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Posts Tagged ‘writing’

Yesterday it was Black History Month and today it is Women’s History Month. It seems like the perfect day to spotlight American science fiction writer Octavia Butler. 

Nikolas Coukouma, CC BY-SA 2.5 https://creativecommons.org/licenses/by-sa/2.5, via Wikimedia Commons

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Who was she?

Octavia Estelle Butler (June 22, 1947 – February 24, 2006) was an American science fiction author. A multiple recipient of both the Hugo and Nebula awards, she became in 1995 the first science-fiction writer to receive a MacArthur Fellowship.

— Octavia E. Butler – Wikipedia

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What makes her work special?

I think the first Butler book I read was The Parable of the Sower, found in the interesting section of the family’s bookshelves. It had a woman’s name and a black image on the cover. Count me in, I said. And then it got interesting.

This was no whitewashed far future in space, or something like Heinlein’s more recognizable near-ish futures. We begin in a devastated California, raw and gritty and often painful, but with hope and purpose to bind it together into a larger whole. 

This NPR show talks about her work and what made it remarkable:

Octavia Butler: Visionary Fiction‬

She was a deep observer of the human condition, perplexed and inspired by our propensity towards self-destruction. Butler was also fascinated by the cyclical nature of history, and often looked to the past when writing about the future. Along with her warnings is her message of hope — a hope conjured by centuries of survival and persistence. For every society that perished in her books, came a story of rebuilding, of repair.

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Where to start?

She became the first science fiction author to be granted a MacArthur fellowship, and the first Black woman to win Hugo and Nebula awards. Today her influence spans literature, genres and media.

— The Essential Octavia Butler – The New York Times

These links lay out her work and explore her growth as a writer. Explore more to get a better sense of what she wrote and why.

Where to Start with Octavia Butler | The New York Public Library

“‘Devil Girl from Mars’: Why I Write Science Fiction”

In 1998, Butler delivered an address at the Massachusetts Institute of Technology. She describes the thinking behind several of her works of fiction and her motivations for writing. It is essential reading for understanding the social consciousness behind the beloved writer’s oeuvre. 

NYPL

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I won’t lie. Butler’s work is good but can be challenging, not least because of the way it takes a visceral look at who we are and what we can be (both the good and the bad). In many ways, I think of her writing as a more realistic, more historically-informed vision of our future than many of the rah rah space travel versions of sci-fi. Unless we change, that is.

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I have a thing about Beauty and the Beast tales, and I think I’ve just figured out why.

Fairy tales are classics for a reason. They strike deeply-ingrained cultural notes that resonate across many lines. (And like most of history, they’re often pretty hard on women.) But what is it about this particular storyline that appeals to me? I’d never really thought about it, until I found myself reading a not terribly well-done version and wondering why I was still reading. Why this sub-genre appeals to me. Then I figured it out.

It’s because in this story, she saves the day.

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We can argue about the story or the level of efficacy Beauty has (not to mention her name), but the template of the story lends itself to modern updates in a way that many other fairy tales do not.

Now, don’t get me wrong, I have enjoyed other fairy tale retellings, but they don’t always appeal to me in the same way. Is it because there’s no princess in sight? Because there’s room for ethical debates alongside the magic and mystery? Because both main characters are flawed in interesting ways? Probably.

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If you’re too young to remember a time when girls in (at least some) stories did not rescue themselves, count your lucky stars. When I was a kid, that’s pretty much all we had. Princess in a tower, waiting to be rescued? Check. Princess in dragon’s lair, waiting to be rescued? Check! Princess orphaned, alone, and (say it with me now) waiting to be rescued? Yep. And then, of course, there were all those stories where the girl didn’t even make it out alive. Ouch.

My parents tried, but it’s hard to counter the weight of all that history. Slowly, slowly, feminists pushed and creators did better and the world began to shift, but in the meantime, I was a voracious reader with limited formative years.

My attachment to the story may also have had something to do with my own position in the world at the time. The role of misunderstood outsider was one to which I could relate.

I mean, Heinlein’s* Friday was a big deal back in the day. Hard sci-fi starring a kick-ass woman of complex genetic makeup and latte-colored skin? Um, yes please.

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On a related note, I recently learned that my father’s science fiction habit started thanks to recommendations from a sci-fi minded staff member at his university, lo those many years ago. That’s what got our shelves filled with speculation, and I’m better for it. So thank you, interesting unnamed woman who cared enough to share what she knew. (And if that doesn’t sum up most of human history, well, I don’t know what does.)

And that is one reason why I like what I like. Whatever you like, find a way to distill what’s good from it and embrace it. Even if at first it looks a little like a beast.

