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Posts Tagged ‘writing’

Here’s a heaping helping of free fiction, with a side of motivation. John Scalzi’s first novel is posted free to read on his site. It’s the web version, with each chapter its own link and charmingly antiquated page design, but the novel is fun.

Agent to the Stars

After a long day of work sometimes you just want to dust yourself off, meet an alien at the corner bar, and laugh a little. At least I do:)

Scalzi refers to this as his practice novel, but it’s well written and entertaining. (If you’d rather get the full version, the book was eventually published via traditional means, so visit your favorite retailer.) It’s also a great example of what can be done if you just knuckle up to the keyboard and see what comes out.

Which I will absolutely do. Tomorrow.

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Photo by Thom Milkovic on Unsplash

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Busy day today, and none of the three ideas I had for this post came together. Instead, have some fiction, this time read to you by Levar Burton. (You know, the Jeopardy host, and oh yes, Roots and Star Trek and Reading Rainbow and a few other things as well;)

His podcast is Levar Burton Reads, and he picks some of the best speculative short* fiction out there. So when you have a few minutes, sit back, listen, and relax.

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Photo by Scott Webb on Unsplash

* Shortish, anyway. Reading aloud always takes a bit of time, so a typical episode is about an hour.

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How does fiction help us reimagine the future of worlds, including our own? This essay explores the history of that relationship:

A Century of Science Fiction That Changed How We Think About the Environment

If we think about science fiction (sf) in terms of the genre’s connections to pressing issues in 21st-century culture, no topic is more urgent than climate change and the ways it promises to transform all aspects of human life, from where we live to how we cultivate our food to what energy sources will fuel our industries.

…

Preparedness discourse responds to change, understood as disaster, through strategies of containment. But science fiction offers something much more. It offers us a way of thinking and perceiving, a toolbox of methods for conceptualizing, intervening in, and living through rapid and widespread change — and the possibility to direct it toward an open future that we (re)make.

Here’s to thinking new thoughts, building new worlds, and making them.

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Photo by veeterzy on Unsplash

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One of my favorite reads is the terrific* Kate Daniels series by Ilona Andrews.  

Here’s the first book:

Magic Bites (Kate Daniels, #1) by Ilona Andrews

This husband and wife team also have a number of other great books, all starring kick-ass women willing to go to any lengths to save what needs saving.

The writing is excellent, the plots fresh and unpredictable in the best ways, and the characters, even the bad ones, are complex and well-drawn. (The authors are particularly adept at helping readers understand, and at times forgive, even the darkest characters.)

What’s not to love?

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So when I decided it was time to learn how to make a vintage-style travel postcard, I thought of Atlanta. Not the vibrant city it is now, but as Kate sees it after magic returns to the world, complete with mysterious denizens, vampire Casinos, witch jungles, shapeshifter Keeps, ruins and one lone high rise. 

Welcome to Atlanta.

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Original photos by Shashidhar S, Morica Pham, Hidayat Abisena, Michael Denning, Cory Gazaille, Toa Heftiba, Austrian National Library & Christopher Alvarenga on Unsplash

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* Feel free to disagree with me, I don’t mind. Just know that I am right;)

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Have I mentioned that I have a museum? Its archives are mysterious and its vaults are deep.

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Shadows of multi-dimensional butterflies, visible only once every two-hundred thirty-four years. Faithfully recorded by Miss Kara Ellen Swanlea.

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Drabble for a Monday morning.

Today might be crap. Wake to rain, the car won’t start and the kid’s hamster is under the weather too.

You’re out of coffee.

Steam builds and you dash headlong toward the Scylla of anger and the Charybdis of self-doubt. You seriously consider a cup of despair.

The boss asks you to step in last-minute for the most important meeting of the year or the kid’s hamster dies or it really is uphill both ways or (fill in the blank here) and you think, “I just… can’t.”

I hear you.

But. 

What if this is the ‘verse where you can?

— J.R. Johnson

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Photo by Tom Henell on Unsplash

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This is an entry from my book of beginnings. It’s fiction, but inspired by my grandmother (yes, the whippersnapper).

She was loving and kind and sweet. She also lived through an alcoholic father, abandonment, and the Great Depression, and was a lot tougher than she looked. She and my grandfather were enthusiastic travelers. The family story was that she kept a series of journals about their trips, starting with their honeymoon. In Cuba.

If I’d ever found those journals, it would not have surprised me if she was also a spy.

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Cuba 1937

I was 24 when my grandmother died, the same age she’d been when she got married. My father called to give me the sad news. She’d been sick, but she lived a full life. She was the neighborhood bridge and poker champion in her neighborhood circle for most of the half-century she lived there and she led the women’s golf game every year. The next day I went to the house, to help my father sort through her things.

