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Posts Tagged ‘science fiction’

The excellent Elizabeth Bear has a good post on how to get past “rave rejections.” You know the ones, where they tell you how great the story is but sorry, can’t use it.

Her advice? Focus on Voice and Narrative. While these suggestions are hardly new she does frame them in concise, useful language that cuts through the extensive “how to” checklists so often found in writing advice. Here she is on how to grow a voice:

Write a lot. Work at identifying and expunging cliches and lazy word choice from your prose. Find sharp verbs and strong, observed details. Read things out loud and if you don’t like how they sound, change them. Embrace whimsy and quirkiness, but only inasmuch as it is natural to you: otherwise you run the risk of becoming twee. Play with pastiche. If you have a natural wit, let it shine through. Be playful.

On narrative drive and creating characters readers care about:

A character who loves something, or who holds fast to an ideal, is humanized and becomes approachable. A character who takes action lures us unto caring about what she cares about.

We love people who fight.

It’s a great post, short, approachable, with a “manageable bite-sized helpful chunk” of useful information. Also, bonus points for using a funny video of David Bowie to make her case.

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Jason Sheehan over at NPR has a very nice review of John Scalzi’s Lock In today. I’m looking forward to getting my hands on a copy:)

Lock In is a cop story first… There is blood, a body, a couch pushed out a hotel room window from a high floor… Once he’s gotten past the tricky part of building a near-future world and putting a dead body in it without getting bogged down in the details of either, the rest is all cake and hand grenades.

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I’m afraid I’m late to this particular party so please note the deadline tonight at midnight, but for the next ten-ish hours HELP FUND MY ROBOT ARMY!!! and Other Improbable Crowdfunding Projects edited by John Joseph Adams is available for Kindle at the low, low price of $0.99. I’ve read the title piece and enjoyed the heck out of it, so I’m in.

This deal ends at August 26th, 2014, which is midnight tonight, Pacific Time. Enjoy!

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Pieces I want to read, have just read, or am reading again:

Writing Stuff:
Random Stuff:

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So there I was fighting with some work stuff and fixing to have a perfectly crappy afternoon when a little lightbulb went off over my head, just like in the cartoons. A few clicks later and all was once again right with the world. Go ahead try it, bet it will work for you too:)

Yeah, I saw Guardians of the Galaxy. If you haven’t, it’s a damn fine movie. Damn fine!

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A new pro-level magazine of science fiction and fantasy? Yes, please! Uncanny Magazine is being launched via Kickstarter, and as a supporter of things sfnal, writerly, and otherwise cool I signed on. It’s a project by three-time Hugo Award-winner Lynne M. Thomas and three-time Hugo Award nominee Michael Damian Thomas, and it already features a terrific contributor roster of authors and artists.

Also? Space unicorns!

So if you also like the idea of more markets for professional science fiction and fantasy, check out Uncanny: A Magazine of Science Fiction & Fantasy.

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A quick heads up for writers of speculative fiction: CC Finlay will guest edit two more issues of Fantasy & Science Fiction in the coming year. Unlike standard F&SF subs, he will also accept electronic submissions. Wondrous!

For additional details, dates, etc. dive on in with CC Finlay’s blog post.

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Canada Day was July 1st and American Independence Day is July 4th, neatly bookending the week with parties and fireworks and associated festivities. Yay. That said, work must be done and so I am a wee bit crunched for time. In lieu of a long essay on the state of the world and/or gracing you with my recipe for meringue, say, allow me to direct you to “The New Provisions,” a story by Adam-Troy Castro fresh out at Lightspeed.

It’s not true, but it’s not all false, either. Enjoy!

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We’re losing all our Strong Female Characters to Trinity Syndrome

This excellent piece by Tasha Robinson sums up a lot of the problems mainstream storytelling has with “Strong Female Characters.”

For the ordinary dude to be triumphant, the Strong Female Character has to entirely disappear into Subservient Trophy Character mode. This is Trinity Syndrome à la The Matrix: the hugely capable woman who never once becomes as independent, significant, and exciting as she is in her introductory scene.

If you are interested in learning how not to bury your SFC’s light under a bushel, I recommend this article. It highlights on-point questions creatives should ask themselves, like:

03. Could your Strong Female Character be seamlessly replaced with a floor lamp with some useful information written on it to help a male hero?

:p

In many instances, what starts out as an interesting character is hobbled in order to provide the male hero with whatever thing he needs (knowledge, motivation, etc.) to make it to the finish line. There are exceptions, of course, and I’m pleased to say that Emily Blunt’s character in Edge of Tomorrow was one such.

So maybe all the questions can boil down to this: Looking at a so-called Strong Female Character, would you—the writer, the director, the actor, the viewer—want to be her?

Like Tasha Robinson, I loved Cate Blanchett’s character in How to Train Your Dragon 2 and was as disappointed when the role for this supremely kick-ass woman who was willing to live in exile for twenty years to uphold her principles just sort of… fizzled out. I hope to see more from her in a third installment. In fact, I hope to see more Strong Female Characters across the board.

Who knows, one day we might even just call them, oh, I don’t know, “Female Characters.”

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Or, what I read with my morning tea. Entertainment, edification, and associated weirdness? Yep, these articles have it all. Enjoy!

And via the good people at io9:

 

 

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