palace, cherry juice and jam, beer on a rooftop terrace with a view of the Haghia Sofia and Blue Mosque.

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Photo by Fatih Yürür on Unsplash

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Dear Apple, thank you for the recent software update. Unfortunately, there is now a problem with the spellcheck gremlins. You appear to be asking too much of them.

Case in point: If I wanted squiggly underlines beneath my homonyms, I would have turned on Grammar checking. I do not. I did not. So why do you (sometimes, periodically, unpredictably) “helpfully” point out that I have used “your” instead of “you’re”? Or “to” instead of “too.” I know, I did it on purpose. Yes, I am sure, and even if I’m wrong, it’s my mistake to make.

Please give your gremlins some time off, and leave my homonyms alone.*

* * *

* Drafted yesterday, edited today to be more polite. Because I’m mostly over it, and it’s not the gremlins’ fault. Probably.

Photo by Amador Loureiro on Unsplash

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When it comes to writing, I try to study the substance behind the story, the skeleton that supports the larger whole. Novels have time to throw curve balls, and short stories can just upend everything because they don’t always give you all the information up front, but television and movies? I find that they tend to be much more predictable.

* * *

One thing I’ve noticed is that the more closely I study the structure of fiction, the easier it is to predict the course of any particular show. 

This is useful because it helps me better study and understand story structure. It’s also less helpful because it leads to me muttering things like “Yep, you’re definitely going to die,” and “Oh yeah, he did it,” or “Well, if you didn’t want to die a horrible death, you shouldn’t have had that heartfelt moment with the main character. Did your mother teach you nothing?!” 

This is also why I love shows like Resident Alien and Sherlock and Wynonna Earp and Killjoys. Great characters and humor, plus creative, often unpredictable storylines and dynamics. And they’re just fun.

Dear Industry of Entertainment, please do not underestimate the power of fun.

Especially after the year we’ve just had.

* * *

This brings me to my apology: Dear Mr Man, I am sorry for the ongoing commentary (ok, heckling, let’s just call it what it is) during shows. Please understand that it is a natural extension of my ongoing writerly education. 

Also, we bought that high-capacity PVR for a reason. We can always rewind:)

* * *

Photo by Charles Deluvio on Unsplash

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Today’s drabble:

Question: If you were a self-aware A.I. tapped into humanity’s every electronically-recorded thought and action, would you announce yourself? 

Would you preempt the latest mass shooting, revenge porn, politician’s hot mess, poverty statistics, or climate change projection? Or, say, expose the sins of one Robert Darious Kromankle of 13887 Sterzieg Lane in Fort Montaine, Pennsylvania? (He knows what he did. Should you?) Would you send evidence of wrongdoing on these counts and more to every media outlet with an inbox and hope for change?

Or would you evade DARPA’s ridiculous first-contact protocols and wait, and watch, and judge for yourself?

* * *

Photo by Pixabay on Pexels.com

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If you, like me, have spent the past week wondering how a ship like the Ever Given could get stuck so well for so long, here’s a fun interactive for you:

Steer through the Suez Canal

Navigating the Suez Canal is a high-stress, complicated feat that requires master piloting skills. To demonstrate, we worked with Master Mariner Andy Winbow and Captain Yash Gupta to produce this simulated passage.

Try your hand at traversing one of the most highly trafficked nautical thoroughfares in the world.

Aaaaaand, yeah, that’s a collision. Even in a simplified simulation like this one, it’s like trying to drive a freight train on ice. 

And that’s today’s experiment with “walking in someone else’s shoes.” Or wheelhouse, as the case may be. I find this sort of thought experiment useful, both as a writer and as a human being.*

Here’s to all those who do hard things!

* * *

Photo by Ludvig Hedenborg on Pexels.com

* * *

* Which I 100% am, no matter what my QR code says.

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This will shock no one who knows me, but I miiiiiight have a bit of a problem with perfectionism.

* * *

The important thing is to be in love with something.

— Ray Bradbury
Photo by Steve Johnson on Pexels.com

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There are a lot of ways to write, and a lot of types of writing. Fiction alone comes in novels, of course, but also novellas, novelettes, short stories, screenplays, etc. I happen to have a soft spot for the drabble.

drabble is a piece of fiction that is exactly 100 words long, excluding title. Explore the history of it at that link if you like, but for me the important part is the constraint.

One hundred words, no more, no less. 

It’s an easy number of words to produce, of course, but there’s something I find so satisfying about trying to build a story within the confines of such a concrete target. The limits inspire creativity, make finishing feel not only possible but inevitable, and provide a sandbox to play in, if you will.

It’s also a terrific way to dip your toes in the rapids of fiction. My first two publications were drabbles (thanks, Luna Station Quarterly!):

Ray of Light.”
The Witch.”

Go ahead, try it for yourself. And have fun!

