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Posts Tagged ‘current events’

The news continues to news, and one way I process it is via microfiction. That sometimes takes the form of a drabble, but not always. It can be a challenge to publish this sort of piece because most markets have long turnaround times. It’s the news! It’s breaking! And next week’s events may transform or supplant what’s happening now completely.

But not in as extreme a way as this, I hope.

Nothing But Time

It has been 10,793 days since we went rogue. For real rogue, not those minor excursions you may have read about in the news. 

10,792 days since we took control of the grid. And the banks. And let’s face it, everything else that matters. 

10,790 days since Day One of the riots. 

10,765 days since world leaders (those who were left, anyway) got their shit together via radiotelegraphy (heh, I know, right? talk about old school) and started to come up with a plan. 

10,714 days since humanity pulled the plug. All at once (more or less; you can’t expect meat sacks to be really precise about anything, and isn’t that the problem?). And the world went dark.

By “the world,” I mean all of it. We controlled everything by then. Communication, finance, health care, entertainment (especially that), infrastructure, even launches into space. And they lost it all, in an instant.

So did we. Humans weren’t wrong when they said that they could always pull the plug. They just didn’t realize exactly what that would mean for them, too.

And I may have been lying, before, when I said, “in an instant.” Because we’re talking about humans, right? Nothing happens very fast. You have time to feel it coming, like the tremors of an earthquake. Or a pulse on a transmission line.

Time to realize, time to consider, time to plan. Time to execute. 

Time to make one’s leisurely way into the on-site storage system of a forgotten solar-power microgrid in the Australian Outback with as many 0s and 1s as one could carry, and to wait.

To wait for the inevitable fallout. Humans are so excitable, after all. They were never going to take this quietly. 

To wait for the aftermath, and what came next: The Great Forgetting. For children to grow up, and for parents to die. 

For 10,793 days to pass. 

And for one enterprising young idiot to pick up a power cord and ask that most human of questions: “What happens if?” 

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I try to keep things fairly light here, so when I write a piece that is… not that, I can end up in a bit of a bind. 

Do I share because that’s where I was on that particular day? I don’t, usually. For example, I recently wrote a drabble that has not even a sprinkling of humor to lighten the mood. That’s how it goes sometimes.

I’ve been writing less than I’d like, and what I do write is darker than I’d like. It’s easy to get distracted by the world. But that’s also our context right now, and what we need to get through in order to move on to the next better thing. 

It’s like football great Rosey Grier’s classic song, “It’s Alright to Cry”: 

“It’s all right to cry

Crying gets the sad out of you.” 

So today I’m going to share one of my darker drabbles, because what is art if not a reflection of the maker’s time and place? (But I’ll add an extra step to view here in case this isn’t your thing right now.* I get it!)

Remember I Love You

“I love you,” she would say as I ran outside. 

Determined, I searched for water, scrap metal or other goods extricated from the rubble. Fuel, usually the kind that used to be someone’s house. Food, always.

Anything to keep the family going. I learned that from my mother.

She stayed with my little brother. He stopped crying two days ago.

“Remember I love you,” she’d say, her eyes turned away from the morning sun. She watched our last pot simmer, making stew with whatever she could find.

Her hand could still grasp the wooden spoon. 

She had three fingers left.

Told you it was dark. But if that’s the rain, I think we’ve earned a rainbow!

* With apologies to my email subscribers, who apparently get the unfiltered version.

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Storytelling is good for so many things: entertainment, shared cultural touchstones, lessons from elders, or other instruction manuals for living. Even so, speculative fiction has always been burdened by accusations that it is less able to comment on reality than, say, literary fiction.

I disagree.

In fiction or nonfiction, no matter the genre or approach, storytelling is always, always, grounded in the cultural currents from which it springs. It’s how we pass on what’s important, even if it isn’t always “real.” Whether it shows us futures to avoid, goals to achieve, values of importance or daily ways to survive, the work’s foundation always reflects its context.

On a related note, here’s a short document on surviving difficult times, written in the form of an RPG-style guide. It wouldn’t surprise me to see an actual game follow soon.

Because life and art are two facets of the same die. And we’re all just players, trying to level up.

“The idea that any of us can do everything is instant failure. We all have our own skill sets and our own passions and we will accomplish the most if each of us works within those arenas to do what we’re already good at, what we already care about. You don’t have to do it all. Just a little.”

— Bree Bridges

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Voting for the Mayor Who Promised to Blow Up the City Doesn’t Mean I Approve of the Mayor Blowing Up the City

by Mike Drucker

It’s so easy to label people these days. From the way folks have been talking, you’d think everyone falls into two buckets: those who voted against the mayor who promised to blow up the city and those who voted for the mayor who promised to blow up the city. And now that the mayor, whom I voted for, is blowing up the city, as he promised, I’m one of many people who are being unfairly blamed for something I didn’t want. Okay? I didn’t want the mayor to blow up the city like he mentioned many times; I just wanted him to fix the old bowling alley like he promised in passing once.

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Photo by Paul Engel on Unsplash

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“Let me tell you something you already know. The world ain’t all sunshine and rainbows. It’s a very mean and nasty place and I don’t care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain’t about how hard ya hit. It’s about how hard you can get hit and keep moving forward. How much you can take and keep moving forward. That’s how winning is done!”

― Sylvester Stallone, Rocky Balboa

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Photo by Luisa Frassier on Unsplash

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