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* There is deserved debate over Heinlein’s portrayals of women, but his stories helped me see that a different world, a better world, was possible as a kid, and that’s something I’ll always appreciate. It also made me think more about writing, and how to fix what’s broken, and it looks like I’m not the only one. Here’s Jo Walton’s take: The worst book I love: Robert Heinlein’s Friday.

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lion in darkness
Photo by Matthew Kerslake on Unsplash

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This is a pretty particular post, but it’s something that would have helped me, so here you go.

There are a lot of books and other resources out there for writers. A while back I mentioned a few of the ones I’ve found helpful, including this one:

Techniques of the Selling Writer by Dwight V. Swain

At one point I read an Ilona Andrews* post mentioning they used the book when starting out, and decided to check it out. There’s a lot of useful material here. My edition looks like this:

Swain’s approach is very detailed, and while not the last word, obviously, he does have a Lot to say about the nitty gritty craft of writing. What, how, and why, all those questions everyone ahead of you seems to know but often don’t explain. And have I mentioned that this book is Very Detailed with Teeny Tiny Type? Even if you have the book, getting a handle on the discussion’s arc and the location of useful details was something I found time-consuming. So I wrote up an outline, including descriptions and page references for all the bits I wish the table of contents had included. Click the image below to view the full PDF.

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Will this outline help you? If you have the book and are interested, yes. If you don’t have the book but wonder if you might be interested, this file will at least give you a sense of what’s included.

If you want to know more about techniques like Motivation-Reaction Units, I also suggest this summary post by K.M. Weiland:

Motivation-Reaction Units: Cracking the Code of Good Writing

And since we’re here, I’ll also mention Jim Butcher’s LiveJournal series on writing. He discusses outlines, characters, scenes and sequels that look a lot like Swain’s approach, and more:

‎jimbutcher.livejournal.com

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Even if you don’t need this now, tuck it away in your stash of tools for writing. You never know when it might come in handy!

Photo by u015eahin Sezer Dinu00e7er on Pexels.com

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* Love their work. Check it out if you’re into fantasy starring interesting magic, well-developed characters, smart, capable, kick-ass ladies, and more!

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I ran across a draft letter I wrote several years ago, and I’m kicking myself for not sending it. Why? It was a condolence letter to the husband of an old friend of the family, and I realize now that I never felt like it was good enough to send.

L. and her first husband were close to my parents when I was young, and as couples split apart and merged in new formations, L. remained part of our circle. Even when she remarried, moved away and I hadn’t seen her for years, L. occupied a warm place in my heart. Then she got sick and died, and I didn’t know what to say to the new husband I’d never met.

Still, I searched for a card. I bought a stamp. I drafted a letter. I didn’t send it.

Running across the draft, I realize that what I might have said was less important than the impulse to share what L. meant to me. Here’s my draft, names abbreviated:

Dear P.,

I wanted to write to say how sorry I was to hear about L.’s passing. You know my father M. well, of course, and L. was a good friend of our family for years.

L. was many things, an academic, a family friend, wife, mother, upstanding member of the community and snazzy dresser. She was kind enough to invite us to her son’s bar mitzvah. The energy was happy, swirling, bright and compelling, much like L. herself. 

When I think of L., I remember her smile, her warmth, the care she showed for those around her. I think of her dancing.

I am so sorry for her loss.*

Perfect? No, but it was good enough. What lesson do I take from this? What will I tell myself the next time? 

I wanted it to be perfect because it mattered. But I had it backwards. I understand now that because it mattered, it didn’t have to be perfect.

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Reach out. Share your feelings.

Send the card.

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Photo by Jackson David on Pexels.com

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* Note following a discussion on this with my father: I debated using the more typical “sorry for your loss” but decided that while I was deeply sorry for P., what I meant in the bigger picture was “I’m so sorry she’s gone.” So I used “her loss.” Told you it wasn’t perfect, but that’s ok.

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An interactive, customizable blackout poetry site? Yes, please!

Blackout Poetry Maker

Click the words you want to keep, then “black out.”

Have fun!

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I used to be a terrible procrastinator. Now I’d say I’m about average. Work deadlines? No problem. The birthday card I need to send out? Yeah, that’s definitely going to be late (sorry!). And don’t get me started on my writing for the past year. It was much easier to put it off to doomscroll pandemic and political news. Not better, by any means, but easier.

I had to put that to a stop. But what to do instead? How to stop putting things off and get more done?

The good news is that useful research has been done on how to get past procrastination. Here’s an article with a handy rundown:
‘Why Do I Spend Weeks Avoiding Tasks That Will Take Me 10 Minutes to Do?’

This is an excellent question.

There’s something about the task itself—and the way you feel about it—tripping you up.

As I’ve mentioned, I like the “procrastinate productively” strategy. It can still be hard to get everything done, especially when “everything” includes projects with no external accountability (like writing, if you aren’t a pro). But I find there’s always something little I can do, at the very least. Also? Be kind.