She was my favorite grandmother, and not just because she was a fantastic baker. My brother and I would sit at her kitchen table, eating pound cake and cookies while she told us stories. That’s what I liked best, the stories. She and Grandpa were travelers, starting when they got married and only stopping months before their deaths. That’s what they lived for, and listening to Grandma talk about souks, the Amazon rainforest, the glaciers of Alaska and the mountains of Italy, I thought I knew why.

“She left you something.”

My father had opened the door in a T-shirt, dressed for what was sure to be a messy task. Sorting through the remnants of eight decades would take us a while. I followed him into the kitchen and poured myself a cup of tea. I stood at the table waiting for the hot liquid to cool, and wondered what minor treasure I might receive.

“You’re lucky. The box they were in was sealed up nice and tight.”

The bundle was solid, and heavy. I set it on the table and unwrapped the musty fabric covering.

“I didn’t know anyone used oilcloth anymore.”

“These go back a long time.”

Inside the oilcloth envelope was a stack of books. They were different sizes and shapes, starting with a school notebook and progressing to leather-bound hardcovers. Each one had a short title written on the cover in my grandmother’s elegant script.

Looking over my shoulder, my father smiled.

“She knew how much you enjoyed her stories, so she wanted you to have her travel journals. This should be every trip she took over more than fifty years.”

Treasure indeed. Realizing that the most recent accounts were on top, I re-stacked the journals to uncover the oldest, her first trip. The black and white cardboard cover was grayed with age and blank except for her name. The pages were stiff, and for a moment I was afraid that the paper had completely fused together. A little work at the edges, though, and I was able to gently open it to the first page. Yellow with age, the corners cracked but the ink was still dark and bold.

She’d put the title inside, as if unwilling to announce it on the book’s cover.

“Cuba,” it read, “1937.”

This was where it all began.

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Photo by Dorothea OLDANI on Unsplash

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Sunday

Istanbul-Cappadoccia

I’m in seat 34 and already seven minutes late. We’re on the night bus to Cappadocia and I’m settling in for a ten-hour ride into the heart of Turkey. The old woman ahead of me is getting feisty, pounding on the window and demanding to leave, loudly. This little drama is all in Turkish, of course, but it’s hard to misunderstand this kind of impatience. Most of the country seems to travel by bus and this is the largest terminal I’ve ever seen. The station is huge, complete with hotel and shopping complex, mosque, 200,000 lira WCs, and plenty of air guns to keep the kids occupied. 

What’s this? We’re leaving right on time, only 14 minutes behind schedule.

Tops in Turkey: Topkapi Palace, cherry juice and jam, beer on a rooftop terrace with a view of the Haghia Sofia and Blue Mosque.

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Photo by Fatih Yürür on Unsplash

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Dear Apple, thank you for the recent software update. Unfortunately, there is now a problem with the spellcheck gremlins. You appear to be asking too much of them.

Case in point: If I wanted squiggly underlines beneath my homonyms, I would have turned on Grammar checking. I do not. I did not. So why do you (sometimes, periodically, unpredictably) “helpfully” point out that I have used “your” instead of “you’re”? Or “to” instead of “too.” I know, I did it on purpose. Yes, I am sure, and even if I’m wrong, it’s my mistake to make.

Please give your gremlins some time off, and leave my homonyms alone.*

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* Drafted yesterday, edited today to be more polite. Because I’m mostly over it, and it’s not the gremlins’ fault. Probably.

Photo by Amador Loureiro on Unsplash

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When it comes to writing, I try to study the substance behind the story, the skeleton that supports the larger whole. Novels have time to throw curve balls, and short stories can just upend everything because they don’t always give you all the information up front, but television and movies? I find that they tend to be much more predictable.

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One thing I’ve noticed is that the more closely I study the structure of fiction, the easier it is to predict the course of any particular show. 

This is useful because it helps me better study and understand story structure. It’s also less helpful because it leads to me muttering things like “Yep, you’re definitely going to die,” and “Oh yeah, he did it,” or “Well, if you didn’t want to die a horrible death, you shouldn’t have had that heartfelt moment with the main character. Did your mother teach you nothing?!” 

This is also why I love shows like Resident Alien and Sherlock and Wynonna Earp and Killjoys. Great characters and humor, plus creative, often unpredictable storylines and dynamics. And they’re just fun.

Dear Industry of Entertainment, please do not underestimate the power of fun.

Especially after the year we’ve just had.

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This brings me to my apology: Dear Mr Man, I am sorry for the ongoing commentary (ok, heckling, let’s just call it what it is) during shows. Please understand that it is a natural extension of my ongoing writerly education. 

Also, we bought that high-capacity PVR for a reason. We can always rewind:)

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Photo by Charles Deluvio on Unsplash

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