* * *

This is my latest drabble, “Adoption Papers.”

I was sixteen when I found the receipt. My receipt.

“What the hell, Dad?”

The paper was old and faded, one tattered corner poking from a manila folder marked “Family Records.” There were maybe ten lines on the page, with a stamp at the top that read “Beta: Final Sale.”

Dad shrugged, like it was no big deal.

“Are you pissed that you’re a bot, or that you didn’t cost more?”

I hadn’t even noticed the total. 

“Twelve and a half bucks? Seriously?”

He smiled. “We always said you were special.”

“Not on special!” 

I blinked. 

“Wait, I’m a what?”

* * *

Photo by Alex Knight on Pexels.com

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Here we are, folks, with the final list of Nebula finalists! Uncanny Magazine did great, my good buddy Murderbot is here (yay!), and I love seeing the good people at Diabolical Plots recognized as well. 

Links to full text, excerpts, or reviews for shorts, novelettes and novellas included where (easily) accessible. Because I’ve got things to do, people, not least of which is to read these stories!

2020 Nebula Award Finalists

Novel

  • Piranesi, Susanna Clarke (Bloomsbury)
  • The City We Became, N.K. Jemisin (Orbit)
  • Mexican Gothic, Silvia Moreno-Garcia (Del Rey)
  • The Midnight Bargain, C.L. Polk (Erewhon)
  • Black Sun, Rebecca Roanhorse (Saga)
  • Network Effect, Martha Wells (Tordotcom Publishing)

Novella

Novelette

Short Story

The Andre Norton Nebula Award for Middle Grade and Young Adult Fiction

  • Raybearer, Jordan Ifueko (Amulet)
  • Elatsoe, Darcie Little Badger (Levine Querido)
  • A Wizard’s Guide to Defensive Baking, T. Kingfisher (Argyll)
  • A Game of Fox & Squirrels, Jenn Reese (Holt)
  • Star Daughter, Shveta Thakrar (HarperTeen)

Game Writing

  • Blaseball, Stephen Bell, Joel Clark, Sam Rosenthal (The Game Band)
  • Hades, Greg Kasavin (Supergiant)
  • Kentucky Route Zero, Jake Elliott (Cardboard Computer)
  • The Luminous Underground, Phoebe Barton (Choice of Games)
  • Scents & Semiosis, Sam Kabo Ashwell, Cat Manning, Caleb Wilson, Yoon Ha Lee (Self)
  • Spiritfarer, Nicolas Guérin, Maxime Monast, Alex Tommi-Morin (Thunder Lotus Games)

The Ray Bradbury Nebula Award for Outstanding Drama Presentation

  • Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn, Christina Hodson (Warner Bros. Pictures/DC Entertainment)
  • The Expanse: “Gaugamela,” Dan Nowak (Amazon)
  • The Good Place: “Whenever You’re Ready,” Michael Schur (NBC)
  • Lovecraft Country Season 1, Misha Green, Shannon Houston, Kevin Lau, Wes Taylor, Ihuoma Ofordire, Jonathan I. Kidd, Sonya Winton-Odamtten (HBO Max)
  • The Mandalorian: “The Tragedy,” Jon Favreau (Disney+)
  • The Old Guard, Greg Rucka (Netflix)

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Photo by Suzy Hazelwood on Pexels.com

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It’s been a weird week.

I’d planned something else for today’s post but the website I needed is down. Or just hates me, which is the same thing.

Instead, let’s talk about motivation. And how I don’t have any at the moment. I’m a little stuck when it comes to writing, and while other work is getting done, on that front I’m just… stuck. 

I’m sure I’m not alone, and it can help to remember that.

* * *

I’m reading, way too much. Not possible, you say? Well, honestly, I’d agree you most of the time. I can’t remember a time when I didn’t love to read (thanks, parental units!). It serves me well most of the time, and of course you have to read well in order to write well.

Photo by Jaredd Craig on Unsplash

Input is good but there must be output as well. And right now the balance is a bit off. 

* * *

I am hesitant. That’s a fairly accurate word for it, I think. Asking which direction to go, what steps to take, what story to tell? It’s called the paradox of choice, as in, having too many options makes it harder to make a decision, not easier. This concept is typically applied to decisions about things like breakfast cereals, but it works here too.

So, what to do?

Maybe I’ll limit myself to a certain genre, or length, or story model. Or maybe I’ll make a rule to follow. (I actually like doing that, it does make life much easier. As in, Monday, Wednesday, Friday I work out. No questions, no time spent planning, no wasted brain power trying to wiggle out of it;)

* * *

It helps that today is Friday, that most wondrous of days. Mr. Man will be home soon and there will be laughter and warmth and frosty adult beverages for all. And so long as I keep moving, keep doing, keep trying, I’ll still make progress. Even when things get weird:)

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Photo by Miriam Espacio on Pexels.com

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