Don’t expect you’re going to get rid of the tendency to procrastinate in the 10 minutes it took to read these tips, and try not to be so hard on yourself. 

For writers who find themselves stuck, I like this book:

On Writer’s Block by Victoria Nelson

“As a rule, young children don’t complain of wanting to fingerpaint but finding themselves mysteriously unable to do so.” 

She’s got a point. So have fun and get things done:)

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Today I’m going to share a secret: I’m not writing. 

It’s not much of a secret, really, but I’ve been avoiding it all the same. Not writing means no NaNoWriMo, no new short stories, no new crazy ideas for novels, at least none that have made it onto the page. The day job is still busy and I’m active on other fronts, but when it comes to writing I’m just… taking a break. 

That should be ok, refilling the well, letting the fields lie fallow and all that, but I’ll be honest, it doesn’t always feel that way. That’s a big part of why I haven’t posted here. But here’s the thing. You can’t be super productive all the time, or I can’t, anyway. Sometimes I need time to step back, take a breath, and get ready for the next round. 

Part of that is admitting when I need a break to refresh. The other part is remembering that despite all the not-so-awesome in the world, there is also magic:)

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The folks over at Boing Boing have listed last night’s 2019 Hugo award winners, complete with links:

Best Novel: The Calculating Stars, by Mary Robinette Kowal (Tor)
Best Novella: Artificial Condition, by Martha Wells (Tor.com publishing)
Best Novelette: “If at First You Don’t Succeed, Try, Try Again,” by Zen Cho (B&N Sci-Fi and Fantasy Blog, 29 November 2018)
Best Short Story: “A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” by Alix E. Harrow (Apex Magazine, February 2018)
Best Series: Wayfarers, by Becky Chambers (Hodder & Stoughton / Harper Voyager)
Best Related Work: Archive of Our Own, a project of the Organization for Transformative Works
Best Graphic Story: Monstress, Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda (Image Comics)
Best Professional Editor (Short Form): Gardner Dozois
Best Professional Editor, Long Form: Navah Wolfe
Best Professional Artist: Charles Vess
Best Semiprozine: Uncanny Magazine
Best Fanzine: Lady Business
Best Fancast: Our Opinions Are Correct
Best Fan Writer: Foz Meadows
Best Fan Artist: Likhain (Mia Sereno)
Best Art Book: The Books of Earthsea: The Complete Illustrated Edition, illustrated by Charles Vess, written by Ursula K. Le Guin (Saga Press / Gollancz)
Lodestar Award for Best Young Adult Book: Children of Blood and Bone, by Tomi Adeyemi (Henry Holt / Macmillan Children’s Books)
John W. Campbell Award for Best New Writer: Jeannette Ng
Best Dramatic Presentation, Long Form: Spider-Man: Into the Spider-Verse, screenplay by Phil Lord and Rodney Rothman, directed by Bob Persichetti, Peter Ramsey and Rodney Rothman (Sony)
Best Dramatic Presentation, Short Form: The Good Place: “Janet(s),” written by Josh Siegal & Dylan Morgan, directed by Morgan Sackett (NBC)

So excited to see my favorite Murderbot and the Wayfarers series get some love, and I’m looking forward to checking out some of the others on the roster. For more reading material, check out Tor.com’s full list of nominees. Enjoy!

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Hooray, my space pirate draft is complete! At almost 18,000 words, it’s the longest “short” story I’ve written to date. Ok, fine, it’s a novella and I’m ok with that.

I’ll need to go back over it, check a few things, get a degree in orbital mechanics (not really) and answer that age-old question, “Do donuts stay fresh longer in space?” Inquiring minds want to know! In the meantime, the draft is on its way to beta readers.

I like it, hope they do too!

 

Finish each day and be done with it. You have done what you could. Some blunders and absurdities no doubt crept in; forget them as soon as you can. Tomorrow is a new day. You shall begin it serenely and with too high a spirit to be encumbered with your old nonsense.
― Ralph Waldo Emerson

 

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Looking for new reading material? Good news! The Nebula Award finalists have been announced, so it’s time to pad those To Read lists, people. Here is the complete list, some with links to reviews, previews, and full text where available (and I felt like it:).

What looks interesting to you?

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2018 Nebula Award Finalists
Novel
The Calculating Stars, Mary Robinette Kowal (Tor) [review]
The Poppy War, R.F. Kuang (Harper Voyager US; Harper Voyager UK)
Blackfish City, Sam J. Miller (Ecco; Orbit UK)
Spinning Silver, Naomi Novik (Del Rey; Macmillan)
Witchmark, C.L. Polk (Tor.com Publishing)
Trail of Lightning, Rebecca Roanhorse (Saga) [review]

Novella
Fire Ant, Jonathan P. Brazee (Semper Fi) [preview]
The Black God’s Drums, P. Djèlí Clark (Tor.com Publishing) [review]
The Tea Master and the Detective, Aliette de Bodard (Subterranean) [preview and review]
Alice Payne Arrives, Kate Heartfield (Tor.com Publishing) [excerpt]
Gods, Monsters, and the Lucky Peach, Kelly Robson (Tor.com Publishing) [review and review]
Artificial Condition, Martha Wells (Tor.com Publishing) [excerpt]

Novelette
“The Only Harmless Great Thing”, Brooke Bolander (Tor.com Publishing)
The Last Banquet of Temporal Confections”, Tina Connolly (Tor.com 7/11/18)
“An Agent of Utopia”, Andy Duncan (An Agent of Utopia)
The Substance of My Lives, the Accidents of Our Births”, José Pablo Iriarte (Lightspeed 1/18)
The Rule of Three”, Lawrence M. Schoen (Future Science Fiction Digest 12/18)
“Messenger”, Yudhanjaya Wijeratne and R.R. Virdi (Expanding Universe, Volume 4)

Short Story
“Interview for the End of the World”, Rhett C. Bruno (Bridge Across the Stars)
The Secret Lives of the Nine Negro Teeth of George Washington”, Phenderson Djèlí Clark (Fireside 2/18)
“Going Dark”, Richard Fox (Backblast Area Clear)
“And Yet”, A.T. Greenblatt (Uncanny 3-4/18)
A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies”, Alix E. Harrow (Apex 2/6/18)
The Court Magician”, Sarah Pinsker (Lightspeed 1/18)

Game Writing
Black Mirror: Bandersnatch, Charlie Brooker (House of Tomorrow & Netflix)
The Road to Canterbury, Kate Heartfield (Choice of Games)
God of War, Matt Sophos, Richard Zangrande Gaubert, Cory Barlog, Orion Walker, and Adam Dolin (Santa Monica Studio/Sony/Interactive Entertainment)
Rent-A-Vice, Natalia Theodoridou (Choice of Games)
The Martian Job, M. Darusha Wehm (Choice of Games)

The Ray Bradbury Award for Outstanding Dramatic Presentation
The Good Place: “Jeremy Bearimy”, Written by: Megan Amram
Black Panther, Written by: Ryan Coogler and Joe Robert Cole
A Quiet Place, Screenplay by: John Krasinski and Bryan Woods & Scott Beck
Spider-Man: Into the Spider-Verse, Screenplay by: Phil Lord and Rodney Rothman
Dirty Computer, Written by: Janelle Monáe and Chuck Lightning
Sorry to Bother You, Written by: Boots Riley

The Andre Norton Award for Outstanding Young Adult Science Fiction or Fantasy Book
Children of Blood and Bone, Tomi Adeyemi (Henry Holt; Macmillan)
Aru Shah and the End of Time, Roshani Chokshi (Rick Riordan Presents)
A Light in the Dark, A.K. DuBoff (BDL)
Tess of the Road, Rachel Hartman (Random House)
Dread Nation, Justina Ireland (Balzer + Bray)
Peasprout Chen: Future Legend of Skate and Sword, Henry Lien (Henry Holt)

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Let’s see if embedding my Goodreads list works here… Why yes, I believe it does. If the list isn’t showing for you, find it here.

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2018 Nebula Finalists (Many, Anyway!)

The Rule of Three
tagged:
2018-nebula-finalists and to-read
A Light in the Dark
tagged:
2018-nebula-finalists and to-read
Fire Ant
tagged:
2018-nebula-finalists and to-read
And Yet
tagged:
2018-nebula-finalists and to-read
Alice Payne Arrives
tagged:
2018-nebula-finalists and to-read
The Only Harmless Great Thing
tagged:
2018-nebula-finalists and to-read
Tess of the Road
tagged:
2018-nebula-finalists and to-read
Children of Blood and Bone
tagged:
2018-nebula-finalists and to-read
Gods, Monsters, and the Lucky Peach
tagged:
to-read and 2018-nebula-finalists
Aru Shah and the End of Time
tagged:
2018-nebula-finalists and to-read
The Tea Master and the Detective
tagged:
to-read, in-progress, on-hiatus, and 2018-nebula-finalists
Dread Nation
tagged:
2018-nebula-finalists and to-read
Peasprout Chen, Future Legend of Skate and Sword
tagged:
2018-nebula-finalists and to-read
Blackfish City
tagged:
2018-nebula-finalists and to-read
The Poppy War
tagged:
to-read and 2018-nebula-finalists
Artificial Condition
it was amazing
tagged:
2018-nebula-finalists
Witchmark
tagged:
2018-nebula-finalists

 

goodreads.com

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